IMDb-BEWERTUNG
5,2/10
6562
IHRE BEWERTUNG
Eine Frau gewinnt eine Pauschalreise in das "Institut" eines Unternehmens außerhalb von Florenz und die Chance, den wohlhabenden und charismatischen Besitzer der Restaurantkette kennen zu le... Alles lesenEine Frau gewinnt eine Pauschalreise in das "Institut" eines Unternehmens außerhalb von Florenz und die Chance, den wohlhabenden und charismatischen Besitzer der Restaurantkette kennen zu lernen.Eine Frau gewinnt eine Pauschalreise in das "Institut" eines Unternehmens außerhalb von Florenz und die Chance, den wohlhabenden und charismatischen Besitzer der Restaurantkette kennen zu lernen.
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The world's DUMBEST 35 year old woman goes on a corporate mandated trip to Italy which seems like the opportunity of a lifetime. At first, Amber's plans and assumptions are within the range of normal: she thinks going to Italy even for her lame chain restaurant (which is obviously a place that rhymes with Bolive Zarden) is going to be enriching and fun. Instead, she's stuffed away with other worker drones in an ugly old motel that is located conveniently behind the CEOs lush villa misleadingly advertised in the pamphlet. They awaken on the first day to the sorts of trainings that could have just as easily have been done in the conference room of a Hilton in Bakersfield. What's more, is that the entire group is warned that legally they're not allowed to explore on their own even at night because "Italy is dangerous" and the only time they'll actually be enjoying their journey to a foreign country are on structured group field trips to places like farmer's markets.
At this point, you can't really blame her for befriending a glamorously cool but slightly evil Aubrey Plaza decked out in Italian designer clothes and playing the role of the CEOs much-beleagured personal assistant, Kat. But you start to worry about how well her brain is functioning when she doesn't get even a tiny bit suspicious when Kat drops her off at the CEO's yacht, and drives away while millionaire Nick goes about the most obvious narcissistic sexual harassment any corporate jerk of a boss could muster. Amber falls for it hook, line and sinker as though she's a 20 year old girl who has never been in a real adult relationship with a man before. Utterly starry eyed and besotted, Amber allows Nick to buy her a wildly expensive dress even as Kat clearly says "prostituta" to the sales woman in the shop while discussing the price. Upon arriving to Nick's party, everyone starts kissing Amber or dancing with her, and telling her how open-minded she is. OBVIOUSLY Nick is a creep who is used to manipulating women with money who has invited Amber to an orgy, and everyone except her knows it.
Kat takes pity on Amber, and speedily drives her away from the impending sexcapades and instead takes her out to a dine and dash gourmet meal, drinks and dancing before making out with Amber in the alley way. At this point in the movie, I'm all for it - I would have loved nothing more than for this strange Italian vacation to turn into a bisexual romance starring Aubrey Plaza. Instead, Amber nervously backs off, continues to pine over Nick and hold him blameless, at which point laugh-out-loud chaos ensues.
But even though it's funny, it's just hard to watch the movie as an adult and not realize what a dummy Amber is, and how critical her internalized misogyny and childish naivete are to the entire plot of the film. I don't know who needs to see this film, but it probably wasn't me. I was hoping for a lot more of Aubrey Plaza.
At this point, you can't really blame her for befriending a glamorously cool but slightly evil Aubrey Plaza decked out in Italian designer clothes and playing the role of the CEOs much-beleagured personal assistant, Kat. But you start to worry about how well her brain is functioning when she doesn't get even a tiny bit suspicious when Kat drops her off at the CEO's yacht, and drives away while millionaire Nick goes about the most obvious narcissistic sexual harassment any corporate jerk of a boss could muster. Amber falls for it hook, line and sinker as though she's a 20 year old girl who has never been in a real adult relationship with a man before. Utterly starry eyed and besotted, Amber allows Nick to buy her a wildly expensive dress even as Kat clearly says "prostituta" to the sales woman in the shop while discussing the price. Upon arriving to Nick's party, everyone starts kissing Amber or dancing with her, and telling her how open-minded she is. OBVIOUSLY Nick is a creep who is used to manipulating women with money who has invited Amber to an orgy, and everyone except her knows it.
Kat takes pity on Amber, and speedily drives her away from the impending sexcapades and instead takes her out to a dine and dash gourmet meal, drinks and dancing before making out with Amber in the alley way. At this point in the movie, I'm all for it - I would have loved nothing more than for this strange Italian vacation to turn into a bisexual romance starring Aubrey Plaza. Instead, Amber nervously backs off, continues to pine over Nick and hold him blameless, at which point laugh-out-loud chaos ensues.
But even though it's funny, it's just hard to watch the movie as an adult and not realize what a dummy Amber is, and how critical her internalized misogyny and childish naivete are to the entire plot of the film. I don't know who needs to see this film, but it probably wasn't me. I was hoping for a lot more of Aubrey Plaza.
I liked the concept of the movie, but the tone was all over the place. I don't think the filmmaker knew what kind of movie they wanted to make, which in the end turned into a comedy but has all of these confusing twists and turns in between.
I thought Alessandro Nivola was perfectly cast as Nick, but then he goes to a party and introduces Amber to Ricky, played by...Fred Armisen, whose presence immediately made the movie feel like a TV Show.
I did enjoy the ending. I'm usually not much for interpretive endings, but for once I feel like I understood it. The movie was very messy up to that point, but I don't think I would have had the context to understand the ending without that messiness?
I don't know how I feel about this movie. I really don't.
I thought Alessandro Nivola was perfectly cast as Nick, but then he goes to a party and introduces Amber to Ricky, played by...Fred Armisen, whose presence immediately made the movie feel like a TV Show.
I did enjoy the ending. I'm usually not much for interpretive endings, but for once I feel like I understood it. The movie was very messy up to that point, but I don't think I would have had the context to understand the ending without that messiness?
I don't know how I feel about this movie. I really don't.
Near to the end, the Alison Brie character says "WTF is going on?" and most viewers will have asked the same thing about an hour earlier. The film starts off fairly predictably but once the action moves to Tuscany, no-one, except the above mentioned character, behaves like normal people behave. And not in a funny, zany-comedy way, they simply become progressively more weird.
OK, you think, at any moment now, the hidden under-story will reveal itself and things will start to make sense. But it doesn't, the plot just becomes increasingly illogical, as if the writers (Brie included) concocted it one Saturday evening after several bottles of wine, with no idea how the story would end.
Having said all that, it's not so frustrating that you don't see it through to the finale, it is set in Italy in the sunshine after all. But you will probably stare at the closing credits, as I did, thinking so what was that all about?
OK, you think, at any moment now, the hidden under-story will reveal itself and things will start to make sense. But it doesn't, the plot just becomes increasingly illogical, as if the writers (Brie included) concocted it one Saturday evening after several bottles of wine, with no idea how the story would end.
Having said all that, it's not so frustrating that you don't see it through to the finale, it is set in Italy in the sunshine after all. But you will probably stare at the closing credits, as I did, thinking so what was that all about?
After watching, I have little idea of what the movie was trying to do. About the only takeaway I had was the feeling that I had just wasted my time. The plot was not particularly interesting and for the most part didn't make a lot of sense. I guess the film was attempting to be a comedy, but it just wasn't funny enough to justify that classification. Alison Brie's presence raised my rating by 2-3 stars, but other than her there wasn't much about the movie I can recommend.
Amber (Alison Brie) is a manager of an Italian restaurant chain in Bakersfield, California. It's an Olive Garden type situation. Amber wins a corporate retreat trip to Italy. Once she arrives, suspicious situations arise. She is invited by the beloved company owner Nick Martucci (Alessandro Nivola) on a personal trip. She is befriended by his assistant Kat (Aubrey Plaza).
Everybody is capable of doing a bit of quirky and that's what happens. It's mildly funny in its quirkiness. Alison Brie and Aubrey Plaza are great. I also love Zach Woods. These are great comedic performers. This has great potential, but the mystery needs some work. It needs some tension. The mystery needs to start sooner and be more involved. The writing needs work.
Everybody is capable of doing a bit of quirky and that's what happens. It's mildly funny in its quirkiness. Alison Brie and Aubrey Plaza are great. I also love Zach Woods. These are great comedic performers. This has great potential, but the mystery needs some work. It needs some tension. The mystery needs to start sooner and be more involved. The writing needs work.
Wusstest du schon
- WissenswertesAllison Brie said she enjoyed filming the kissing scene with Aubrey Plaza. She joked that Plaza, who also kissed Brie's husband Dave Franco in The Little Hours (2017), has now made out with both of them. Also, since Plaza's husband, Jeff Baena, directed this movie, it's like it came full circle and they were "keeping it in the family."
- VerbindungenFeatured in Half in the Bag: Spin Me Round and Nope (2022)
- SoundtracksThe Gold Bug
Written by Alan Parsons & Eric Woolfson (as Eric Norman)
Performed by The Alan Parsons Project
Courtesy of RCA Records
By arrangement with Sony Music Entertainment
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- Laufzeit1 Stunde 44 Minuten
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