Eine Familie, die seit Jahren von einem bösen Geist heimgesucht wird. Ihre Sicherheit und ihre Umgebung werden in Frage gestellt, als eines der Kinder sich fragt, ob das Böse real ist.Eine Familie, die seit Jahren von einem bösen Geist heimgesucht wird. Ihre Sicherheit und ihre Umgebung werden in Frage gestellt, als eines der Kinder sich fragt, ob das Böse real ist.Eine Familie, die seit Jahren von einem bösen Geist heimgesucht wird. Ihre Sicherheit und ihre Umgebung werden in Frage gestellt, als eines der Kinder sich fragt, ob das Böse real ist.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 2 Nominierungen insgesamt
William Catlett
- Poppa
- (as Will Catlett)
Empfohlene Bewertungen
On paper, a decent concept, visually gripping but thats pretty much where it ends.
Hallie Berry plays a great part as 'Mamma' with her 2 young loyal sons living in a her shadow as she pretects them from the unknown her has lost all reality.
The run down house that plays the safe haven and backdrop of the movie is almost a character in the moving playing a part in the story arc, the looming dense forest is daunting.... But for everything else?
Young boys to give credit put in great performances, they mesh well with Hallie, and its beautifully short for all artistic feels but its a story that has a very disappointing cliff hanger, save your money.
Hallie Berry plays a great part as 'Mamma' with her 2 young loyal sons living in a her shadow as she pretects them from the unknown her has lost all reality.
The run down house that plays the safe haven and backdrop of the movie is almost a character in the moving playing a part in the story arc, the looming dense forest is daunting.... But for everything else?
Young boys to give credit put in great performances, they mesh well with Hallie, and its beautifully short for all artistic feels but its a story that has a very disappointing cliff hanger, save your money.
Never Let Go starts with an intriguing premise: a mother in a post-apocalyptic world fights to protect her children from bloodthirsty creatures by keeping them tied to a rope. If they let go, they're attacked. However, despite this interesting concept, the movie fails to create the tense atmosphere the story demands. Instead of pulling us into a truly dangerous and desperate situation, the film loses focus and struggles to convey the real threat the characters face.
The plot twists are another weak point. Some are too predictable, and from early on, I felt like I could guess where the story was heading. Though I'm not entirely sure, because the ending is especially confusing and poorly explained, leaving us without a clear conclusion - as if the writer wasn't sure what message they wanted to convey.
Director Alexandre Aja has proven capable of crafting good films with simpler themes, like the remake of The Hills Have Eyes, High Tension, or Piranha 3D, but whenever he tackles more complex narratives, such as in Horns, he tends to fall short. In his case, "less is more" really applies.
That said, I have to admit the different approach might attract viewers looking for something unusual. However, for me, this film didn't hit the mark. There was a moment of real tension involving the fate of an animal that made me anxious, but aside from that, I felt indifferent in about 80% of the situations.
It's far from terrible due to the original concept that sets it apart from other films in this subgenre, but it lacks the essential ingredients to truly stand out or leave a lasting impression.
The plot twists are another weak point. Some are too predictable, and from early on, I felt like I could guess where the story was heading. Though I'm not entirely sure, because the ending is especially confusing and poorly explained, leaving us without a clear conclusion - as if the writer wasn't sure what message they wanted to convey.
Director Alexandre Aja has proven capable of crafting good films with simpler themes, like the remake of The Hills Have Eyes, High Tension, or Piranha 3D, but whenever he tackles more complex narratives, such as in Horns, he tends to fall short. In his case, "less is more" really applies.
That said, I have to admit the different approach might attract viewers looking for something unusual. However, for me, this film didn't hit the mark. There was a moment of real tension involving the fate of an animal that made me anxious, but aside from that, I felt indifferent in about 80% of the situations.
It's far from terrible due to the original concept that sets it apart from other films in this subgenre, but it lacks the essential ingredients to truly stand out or leave a lasting impression.
Never Let Go had the potential to be a good movie but it has flaws what brought the ratings down. I think most of the people, myself included, were not happy with the ending which was open to interpretation. I like clear endings, no nonsense, not have to think about what was real and what not, and in this movie there are questions unanswered which is a pity to be honest because for the rest it wasn't bad. Good acting from Halle Berry and from the two kids Percy Daggs IV and Anthony B. Jenkins. As for the horror there are not much of those scenes but the ones that were there were interesting and well made. The movie is good enough to watch once.
8LSUK
Firstly, my review:
I really enjoyed this movie. It's a solid psychological horror that keeps you guessing the whole way through. The movie does a great job of creating a creepy and eerie atmosphere that pulls you in and makes you feel uneasy. What I loved most is how it keeps you thinking - there were plenty of moments where I wasn't sure what was real and what wasn't. It's such a nice change from the usual horror movies that spell everything out for you.
The plot is interesting and engaging, and unlike most horror films today, jumpscares are used only when they actually add to the tension. They don't rely on them just to scare you every two minutes. The acting is really good, too - it helps make the whole thing feel more real and adds to the creepy vibe.
Now to my rant on horror movie reviews: After watching, I was excited to read some reviews and see if people shared my thoughts, but I was shocked by the number of people complaining. Some said the plot was "too confusing," or that there weren't enough jumpscares, or they just didn't get it because they were distracted on their phones for half the movie.
I feel like a lot of people just don't appreciate good horror anymore. They'd rather watch movies filled with cheap jumpscares and predictable plots, instead of something that actually makes them think. It's frustrating because real, scary horror movies are becoming so rare these days, and I'm worried about where the genre is headed if this is what people want.
It can't just be me who thinks like this, right?
The plot is interesting and engaging, and unlike most horror films today, jumpscares are used only when they actually add to the tension. They don't rely on them just to scare you every two minutes. The acting is really good, too - it helps make the whole thing feel more real and adds to the creepy vibe.
Now to my rant on horror movie reviews: After watching, I was excited to read some reviews and see if people shared my thoughts, but I was shocked by the number of people complaining. Some said the plot was "too confusing," or that there weren't enough jumpscares, or they just didn't get it because they were distracted on their phones for half the movie.
I feel like a lot of people just don't appreciate good horror anymore. They'd rather watch movies filled with cheap jumpscares and predictable plots, instead of something that actually makes them think. It's frustrating because real, scary horror movies are becoming so rare these days, and I'm worried about where the genre is headed if this is what people want.
It can't just be me who thinks like this, right?
Never let go is an intriguing, mentally draining psychological horror that quickly hooks you with a central question: is Halle Berry's character losing her mind, or is there something more sinister at play? It's a slow burn where you constantly have to guess what is real and what isn't. The premise is interesting, and for the most part, it keeps you engaged.
The biggest problem I had with the movie, however, would have to be the third act. Prepared to question all that's throughout, it feels like there wasn't much resolution at the very end. It doesn't have the closure I was looking for; instead, it just leaves us with more questions. Some people like that mystery, but for me, it was just the slightest bit more explanation or one additional scene needed to help wrap up things nicely.
That said, it's still worth watching, if not for any other reason than for those who love a good slow burn, psychologically thrilling plot. Just be prepared for an ending that may not be as satisfactory of a wrap-up as it could be.
The biggest problem I had with the movie, however, would have to be the third act. Prepared to question all that's throughout, it feels like there wasn't much resolution at the very end. It doesn't have the closure I was looking for; instead, it just leaves us with more questions. Some people like that mystery, but for me, it was just the slightest bit more explanation or one additional scene needed to help wrap up things nicely.
That said, it's still worth watching, if not for any other reason than for those who love a good slow burn, psychologically thrilling plot. Just be prepared for an ending that may not be as satisfactory of a wrap-up as it could be.
Wusstest du schon
- WissenswertesMark Romanek was attached to direct the movie back when it was titled "Mother Land," and Alexandre Aja took over directing duties a month later.
- PatzerAt around 24,5 mins while Halle Berry character and sons are taking dinner and talking, her plate continuously changes from just two pieces of meat to another with more meat and beams.
- VerbindungenReferenced in Cinefiliando-Peliculeando: No te sueltes (Never Let Go) (2024)
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprache
- Auch bekannt als
- No te sueltes
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 20.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 10.306.106 $
- Eröffnungswochenende in den USA und in Kanada
- 4.449.065 $
- 22. Sept. 2024
- Weltweiter Bruttoertrag
- 16.855.834 $
- Laufzeit
- 1 Std. 41 Min.(101 min)
- Farbe
- Seitenverhältnis
- 2.11:1
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