Ein ehrgeiziger Schriftsteller beschließt während der Bürgerrechtsbewegung in den 1960er-Jahren, ein detailliertes Buch über afro-amerikanische Hausangestellte zu schreiben, über ihre Sicht ... Alles lesenEin ehrgeiziger Schriftsteller beschließt während der Bürgerrechtsbewegung in den 1960er-Jahren, ein detailliertes Buch über afro-amerikanische Hausangestellte zu schreiben, über ihre Sicht der weißen Familien, für die sie arbeiten, und über die harten Umstände, denen sie tagtägl... Alles lesenEin ehrgeiziger Schriftsteller beschließt während der Bürgerrechtsbewegung in den 1960er-Jahren, ein detailliertes Buch über afro-amerikanische Hausangestellte zu schreiben, über ihre Sicht der weißen Familien, für die sie arbeiten, und über die harten Umstände, denen sie tagtäglich ausgesetzt sind.
- Regie
- Drehbuch
- Hauptbesetzung
- 1 Oscar gewonnen
- 79 Gewinne & 121 Nominierungen insgesamt
- Stuart Whitworth
- (as Chris Lowell)
- Yule Mae Davis
- (as Aunjanue Ellis)
Zusammenfassung
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I could discuss the plot, but LOTS of other reviewers have discussed this. So instead, let's talk about what I liked and didn't like. I liked the acting. The problem, however, is that giving any of these actresses awards is tough as it's such an ensemble cast. I can truly understand why the Screen Actor's Guild chose to award ALL the cast a joint award. The direction was very nice and the movie was well filmed. The script was also very nice--and quite inspiring. My quibbles are VERY small---very, very small. I felt that a few characters were a bit one-dimensional (particularly the lead villainess). Also, the ending of the film seemed to drag out a bit and wrapping it up a bit sooner. It wasn't a bad ending--but tightening would have heightened the overall emotional impact.
So my advice for you is to see this film. While I still think "Hugo" is the best nominated film this year, I can see the merit in "The Help" winning and "The Artist" sure seems to have a lot of momentum. So, do yourself a favor and see all three--all three are terrific.
The character development in this movie is really outstanding – I hate movies with flat single dimension characters and these from the lowest to those with the most screen time are just remarkably developed – even the newspaper editor, the lines they chose for him to keep gave you enough information that even he is a memorable character with only three scenes, maybe 4 in the entire movie. Same for Stuart, Skeeter's love interest – you actually like him then hate him and he only has maybe 3 minutes of air time. Great great job. Sissy Spacek with so few speaking moments is great as is Cicely Tyson who speaks volumes even in scenes with no words. Admittedly, being based on an amazing book the background story was already set out and tracks the book closely without some of the details but they have done a great job of putting it to film –
This movie sets out beautifully a terrible time in our history that unfortunately is not over – it is better, but not over by a long shot. Being a child of the south and coming up during that time, being raised by such bigoted grandparents and parents, it leaves me pause to wonder how I avoided this rabid virus of hate and takes me back to long hot lazy days in the deep south before every building was air conditioned – such attention detail right down to the Jesus fans they waved in church – awesome flick. You FEEL the heat, the tension, the pain, the injustice of the time but still you laugh with them even as you cry for them - both races - ignorance is to be wept over.
However, I think this movie does more, goes further in its exploration of the behavior of the privileged during that time. They were rabid toward blacks but were not that much better toward anyone who did not share their socio-economic status (the way the "Junior League" treated Celia) and the enormous peer pressure they put on one another (the club encouraging Skeeter's mother to make a poor decision). It visits the sins of the parents passed on to their children – the bigotry and injustice that is learned at the knee of our elders. OMG it is just an awesome, poignant, moving, NOT TO BE MISSED film.
Mesmerizing from start to finish – never once drags – just an easy easy easy 10
But it wasn't fiction--at least, the depiction of Southern society wasn't. As I watched I kept drifting back to small-town South Carolina in the 1950s, where I grew up. It was moving and disturbing to be reminded how black people were treated then--loved and yet "kept down in their place." Our neighborhood was all middle-class and every family had a maid. There were plenty of boys my age, we visited in each other's homes, and called every maid by her first name. One even started a baseball team for the little white boys, for which her reward was a visit by the Klan.
Our maid helped my mother cook and clean. One of my parents picked her up and took her home every day--and she rode in the back seat. She ate her lunch in our kitchen--without being allowed to use our utensils. I remember her eating with her fingers. I do not remember ever seeing her use our bathrooms. I thought about that during the movie and truly cannot recall what she did, an embarrassing gap in memory.
I do remember when my father was out of work and our maid had to be cut back to three days a week. I actually cried; she was a member of our family. When talk about civil rights began in the late 1950s, my mother became annoyed at our maid for getting "uppity." And so it went. We moved to central Florida in 1961, where there were no maids.
Travel back in time with this film. It's quite real, and I highly recommend it.
The cast is excellent with award worthy performances from Viola Davis, Emma Stone and Octavia Spencer - the main cast. The acting was amazing and there was great chemistry among the respectful classes of people in the film ( the whites and the blacks).
The script was well written and I love the balance of comedy and drama. There are some intense scenes however the comedy makes the movie more enjoyable rather than just a movie to make you feel sad all the way through. There was a perfects balance there and I loved that. The film also took you on a roller-coaster of emotions. Sometimes you were sad, extremely happy, angry or laughing. Its also one of those movies that can hold your interest from beginning to end.
With great performances, a brilliant script and a film so touching and inspiring, The Help is definitely a must-see!
Wusstest du schon
- WissenswertesKathryn Stockett's book, on which this film is based, was rejected 60 times before it was eventually published.
- PatzerSkeeter uses liquid paper. In 1963, people used hard, round "typewriter erasers" and brushes to correct typing errors. Liquid paper was still being sold out of its inventor's house.
- Zitate
Minny Jackson: Eat my shit.
Hilly Holbrook: What'd you say?
Minny Jackson: I said eat... my... shit.
Hilly Holbrook: Have you lost your mind?
Minny Jackson: No, ma'am, but you is about to. 'Cause you just did.
- VerbindungenFeatured in The Tonight Show with Jay Leno: Folge #19.196 (2011)
- SoundtracksJackson
Written by Jerry Leiber and Billy Edd Wheeler
Performed by Johnny Cash and June Carter Cash
Courtesy of Columbia Nashville
By arrangement with Sony Music Licensing
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprache
- Auch bekannt als
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Box Office
- Budget
- 25.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 169.708.112 $
- Eröffnungswochenende in den USA und in Kanada
- 26.044.590 $
- 14. Aug. 2011
- Weltweiter Bruttoertrag
- 221.802.186 $
- Laufzeit
- 2 Std. 26 Min.(146 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1