A Boy Called Dad

Saw this film as part of the Best of the Fest in Edinburgh Film Festival. Whilst it has its flaws (particularly re the lack of representation of any real women characters) this is more than made up for by main story (which focuses on the Dads) which is moving and captivating and the performance of newcomer Kyle Ward (Robbie) alongside Ian Hart as his Dad. The film centres upon fatherhood and whether the chain of bad dads can be broken by Robbie. His interaction with his young baby son, inspired by his own treatment by his dad is especially moving, as is the reaction of the Welsh girl (Nia) he meets on the run with her own father. Definitely worth seeing especially if you have kids or intend to have them and fancy a cry!

For those who praised both the directing and writing of A Boy Called Dad might like to know that Brian Percival (who directed the multi-award winning ITV drama 'Downton Abbey') won a BAFTA along with screenwriter Julie Rutherford. That was a short, About A Girl, in 2001.

This re-teaming in 2009, a small £1million budget and a welcome star name of Ian Hart have produced a modest little gem of a Brit movie, filmed in Liverpool and north Wales. A Boy Called Dad stars 14 y.o. Kyle Ward, a natural and fine performance (though according to IMDb, hasn't been in anything since) from a lad who has a one night stand - and then fatherhood. The mother of the child has little contact with Robbie (Ward) and lives separately.

Enter jack-the-lad Robbie's Dad, a cheeky Liverpudlian with a VW pickup. He left Robbie and his mother some years before and says that he had moved to Ireland, when he had in fact, not. Robbie, after some reacquainting and bonding with his Dad, feels rejected and goes off the rails, kidnaps his own son and makes off in a car.

The film does have its moments of action, bursts of anger and a lot of quiet moments of contemplation and emotion. It won't suit everyone, though its very humanity should appeal to us all. It's whether we choose to actually sit down and watch it rather than something more gimmicky and instantly gratifying. It's not a great movie, but a good one.

About a boy named Robbie who goes on a fantastic journey with his baby son. Robbie at first, see's his son occasionally from the babies mother. Later Robbie takes the baby from it's mothers boyfriend in which he thrillingly shoots the boyfriend in the foot and takes his car. This shows how much Robbie Cares about the baby and shows his rebellious side. Robbie then runs away in the car and this is where the storyline begins to unfold. Along the way you see the relationship the boy has with his father, the relationship between the boy and his baby son and where the boy has to hide out. Fantastic film, definitely worth seeing.

Have just come back from the Edinburgh Film Festival and having seen lots of films there, including the more popular, bigger budget films, this one really stands out as something special. Whilst watching the film I cried with laughter and cried with heartfelt emotion for the characters and their excellent portrayal of their situation. Brilliant acting and gorgeous scenery and camera work. I defy anyone to see this film and not enjoy it! Ian hart, as always, gives a very special, genuine performance but the most surprising performance is the effort put forward from the young lad who plays the teenage dad who goes on the run with his son. It's so heartening to see a depiction of teenage dads which isn't so incredibly negative. I didn't know what to expect but I can know say that I'm so glad to have seen this film.

Director Brian Percival manages to maintain an even keel between the social relevance of teenage pregnancy and keeping the audience grounded in a young boy's innocence.

Following this personal journey from boyhood to fatherhood is a captivating and precious experience that is sure to tug on your heartstrings.

Julie Rutterford's dialogue is spot-on and the acting is brilliant. Ian Hart gives a great performance as Robbie's dead-beat dad and Kyle Ward (14-year old Robbie) brings a genuine honesty and reality to this film.

This intimate drama is not to be missed and a story that should never to be forgotten.