14 Blades

It's about time Donnie Yen made an impact yet again in the fantasy wuxia-pian genre, given the rather recent dismal films with Painted Skin (where he only had a supporting role), An Empress and the Warriors, and Tsui Hark's Seven Swords back in 2005. Most of us went ballistic with his more modern action roles ranging from SPL to Ip Man, and his 14 Blades character of Qing Long (Green Dragon, thanks to those mean looking tattoos adorned all over his upper torso) here looks quite set to become yet another memorable role similar to his morally ambiguous one in Bodyguards and Assassins.

Here, Yen's Qing Long is the General-in-chief bodyguard to, and assassin for a Ming Dynasty king, who had set up the Jin Yi Wei (the Mandarin title), or the Brocaded Robe Guards, a special army known for its dogmatic principles in fulfilling mission objectives, whose loyalty is to the king only, and are at his beck and call to do just about anything the king commands. That of course leaves room for evil eunuchs to manipulate, especially when they can get the king easily distracted with wine, song and plenty of nubile women.

The first few minutes of the film introduces us to the background of Qing Long and his army of bodyguards and assassins, the evil that lurks within the royal family and palace from eunuchs to an exiled prince (an extremely short cameo by Sammo Hung), and of course, the fabled 14 Blades. Unfortunately, we are told of the uniqueness and names of each blade, but never see all of them in action, coupled by the fact that they look quite generic. Only Qing Long is assigned this utility box containing the swords and lugs it everywhere ala El Mariachi's guitar case, and at his will can throw up the appropriate weapon to battle adversaries, including a set of grappling hooks!

Writer-director Daniel Lee managed to create a film consisting of a successful amalgamation of wuxia-pian elements, with iconic fight action sequences set in tea houses, desert duels, forest brawls with abandoned temples and exotic cities enhanced by CG to play host to a film complete with double crosses, a prized possession that everyone is after, and had time to sneak in unrequited romance. In some ways the film plays out like a Cowboy Western with its one man sheriff and an escort agency up against various bands of outlaws in endless desert filled land, with that theme of hope that they'll make it unscathed against changing odds, save the day and to ride off into the sunset with the damsel.

The story though gave way at the midway mark, where it clearly became nothing more than a stringing together of battles and one on one duels, which thankfully were still exciting to sit through, with none of the fast cut edits or crazy closeups that will make you cringe. With the introduction of Wu Chun as Judge, the leader of a brigade of bandits who has this cool boomerang double blade, and Kate Tsui in a role where she only grunts as loud as Maria Sharapova in a return volley, ample time got dedicated for one to mirror QIng Long's transformation and road to redemption, while the other, well, just serves to grunt a lot, in a get up that looks inspired by Medusa, and armed with a serpent sword-like-whip, and powers of CG stealth.

But underneath the fights, the flimsy storyline and gorgeous costumes, 14 Blades turns out to have an incredibly strong romance instead, with Vicky Zhao (her umpteenth period role straight) starring as Qiao Hua, daughter of the Justice Escort agency founder (played by veteran Wu Ma), enamoured by the manliness of the legendary leader of the Jin Yi Wei, since she grew up on fairy tales and harbouring the hopes that a fabled swordsman would one day save society from its evils. In a way her Qiao Hua exhibits the Stockholm Syndrome, being held captive against her wishes, but slowly being drawn romantically to her captive, even endangering herself (in a scene to provide comic relief) by willingly becoming his aide and pawn.

It's far from being the perfect film, especially with unbelievably incoherent flashbacks and the going overboard with explosions (of the RPG type), but Donnie Yen once again shows that when it comes to the fisticuffs, he still has a lot to offer, despite the story's potential that had it go off the blocks strongly, only to fizzle out before the end in a case of severe narrative burn-out.

I'm not talking about the blades, but about the story. It's a shame that the story (as good as it is and it's not bad) is not more fleshed out. Recent movies have shown that there are ways to make the eastern movies attractive (again). Though I am a bit biased, having grown up watching the Shaw Brothers movies, I do think that this could have done with a bit of script writing upgrade.

Of course the Shaw Brothers movies might not stand up to the test of time (or script writing I come to expect these days), but apart from that they had great actors. Donnie Yen holds his stand here and he does a good job. Of course that also means that the action is well shot and choreographed. I'm just saying you might be left with a feeling that there could have been more.

I tried 3 times, but there was no chemistry, the style doesn't appeal to me, and the story didn't involve me...

This MA drove me into writing my first movie review in IMDb. Yet another one of Donnie Yen's best, I would say. Less meaningful impact than 'Ip Man' and 'Bodyguards and Assassins' in terms of overall storyline but for original ancient MA screenplay, this was a very good one. It's a martial art movie with a non-cheesy love story (I could remember The Myth for MA+cheesy love story).

Character developments were mainly focused on the protagonists (Donnie and Vicky), especially their attraction to each other. What I personally like most about this movie were their love story, creative martial art moves(as usual in most Donnie Yen's movie) and some comical relief from Donnie Yen. A much improved pairing since 'Painted Skin' where they both lack of connection to each other. Just like in recent movies, Donnie Yen never failed his viewers and this time gave even more, by showing off his tattooed six pack torso. And this was by far my favourite character from him, as the anti-hero Green Dragon on his deadly pursue for redemption. And not forgetting his 14 blades, even thought it's the title of the movie but not really the highlight throughout the movie, unlike 'Seven Swords'. Disappointingly, except that we knew the name and functionality of each blade, we never really see them in action, and when they did, I was not sure which blade was being used.

As for the nemesis acted by a promising young TVB star, Kate Tsui, personally I am not a fans of her, and I think she looks too young for a great assassin. I would prefer if they could cast some really talented martial art actor with convincing moves and not just some lifeless and 'pretty' stances from young stars, and heavily CG-ed MA move from Tuo Tuo, especially her disrobing move. Same goes to the other anti-hero Wu Chun's Judge. I did not recognize him instantly as I was not into Taiwan boyband scene but I know right away he is some sort of young model or prettyboy actor. A lot of cool and pretty pose from him but his character serves no purpose, well, maybe his character will earn my acknowledgement if he looked older and less prettyboy. Their acting skill? Don't expect much, just enjoy their costume and weapons, OK.

At the end of this movie, I feel that I will watch this movie again but just for Donnie Yen and Vicky Zhou.

"14 Blades" represents the best M.A. movie I have even watched. Thanks to Daniel Lee who wrote this gorgeous piece of art work which portrays some positive human qualities lacking in so many M.A. movies. Qing Long (played by Donnie Yen) possesses some noble qualities of integrity, loyalty, commitment & courage, though a bit ruthless & cunning at times. Qiao Hua (played by Vicky Zhao) is faithful, gentle & optimistic. Another thing I like about this movie is that there are relatively few violent or bloody scenes.

Not a professional action scenes reviewer, I'd rather concentrate on talking about the movie's "Romance". On the surface, Qing Long seems to be using Qiao Hua for completing his own mission, but the trust between them makes their romantic connection very convincing. Qiao Hua, though a bit naive & ignorant of certain personality darkness of her hero, is actually fully committed to him for completing his course of action, thus demonstrating full customer service (we have to bear in mind that Qing Long is a big customer of Qiao Hua's father). Implication for modern day romance is:- Be fully devoted to your lover (rather than being over calculating) when you still have a chance & accept life as it is when you have none.

Qiao Hua shows a cheerful personality & maintains her serenity throughout the whole story, without the slightest resentment towards Tuo Tuo, who brings an end to her romantic journey. This makes her adjust better to the lonely life afterwards. Though the ending is a bit sad, it demonstrates how single women can still lead a meaningful life with the pure memory of delightful experience. This kind of attitude may sound a bit "classical" but forms a great example for people in turmoil situations.

I sincerely hope that Daniel Lee can produce more wonderful M.A. movies in the future, but with a happy ending next time. Donnie Yen & Vicky Zhao do create a perfect match on the screen ("Painted Skin" is a good example). Really looking forward to seeing them again soon in another great movie. Just to copy from Qiao Hua, "When there is hope, life is still inspiring!"