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IHRE BEWERTUNG
Verfolgen Sie das Leben, die Liebe und die Höhen und Tiefen von vier Mitgliedern der Women's Land Army, die während des Zweiten Weltkriegs auf dem Gut Hoxley arbeiten.Verfolgen Sie das Leben, die Liebe und die Höhen und Tiefen von vier Mitgliedern der Women's Land Army, die während des Zweiten Weltkriegs auf dem Gut Hoxley arbeiten.Verfolgen Sie das Leben, die Liebe und die Höhen und Tiefen von vier Mitgliedern der Women's Land Army, die während des Zweiten Weltkriegs auf dem Gut Hoxley arbeiten.
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I've watched Land Girls to the bitter end, and feel several IQ points less intelligent now. Really, as other reviewers have said, the series is rife with historical inaccuracies. But as one BBC spokesman said, period pieces don't have to be accurate. Really?
Most annoying to me, though, were the episodes in which Martin, the young boy, gets hit in the face by a barn door. He gets up and walks home, with a bit of a headache. But later, he mentions that he "can't see" a page of writing, although somehow he has no problem getting about.
Some days, or weeks? later, he goes to the doctor and finds out he has "detached retinas" (although he can still see), which means he'll go blind without an operation.
Apparently no one did a blind bit of research on this: In order to have both retinas detach, you'd have to be hit extremely hard on the back of the head, and would have not been trotting around soon after. Also, if your retinas are detached, you simply would not be able to see, and after waiting for weeks for the "operation" it's unlikely that there would still be any viable tissue left. 20 years after this period piece, retinal surgery was still in its infancy, with low rates of success.
Of course the "operation" was a plot device that had consequences that took the series through several episodes.
But really, is it that difficult for script writers to do a bit of research? I think they must count on people being so ignorant about history and other facts that they don't notice glaring errors. Perhaps they think we all have retinal detachments.
Most annoying to me, though, were the episodes in which Martin, the young boy, gets hit in the face by a barn door. He gets up and walks home, with a bit of a headache. But later, he mentions that he "can't see" a page of writing, although somehow he has no problem getting about.
Some days, or weeks? later, he goes to the doctor and finds out he has "detached retinas" (although he can still see), which means he'll go blind without an operation.
Apparently no one did a blind bit of research on this: In order to have both retinas detach, you'd have to be hit extremely hard on the back of the head, and would have not been trotting around soon after. Also, if your retinas are detached, you simply would not be able to see, and after waiting for weeks for the "operation" it's unlikely that there would still be any viable tissue left. 20 years after this period piece, retinal surgery was still in its infancy, with low rates of success.
Of course the "operation" was a plot device that had consequences that took the series through several episodes.
But really, is it that difficult for script writers to do a bit of research? I think they must count on people being so ignorant about history and other facts that they don't notice glaring errors. Perhaps they think we all have retinal detachments.
Liked the series but they left you hanging without wrapping things up with several stories. One character came back as a different person (the first one was better looking). There isn't going to be a 4th series and again left dangling. Changed the girls too many times. Could have been a lot better, loved the time period, the actors were great, gave insight into a unsung group of women who sacrificed and served during the war. I liked that. Overall enjoyed the series, disappointed that it didn't continue and maybe bring back some stories they left unfinished to wrap them up.
The series is well acted. The complaint here about "cliches" is itself one. Look up the history and look it up from first-person, eye-witness research. The events are based on real-life experiences and the protagonists being women should not frighten away legitimate historians who understand the time period and the sacrifices British women had to endure. The shape of the events are far closer to real history than some of the bleating-heart (not a typo) critics imagine. Yes, it is a soap opera. That was a given, by the way, to anyone who started watching it. But the position of women in Britain during the war and the dynamics that could and did occur are a part of history that also shapes the future for that society. For that focus, alone the series deserves respect.
If the negative critics of this series are Americans, they can be forgiven for their ignorance. If the critics are British, they can only be apologists for the behavior of officials who had totally lost their moral bearings.
This program has very fine actors doing their best with woefully inferior scripts. Every character is a stereotype of others we have seen before. Time and time again they behave stupidly in order to advance the plot and intensify the false sense of drama. Sorry, but it just rings hollow and false. There are precious few honest steps taken through the course of "Land Girls." Instead, the audience is manipulated, often with the use of modern PC sensibilities. I have forced myself to watch all fifteen episodes, and it has not been an easy chore. The scripts of Dominique Moloney, Dale Overton, Paul Matthew Thompson, Jude Tindall, Joy Wilkinson, and even series creator Roland Moore fall flat, dumbed down to the shallowest of viewers.
And then, in the midst of all this mediocrity, there comes a single brilliant episode that shows what might have been. Rob Kinsman has written a terrific script for "The Enemy Within," which is episode 3 of series 3. Here the dialogue crackles with intelligence. Suddenly, we are confronted with real people, not television templates. After watching "The Enemy Within," I thought perhaps "Land Girls" had finally found its stride. But, alas, it was not meant to be. Back to the same old predictability we go, and our patience is tested by stupid characters behaving stupidly. Clearly, this production should have hired Rob Kinsman from the start and stayed with him for the entire run. Then they might have really had something to be proud of. As it is, all too often the result is embarrassingly bad.
And then, in the midst of all this mediocrity, there comes a single brilliant episode that shows what might have been. Rob Kinsman has written a terrific script for "The Enemy Within," which is episode 3 of series 3. Here the dialogue crackles with intelligence. Suddenly, we are confronted with real people, not television templates. After watching "The Enemy Within," I thought perhaps "Land Girls" had finally found its stride. But, alas, it was not meant to be. Back to the same old predictability we go, and our patience is tested by stupid characters behaving stupidly. Clearly, this production should have hired Rob Kinsman from the start and stayed with him for the entire run. Then they might have really had something to be proud of. As it is, all too often the result is embarrassingly bad.
This series is repeating on The BBC. Whilst watchable it is ultimately a bit silly with very little farming to be seen. Ultimately if their efforts were replicated throughout the nation everyone would have starved
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- WissenswertesSusan Cookson, Christine Bottomly and Mark Benton all appeared in Early Doors.
- PatzerThe Land Army uniforms are from the film Brombeerzeit (1998) and contain many errors. For example, the jumpers are completely the wrong color.
- VerbindungenFeatured in Points of View: Folge #53.1 (2009)
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- 3 Std. 45 Min.(225 min)
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