Ein Verkehrsstreit zwischen zwei Fremden – einem gescheiterten Bauunternehmer und einer unzufriedenen Entrepreneurin – führt zu einem Kleinkrieg, der völlig aus dem Ruder läuft.Ein Verkehrsstreit zwischen zwei Fremden – einem gescheiterten Bauunternehmer und einer unzufriedenen Entrepreneurin – führt zu einem Kleinkrieg, der völlig aus dem Ruder läuft.Ein Verkehrsstreit zwischen zwei Fremden – einem gescheiterten Bauunternehmer und einer unzufriedenen Entrepreneurin – führt zu einem Kleinkrieg, der völlig aus dem Ruder läuft.
- 8 Primetime Emmys gewonnen
- 44 Gewinne & 45 Nominierungen insgesamt
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On the surface, the premise of BEEF can happen to anyone, of any background, but to center the story around Asian Americans was the right move. We are born into a life of impossibly high standards and the immense pressure to uphold an image of success, to pay off our immigrant parents' sacrifices, to have our sht together.
But as human beings, the pressure comes with the most stubborn pride, and the shame of our shortcomings metastasizes into rage. This show may not be every Asian American's experience but this exploration feels authentic, uncomfortably honest, and revolutionary.
Even those rice cookers were such a funny and jarring clash of Asian and American culture. This series is comedic but it gets dark and these characters are messssssy. Episode 9 had my jaw on the floor.
Ali Wong was perfect for the role. Steven Yeun's Danny is completely different from his role as the father in Minari, yet the suffocating pressure stems from the same place and it bridges the generational gap.
But as human beings, the pressure comes with the most stubborn pride, and the shame of our shortcomings metastasizes into rage. This show may not be every Asian American's experience but this exploration feels authentic, uncomfortably honest, and revolutionary.
Even those rice cookers were such a funny and jarring clash of Asian and American culture. This series is comedic but it gets dark and these characters are messssssy. Episode 9 had my jaw on the floor.
Ali Wong was perfect for the role. Steven Yeun's Danny is completely different from his role as the father in Minari, yet the suffocating pressure stems from the same place and it bridges the generational gap.
Saw this on the top of Netflix and ended up watching it all in one sitting.
I am obsessed with this show. I don't think I've ever watched anything like it. Steven Yuen was amazing, especially as I'm a walking dead fan.
The twists and turns and the constant train crashes that happen are insane. But also it looks at a more deeper level of the rawness of humans and really delves into some scary truths about happiness and never knowing yourself. One of my favourite shows this year, loved everything and don't really have anything negative to say.
Honestly watch it and I promise. You won't be disappointed!
I am obsessed with this show. I don't think I've ever watched anything like it. Steven Yuen was amazing, especially as I'm a walking dead fan.
The twists and turns and the constant train crashes that happen are insane. But also it looks at a more deeper level of the rawness of humans and really delves into some scary truths about happiness and never knowing yourself. One of my favourite shows this year, loved everything and don't really have anything negative to say.
Honestly watch it and I promise. You won't be disappointed!
Kicking off Quickly, The smallest of interactions. Escalates into A full-scale beef very well paced. First episode makes you wonder will they be able to keep it up for the series. The beef is cooked perfectly lots of twists and turns. Netflix often have these filler episodes just to make 10. This doesn't feel like it has any filler with the new angle each episode and a cliff hanger making it tough to not binge watch the next one. This is a strong offering from Netflix with Steven Yeun from the walking dead and A lady, I formally known as a comedian Ali Wong proving to be quite the actress with a strong supporting cast one of the best things I've seen on Netflix for awhile.
This was a really good series. I sat down to watch one episode and I wound up on my butt for 5 hours until it was over. I think I would describe it as a dark comedy. I don't like anything but I liked this one. Although almost the entire cast is asian, there is no casting of non-Asians as bad. (I wrongfully assumed this was the direction this series would take.).
Now here's the part that scares me: as Netflix does, when they get a popular series they come back with a season 2, 3, 4, and maybe 5. DON'T DO IT!! There's very few places for a second season to go. If you do you're going to destroy the series.
Now here's the part that scares me: as Netflix does, when they get a popular series they come back with a season 2, 3, 4, and maybe 5. DON'T DO IT!! There's very few places for a second season to go. If you do you're going to destroy the series.
I came into this completely blind. Never saw the trailer but knew it was going to be Asian American centered. I thought it was going to be a comedy since Ali Wong is in it! I was very wrong.
This is a gripping drama about two people living parallel lives in different circumstances. Money, status, and mental health are key topics covered in this series with a unique Asian American cultural twist. Steven Yeun delivers, as always, but I was also very pleasantly surprised by Ali Wong's performance! She excelled in this serious role.
I loved watching the unraveling of the two main character's lives as their lives become increasingly worse. Of course, they have been miserable for a long time, but the collision serves as an effective catalyst for these two who have completely "had it" with their lives. They have met their match in each other and use each other as punching bags as an outlet, even though they're experiencing similar issues. Something as trivial as a road rage incident evolves into worse and worse situations for the both of them.
The writing is effective and well paced. The viewer gets a great sense of why these people are the way they are. There is no clear cut hero and villain archetype but rather two humans dealing with more than they can manage - something everyone can relate to.
This is a gripping drama about two people living parallel lives in different circumstances. Money, status, and mental health are key topics covered in this series with a unique Asian American cultural twist. Steven Yeun delivers, as always, but I was also very pleasantly surprised by Ali Wong's performance! She excelled in this serious role.
I loved watching the unraveling of the two main character's lives as their lives become increasingly worse. Of course, they have been miserable for a long time, but the collision serves as an effective catalyst for these two who have completely "had it" with their lives. They have met their match in each other and use each other as punching bags as an outlet, even though they're experiencing similar issues. Something as trivial as a road rage incident evolves into worse and worse situations for the both of them.
The writing is effective and well paced. The viewer gets a great sense of why these people are the way they are. There is no clear cut hero and villain archetype but rather two humans dealing with more than they can manage - something everyone can relate to.
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- WissenswertesIts episode titles are quotations from famous writers and thinkers, such as Werner Herzog, Franz Kafka, Sylvia Plath and Joseph Campbell.
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Bất Hoà
- Drehorte
- 22830 Paul Revere Drive, Calabasas, Kalifornien, USA(Exterior of Amy's house)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit
- 30 Min.
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.00 : 1
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