Panik in der Pampa

I just saw this at the WFAC. I must say that I wasn't expecting much out of this film. It's a good thing that I went to see it anyway, because it turned out to be one of the highlights of the festival. The closest equivalent to what "Sita Sings the Blues" was last year; though the two films are in many ways quite different, they share between them a wacky sense of humour and a refreshing inventiveness. The story of the film is insane and has to be seen to be believed. This is the kind of story that, as a kid, you wished existed somewhere. It starts out with a cowboy and an Indian accidentally ordering 50 million bricks for the birthday of their roommate, Horse, and goes from there to a visit with the Atlanteans, the centre of the earth, and giant robotic penguins.

The animation in the film is just as entertaining. I'm sure that some would call it crude, but the fact remains that it's very expressive and perfectly suited to this story and these characters. The French-language voice acting is also great.

The film has no great moral or lesson to teach us, but I think it is no less of an achievement to make something that's genuinely funny. The only thing I thought a bit strange was that it seems to go on for a little longer than it felt the natural ending point of the story should be.

This film is in the running for the animated feature Oscar this year, but probably won't be nominated; it's too low-profile and somehow I think that the animation style could offend some of the Academy professionals. But who cares about what the Academy folks think? If you want to watch something fun (even better if it's with friends), I'd highly recommend it.

I do remember a while back reading an article somewhere about this film, and then I ended up seeing it this week. After watching it, I can tell you that this film is a fantastic piece of art. The stop motion is incredible, and displays a professional and unique quality throughout. The character development is surprisingly great. Horse serves as your typical father/leader figure, while Cowboy and Indian are his somewhat cocky sidekicks, which leads to a great plot. Steven is especially my favorite secondary character for his often times violent and hilarious outbursts, which is great comic relief. Sure, there are some plot holes here and there, but this movie isn't very plot based. However, it is a great slapstick comedy in every way. I've never seen anything quite like it before. And to also note, this movie is perfect in French. I had no problem at all reading the subtitles, and made the movie seem that much more sophisticated. Dubbing this film in English would really destroy most of the dialog, which is also great. In a nutshell, this was a pleasant surprise, and I would recommend it to anyone who basks in the strange and ordinary.

(In French, 75 min.) This feature-length stop-motion animation that appeared at Cannes is based on the Belgian TV series by Stephane Auber and Vincent Patar. It's a film all made up using tiny figurines to tell the story of a journey to the center of the earth whre a parallel society of pointy-headed and dishonest creatures reigns. Voices of French actors Jeanne Balibar (The Duchess of Langeais) and Benoît Poelvoorde (of Man Bites Dog) are heard. The filmmakers revel in the jerkiness of the figures in (stop) motion.

You might not know this is the same stop-motion technique used in Wes Anderson's Fantastic Mr. Fox. Auber and Patar have collaborated ( and voice two main characters) in a film that's not only simpler and more primitive in effect (figures even have little stands on the bottom like plaster toys) but more truly uniquely for children. Clearly this cast and crew had more modest means and objectives and motives. They didn't get glamorous superstars to voice the parts and they worked visibly from scratch, bringing to life recreations of kids' little Plasticine toys, a typically mismatched collection including a horse, an Indian, a cowboy, mechanical tractors, a piano lesson, and moving them around on surfaces that could be a village, or could be a train set or a display under a Christmas tree.

These are actually spin-offs from a TV series that Belgian, French, and maybe French Canadian kids would know. They were featured in five-minute films on the arty but widely watched French TV outlet Canal Plus and later dubbed by "Wallace and Gromit" producer Aardman Animations for export to other outlets such as Nicktoons in the U.S.; they can be found on YouTube.

The Town Called Panic effect is much more boldly artificial and crude than the stuffed but charming furry creatures in Wes Anderson's film. This is a thing of slapstick and chases, upended figures and screeches and scrambles. "An antic little joy ride," the Variety reviewer has called it, and that's about right. Shown November 13 at the San Francisco Film Society's 4th Annual Animation Festivial as one of three animated features (the others: Wes Anderson's Fantastic Mr. Fox and Tarik Saleh's Metropia), it enjoyed a preview at Film Forum in New York the following week, and begins a limited US theatrical release at Film Forum December 16. The feature is not dubbed like the Aardman Animations shorts, which is better to capture the flavor of the original, of course.

Saw this on a plane back from Canada and didn't expect much - just struggling to find something to occupy the time.

How wrong I was. Hilarious, totally surreal, laugh out loud funny (hate to think what the other passengers thought of me). Other reviews link this with the Wallace and Gromit series and in many ways, the inventiveness and off the wall humour are along similar lines. The gloriously cheap stop motion animation is a world away, however - Cowboy and Indian, for instance, even have the little flat stand to hold them up like regular children's toys.

Don't take that as a criticism, however- it just makes the whole thing more endearing. This isn't Avatar - this is more like Morph: forget the budget, it's all in the skill of the film maker to tell a great story that's a laugh a minute and keeps you watching. You may struggle to understand what's going on at times, but who cares?

Well deserved award-winning directors Stéphane Aubier & Vincent Patar are to be forever commended for ingeniously and painstakingly creating what can easily be considered one of the top animation films of all time. An adventure/comedy/romance/drama with simple yet detailed & inspired stop-motion animation much like Gumby, Pingu or Henry Selick's work for Burton. So much spirit, charm, wit & creativity culminate into a unique explosion of joy that overwhelms the senses. Every frame is a roller-coaster of activity so packed with inspiration that I wonder what was left out to meet the time limit and when it ended I wanted more. This is destined to become a cult classic for all ages and I eagerly await the multi-talented, award-winning team's next project. HIGHLY RECOMMENDED!