IMDb-BEWERTUNG
6,2/10
11.321
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuThe year is 1917 and Chen Zhen, believed to be dead, returns to Shanghai under a false name. He joins a mob boss for info on the Japanese incl. a long kill list and at night fights the Japan... Alles lesenThe year is 1917 and Chen Zhen, believed to be dead, returns to Shanghai under a false name. He joins a mob boss for info on the Japanese incl. a long kill list and at night fights the Japanese masked.The year is 1917 and Chen Zhen, believed to be dead, returns to Shanghai under a false name. He joins a mob boss for info on the Japanese incl. a long kill list and at night fights the Japanese masked.
- Auszeichnungen
- 4 Nominierungen insgesamt
Anthony Chau-Sang Wong
- Liu Yutian
- (as Anthony Wong)
Ryu Kohata
- Colonel Takeshi Chikaraishi
- (as Kohata Ryuichi)
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This year marks the 70th year of Bruce Lee's birth, arguably the best martial artist the cinematic world has ever seen, with his short filmography still continuing to wow audiences young and old. With tribute screenings at the Hong Kong International Film Festival earlier this year, and at the Tokyo International Film Festival later this month, director Andrew Lau, writer Gordan Chan and leading kung-fu icon of the moment Donnie Yen pay their collective tribute with Legend of the Fist, taking one of the most memorable of Bruce Lee's characters Chen Zhen and imagining a follow up story.
But wait, wasn't the final shot in Fist of Fury quite definitive? But as movie rules are concerned, nothing's canon if you don't see it, so a slew of gunshots count for nothing, passing it off as one of many rumours to discount his death, when in actual fact Chen Zhen (now with Yen picking up the mantle) is still alive and kicking, and sent packing to the WWI front in France to fight alongside his Chinese labourer compatriots against the Axis forces. It's an unsatisfactory explanation I know, but one of the rare blips in what I thought was a riveting story concocted that alas was let down by a clichéd ending that was too abrupt to be satisfying, leaving doors open for another film if it does happen.
Other than that, Legend of the Fist continues how Bruce Lee films were steeped in Chinese nationalism, only here it went with trumpets blaring with any given opportunity. Chen Zhen assumes a dead comrade's identity to return to Shanghai keeping jolly well under the Japanese's radar, where now the city in the early 20s gets carved up into settlements, with a microscopic representation of the internal chaos existing within the nightclub of influential Shanghainese businessman Liu Yiutian (Anthony Wong), with whom Chen Zhen befriends, for an ulterior motive of course, since he's now with the resistance, and the Casablanca club providing a hotbed of information as they plot and counterplot moves against the Japanese's brewing aggression.
Of late there's been a wave of such nationalistic movies that Donnie Yen tend to get involved in, such as Bodyguards and Assassins, and his more recent and successful Ip Man films, where Chinese people gather around a representative hero of their time to defeat foreign aggressors, where even in Ip Man 1, we see and expect the same mano-a-mano against a Japanese general who shows off his fair share of kung-fu knowhow. Like how many caricatures would be crafted in many more films that deal with that difficult period in Chinese history. While Yen had portrayed historical characters in those films, this one he continues with a fictional one made famous by a historical martial artist in Lee.
As a film steeped in paying homage to Lee, there are times where you feel the characters and action get shackled from freedom of expression, but this is not always a bad thing. I had followed Donnie Yen's career pretty early when he was still doing television serials for Hong Kong's ATV, where he played Chen Zhen in a storyline that had to mimic Fist of Fury, but expanded to include a romance with a Japanese woman. Like some television dramas that gets new lease of life on the big screen, it helped that Yen has experience in portraying the role other than a few others like Jet Li in another feature film that was a remake, but this one had the guts to continue where the film / series left off with a new spin.
While aspects of the Chen Zhen character were toned down probably because the character has to continue staying under the radar, gone are the high shrieks when he fights in the beginning (purists, please don't worry, you'll hear that toward the end), and got replaced by plenty of what I thought was MMA executed in brilliantly brutal fashion, starting with the prologue action sequence which had Chen Zhen being that one man soldier, followed by yet another nod in Bruce Lee's direction when dressed in a deliberate Kato costume. I'd say if not for his age, I'd give my vote to Yen if he were to be casted as Kato in the upcoming Green Hornet film in lieu of Jay Chou.
More Lee homages were to come, with the necessity to go shirtless in highlighting the chiseled physique that has its fair share of punishment, and what would be defining of Lee in Fist of Fury with the use of the nunchaks, although with all due respect to Yen, Lee is quite indomitable in this area, and the filmmakers here can only up the ante by throwing in a lot more goons to dispatch of in the same dojo from the earlier film. Yen took the action choreographer reins, and skillfully designed some spectacular fight sequences for action junkies to go wow over, balancing the homage aspects as well as coming up with some really violent, finishing moves to rid opponents. Watch this in a cinema with a proper sound system decked out will heighten that sense surround of being within the all round action.
The story's pretty much plain sailing with little surprises thrown in other than to present shifting loyalties in a tumultuous time, where Anthony Wong lends gravitas, Chinese actor Huang Bo providing comic relief as a corrupt policeman, and Shu Qi lending her vocals yet again as a club hostess already seen in films like Blood Brothers. While the story wouldn't be as iconic as Fist of Fury's, the fight action sequences lived up to its billing, and celebrated manifold the legend of Bruce Lee's instead.
But wait, wasn't the final shot in Fist of Fury quite definitive? But as movie rules are concerned, nothing's canon if you don't see it, so a slew of gunshots count for nothing, passing it off as one of many rumours to discount his death, when in actual fact Chen Zhen (now with Yen picking up the mantle) is still alive and kicking, and sent packing to the WWI front in France to fight alongside his Chinese labourer compatriots against the Axis forces. It's an unsatisfactory explanation I know, but one of the rare blips in what I thought was a riveting story concocted that alas was let down by a clichéd ending that was too abrupt to be satisfying, leaving doors open for another film if it does happen.
Other than that, Legend of the Fist continues how Bruce Lee films were steeped in Chinese nationalism, only here it went with trumpets blaring with any given opportunity. Chen Zhen assumes a dead comrade's identity to return to Shanghai keeping jolly well under the Japanese's radar, where now the city in the early 20s gets carved up into settlements, with a microscopic representation of the internal chaos existing within the nightclub of influential Shanghainese businessman Liu Yiutian (Anthony Wong), with whom Chen Zhen befriends, for an ulterior motive of course, since he's now with the resistance, and the Casablanca club providing a hotbed of information as they plot and counterplot moves against the Japanese's brewing aggression.
Of late there's been a wave of such nationalistic movies that Donnie Yen tend to get involved in, such as Bodyguards and Assassins, and his more recent and successful Ip Man films, where Chinese people gather around a representative hero of their time to defeat foreign aggressors, where even in Ip Man 1, we see and expect the same mano-a-mano against a Japanese general who shows off his fair share of kung-fu knowhow. Like how many caricatures would be crafted in many more films that deal with that difficult period in Chinese history. While Yen had portrayed historical characters in those films, this one he continues with a fictional one made famous by a historical martial artist in Lee.
As a film steeped in paying homage to Lee, there are times where you feel the characters and action get shackled from freedom of expression, but this is not always a bad thing. I had followed Donnie Yen's career pretty early when he was still doing television serials for Hong Kong's ATV, where he played Chen Zhen in a storyline that had to mimic Fist of Fury, but expanded to include a romance with a Japanese woman. Like some television dramas that gets new lease of life on the big screen, it helped that Yen has experience in portraying the role other than a few others like Jet Li in another feature film that was a remake, but this one had the guts to continue where the film / series left off with a new spin.
While aspects of the Chen Zhen character were toned down probably because the character has to continue staying under the radar, gone are the high shrieks when he fights in the beginning (purists, please don't worry, you'll hear that toward the end), and got replaced by plenty of what I thought was MMA executed in brilliantly brutal fashion, starting with the prologue action sequence which had Chen Zhen being that one man soldier, followed by yet another nod in Bruce Lee's direction when dressed in a deliberate Kato costume. I'd say if not for his age, I'd give my vote to Yen if he were to be casted as Kato in the upcoming Green Hornet film in lieu of Jay Chou.
More Lee homages were to come, with the necessity to go shirtless in highlighting the chiseled physique that has its fair share of punishment, and what would be defining of Lee in Fist of Fury with the use of the nunchaks, although with all due respect to Yen, Lee is quite indomitable in this area, and the filmmakers here can only up the ante by throwing in a lot more goons to dispatch of in the same dojo from the earlier film. Yen took the action choreographer reins, and skillfully designed some spectacular fight sequences for action junkies to go wow over, balancing the homage aspects as well as coming up with some really violent, finishing moves to rid opponents. Watch this in a cinema with a proper sound system decked out will heighten that sense surround of being within the all round action.
The story's pretty much plain sailing with little surprises thrown in other than to present shifting loyalties in a tumultuous time, where Anthony Wong lends gravitas, Chinese actor Huang Bo providing comic relief as a corrupt policeman, and Shu Qi lending her vocals yet again as a club hostess already seen in films like Blood Brothers. While the story wouldn't be as iconic as Fist of Fury's, the fight action sequences lived up to its billing, and celebrated manifold the legend of Bruce Lee's instead.
The best thing about "Legend of the Fist" is that it features some of the most spectacular acrobatic prowess to come from the great Donnie Yen. Unfortunately, these moments of awe inspiring nirvana appear in fits and starts after long, long moments of exposition.
If this movie had a strong story, like Donnie Yen's "Kill Zone" with it's engaging plot about police corruption and the consequences of pursuing vengeance, all this exposition could be forgiven. However, the story is about Yen playing a Zorro-like folk hero, who dresses like Bruce Lee in 'The Green Hornet'. What should be a rollicking adventure instead becomes a violent drama about China's occupation by the Japanese. Granted, Donnie Yen's best film, "Ip Man" was also about the Chinese occupation; but that film managed a perfect balance between drama and spectacular action.
I would almost dismiss "Legend of the Fist" altogether; but then Yen does a flip, a jump, a punch, a kick and my jaw hits the floor.
If this movie had a strong story, like Donnie Yen's "Kill Zone" with it's engaging plot about police corruption and the consequences of pursuing vengeance, all this exposition could be forgiven. However, the story is about Yen playing a Zorro-like folk hero, who dresses like Bruce Lee in 'The Green Hornet'. What should be a rollicking adventure instead becomes a violent drama about China's occupation by the Japanese. Granted, Donnie Yen's best film, "Ip Man" was also about the Chinese occupation; but that film managed a perfect balance between drama and spectacular action.
I would almost dismiss "Legend of the Fist" altogether; but then Yen does a flip, a jump, a punch, a kick and my jaw hits the floor.
Although the narrative gets convoluted at times, the historical setting of the Chinese labor corps sent to aid the allied war effort during world war 1 is historically factual ( http://en.wikipedia.org/wiki/Chinese_Labour_Corps ), though it has been largely forgotten.
the Chinese intelligentsia also successfully mounted pressure to cause Japan to delay full scale aggression until the 30s ( http://en.wikipedia.org/wiki/Twenty-One_Demands )
this movie is essentially a big budget hong kong action movie produced as a homage to Bruce Lee. At times it strives to be too many homages at once with Donnie Yen resurrecting both Kato AND Chen Zhen ( Fist of Fury).
It shouldn't be conceived as Chinese propaganda (anymore than any of the Bruce Lee movies were) or anti-Japanese, as long as you understand that the Chinese truly were the underdogs back then.
in fact, the young Japanese actor playing the colonel totally stole the show.
the Chinese intelligentsia also successfully mounted pressure to cause Japan to delay full scale aggression until the 30s ( http://en.wikipedia.org/wiki/Twenty-One_Demands )
this movie is essentially a big budget hong kong action movie produced as a homage to Bruce Lee. At times it strives to be too many homages at once with Donnie Yen resurrecting both Kato AND Chen Zhen ( Fist of Fury).
It shouldn't be conceived as Chinese propaganda (anymore than any of the Bruce Lee movies were) or anti-Japanese, as long as you understand that the Chinese truly were the underdogs back then.
in fact, the young Japanese actor playing the colonel totally stole the show.
excerpt, more at my location - One is an acclaimed director, the other an ever-growing martial arts man-of-the-moment. Their source material is Bruce Lee's finest hour. How does this first collaboration between Andrew Lau and Donnie Yen shape up?
That the film is not especially emotionally involving is a surprise when one considers who is at the helm. Andrew Lau is responsible for some of the more visceral and engaging moments in recent Hong Kong popular cinema (consider his Young And Dangerous movies, or the original Infernal Affairs), but here he shows an oddly clumsy hand with character and emotion.
Given the talent involved, it was not unreasonable to expect something of a classic. This is far from it, but its set-pieces still contain more genuine imagination and excitement than is likely to be found anywhere else - especially in the thrilling prologue sequence, which prompts hope from this reviewer that, someday soon, the conscripted Chinese soldiers in World War One get the cinematic tribute they truly deserve.
That the film is not especially emotionally involving is a surprise when one considers who is at the helm. Andrew Lau is responsible for some of the more visceral and engaging moments in recent Hong Kong popular cinema (consider his Young And Dangerous movies, or the original Infernal Affairs), but here he shows an oddly clumsy hand with character and emotion.
Given the talent involved, it was not unreasonable to expect something of a classic. This is far from it, but its set-pieces still contain more genuine imagination and excitement than is likely to be found anywhere else - especially in the thrilling prologue sequence, which prompts hope from this reviewer that, someday soon, the conscripted Chinese soldiers in World War One get the cinematic tribute they truly deserve.
Imagine that an amateur screenwriter shat out a vomit draft and said, "That's Oscar-worthy!" Well, that pretty much describes this mumbled action flick.
In fairness, the script - or final cut - could have been messed up by anyone, so I won't blame the writer, but as an espionage-cum-action thriller, the film is a total dud.
If you're a fan of Donnie Yen (like me!), you'll watch this regardless of how bad anyone tells you it is, and where the big fight at the end nets it an extra star, please don't let the 4/10 fool you into believing that this is half-way decent, because it really is one of the worst Donnie films I've sat through. Which is a shame, because Shu Qi looks as gorgeous as ever and really pours a lot of emotion into her role... which only further highlights how badly the final film lets down both of its main stars.
In fairness, the script - or final cut - could have been messed up by anyone, so I won't blame the writer, but as an espionage-cum-action thriller, the film is a total dud.
If you're a fan of Donnie Yen (like me!), you'll watch this regardless of how bad anyone tells you it is, and where the big fight at the end nets it an extra star, please don't let the 4/10 fool you into believing that this is half-way decent, because it really is one of the worst Donnie films I've sat through. Which is a shame, because Shu Qi looks as gorgeous as ever and really pours a lot of emotion into her role... which only further highlights how badly the final film lets down both of its main stars.
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- WissenswertesThe film featured two actors who had portrayed Ip Man. Donnie Yen played the character in the "Ip Man" trilogy and Anthony Chau-Sang Wong played him in Ip Man: The Final Fight (2013).
- PatzerThe original movie The Green Hornet is mentioned in the movie, while it is part of the homage to Bruce Lee, the movie came out in 1940, 15 years after the movie takes place.
- VerbindungenFeatured in At the Movies: Venice Film Festival 2010 (2010)
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- Legend of the Fist: The Return of Chen Zhen
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Box Office
- Bruttoertrag in den USA und Kanada
- 50.433 $
- Eröffnungswochenende in den USA und in Kanada
- 11.365 $
- 24. Apr. 2011
- Weltweiter Bruttoertrag
- 27.390.678 $
- Laufzeit1 Stunde 46 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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By what name was Legend of the Fist (2010) officially released in India in English?
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