Die Eleganz der Madame Michel

The film is based on the novel "The Elegance of the Hedgehog" by Muriel Barbery.It can be defined as a drama with elements of fun.The movie is set in a luxurious apartment block in the heart of Paris.The story is narrated by Paloma, a brilliant 11-year-old girl, who plans to commit suicide on her 12th birthday.This decision is due to her disappointment and despair in adulthood.Her family doesn't understand her and they want to send her for psychotherapy.Paloma starts hanging around with the building's concierge, one of the few people she respects and can identify with.The concierge,called Renée, describes herself as old and ugly, dressed in a dowdy fashion.She seems to be a television-addict and an uneducated spinster.Unexpectedly, Renée is, in fact, a cultured self-taught woman who loves art,philosophy,music,literature and Japanese culture.In her humble ground floor flat, she has plenty of books, including philosophical treatises and masterpieces of Russian literature.Then she begins to form a romantic relationship with one of the building's new tenants.The ending is really surprising. Ten film was a bit slow.However, it was quite thought-provoking.It deals with different themes, like death,suicide,the importance of appearances, the shallowness and arrogance of the upper class.In addition, the acting was excellent.I thoroughly recommend this touching, tender and gentle film.It's worth seeing!

Three characters and no story. And yet, the film leaves a deep mark on the viewer. No car chases, no explosions, no convoluted plot twists. And yet it is captivating. Simply because the characters of "Le hérisson" are interesting and full of humanity and seeing them connect with each other is an experience rich enough to spare a strong plot.

The three characters concerned by "Le hérisson" are very different from each other ( Renée Michel is an unattractive slovenly cantankerous fifty-four-year-old caretaker; Paloma Josse is an extremely gifted but suicidal eleven-year-old little girl and Kakuro Ozu is a distinguished seventy-year- old Japanese widower). But they have two points in common: they live in the same residential house and, mostly, the three of them are eccentric. Not outlandish or extravagant, simply not like everybody else. Renée, although she tries to fit in with the image of the traditional caretaker (middle-aged, unsexy and grumpy), has a secret (that I won't reveal here, sorry) and is a much better person than what she looks like; Paloma is a very intelligent little girl, advanced for her age, who sees the world with more acuteness than most adults, which leads her to want to take her own life. As for Mr. Ozu, the mere fact that he is Japanese makes him conspicuous by definition. And what is wonderful is that when these three "outcasts" get into contact they start doing good to each other, and to the viewer as well.

This is young director Mona Achache's first feature film and it is amazing how well-crafted it is (smooth editing, fine cinematography, excellent art work). And above all it does justice to the novel adapted (Muriel Barbery's best-selling 'L'élégance du hérisson') by capturing the special blend of gravity and lightness that makes it so distinctive. Mona Achache also had the genius (I really do not think the word too strong) to find the three ideal actors for the leading roles. Josiane Balasko is perfect as Renée, ugly outside but beautiful inside. Togo Igawa is a dream Mr. Ozu; he is Japanese to the core, genuinely has class and really exudes sympathy. As for the little girl, wow! Garance Le Guillermic IS a discovery! I had seen her once without noticing her particularly (as one of the kids in 'Je déteste les enfants des autres') but, here, she is downright outstanding. It must not have been easy for her to play a child too mature, too intelligent, too critical for her age, hiding her insecurities behind her aggressiveness but the young actress lives up to the ordeal. This trio had to be perfect. If a single one of these three actors had been unconvincing, the film would have failed mercilessly.

Fortunately, it does not. 27-year-old Mona Achache works wonders in every department.. Her film is at the same time deep, moving and fun to watch. Don't miss it!

I am now quietly used to going to movie theatres alone (in Italy this is still seen as an "odd" thing), I like it although regretting not exchanging opinion with some company, but this time an old woman was sitting, on her own, next to me, and at the end of the movie, we watched one another with our eyes suffocating some necessary tears, and she said: "how sad, but what a nice movie", I couldn't but agree with her (and innerly hoping I will still be able to go movie theatre, in my older years). "Le herisson" is the cinematographic adaptation of a best selling novel, a real literary case, which I have read, being quite surprised by the idea of making a movie from it, since it is a book where really little happens, and where the writer loves, and manages to play with the aesthetic, intellectual and emotional power of words.

But the young director Mona Achache managed to transpose the subtlety of the written word, in that she focused on the three main characters perfectly. They are three delicate souls, perceived by others as "odd", eccentric, different: Renée, the caretaker, apparently dowdy and ignorant, on the contrary very cultured and hiding a sensitive soul, Paloma , the "complicated", but in reality deep young girl, simply disregarding the void adult world, and the amazing Kakuro, the prototype of what a real man should be, refined in his soul, respectful, tactful. And you come to ask yourself why such high human qualities are viewed as odd, while they should be the normal way of living! In today's standardized, vulgar world, I perceived the movie as an effective antidote, supporting with strength the value of the uniqueness of the single human being. It is also a praise of delicacy and slowness, of the magic of a single spoken word or a single kind gesture, or a single soft glance: a few things happen, and a few things are said, simply because for a full life, we don't need to see or hear many things , we need a few but good things.

Despite its slowness, the movie is never boring, on the contrary I felt raptured by the delicacy and the calmness of these characters, wonderfully interpreted by three talented and actors. I identified myself also with the little Paloma, probably because she reminded me at her own age, when I liked being on my own, finding my secret refuge, where I could stay alone with my thoughts, as I grew up I realized how people could have seen my as a "difficult", even problematic child, but also fully realized how it is easy to be judged because different from the mass, but how important to keep your real inner precious world alive. Go and see it, you will be enchanted by these three simple, plain, but magic characters.

Mona Achache's movie "Le hérisson" ("The Hedgehog" in English) is about a Parisian girl leading an unfulfilled life with her affluent family, and so she decides to commit suicide on her twelfth birthday. In the process of filming her apartment and family, the girl befriends the concierge.

The movie presents a good contrast between the girl's disillusionment with her posh but superficial world and the concierge's appreciation of what little she has, and showing how the concierge is able to develop a relationship with a Japanese widower who moves into the apartment building. The girl's filming her sister throughout the goldfish bowl is a metaphor for the new look that she's taking at her bourgeois existence. In the end, the girl does start to reconsider her suicidal plans. Achache made a very good movie, one that I truly recommend.

Paloma Josse (Garance Le Guillermic) is a eleven year old girl disturbed by her privileged life in Paris. Her father Paul (Wladimir Yordanoff) is distracted by his government job while her mother Solange (Anne Brochet) drinks champagne with anti-depressants while talking to her plants. She decides she will kill herself in 165 days on her 12th birthday and begins to document the hypocrisy of the adults in her apartment building with her father's old camcorder. The apartment janitor, Renee, may appear to be a just another middle-aged woman who is bitter and grumpy, somewhat prickly, but when a new Japanese neighbor, Kakuro Ozu (Togo Igawa) moves in, he sees something else in her, something soft. This intrigues Paloma about "The Hedgehog", a term used to describe Renee. Despite the fact that Paloma and Renee are on opposite ends of the socioeconomic scale, both of them prefers to quietly observe life from a place of relative obscurity while dwelling on the edge of the society

The soul of the film is definitely the subtle love story between Kakuro and Renee. Kakuro surprises Renee by completing her comment that 'happy families are all alike,' with 'but each unhappy family is unique,' which is a direct quote from a novel during their first meeting. As Renee goes through her own transformation, the chemistry between her and Kakuro grows. It was then the three form a unique bond and we see Paloma and Renee emerge from hiding and begin to embrace life..

While adapting Muriel Barbery's bestselling novel "The Elegance of the Hedgehog", director Mona Achache makes a memorable directorial debut. She complements Barbery's style and enhances her work through Paloma's actions, doing things such as putting her older sister Colombe (Sarah Le Picard) in a 'fishbowl' by filming her through a glass of water (as a metaphor of Paloma's own life) and animating the drawings she created. While her character provides the narrative framing, young Le Guillermic makes an entertaining observer and narrator. The supporting cast as the Josse family gives a solid performance, creating a household which Paloma wish to escape from thoroughly believable. Igawa as Kakuro is gentle but understated and Balasko's Renee is a revelation, her performance is nuanced and graceful from within her dowdy exterior.

The Hedgehog is a heartwarming and unique tale, highlighting the importance of digging through the hard surface of life for the chance of discovering the hidden meanings and enjoyment beneath. Life, sometimes like the hedgehog, conceals a sophisticated elegance beneath a spiky veneer.

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