LSD 2: Love, Sex Aur Dhokha 2

This is one weird and different movie. It is a parody on lot of things - reality shows, influencers, metaverse and lots more. The acting is top notch and it feels like a live camera recording most of the time. This movie is a bit difficult to watch because of the high level of cringe but it is so different, so weird and so futuristic. It also reveals the dark side of the internet age and almost gives a precursor on how much darker it can get. Overall if you like watching different and out of the box content then go for LSD2. If you prefer watching content in your comfort genre then this is probably not for you.

What a letdown! This movie is a complete waste of time. The director seems confused, and it shows in this low-quality film. The story doesn't make much sense, leaving you scratching your head. The characters are boring and don't change much. It feels like the director didn't try very hard. Don't bother watching this mess! From the awkward pacing to the lackluster dialogue, every aspect of this film falls flat. Save your time and money for something worth watching. The cinematography lacks creativity, and the soundtrack feels out of place, further contributing to the overall disappointment. It's evident that this movie lacks the heart and soul needed to resonate with its audience. You'll find yourself constantly checking your watch, counting down the minutes until it's finally over.

Love, Sex Aur Dhokha 2 attempts to capture the essence of modern-day struggles through three interconnected narratives set in the age of social media. However, despite its unique premise, the film miserably failed to deliver an engaging storyline, resulting in a tedious and disappointing viewing experience. LSD 2 isn't a film, it's a joke. It's so bad that no matter how hard you try, you won't be able to sit through the whole thing.

Divided into three segments - Love (Like), Sex (Share), and Dhokha (Download) - the film follows the lives of individuals grappling with validation and identity in the digital era. From the story of Noor, a transwoman navigating the pitfalls of reality TV, to Kulu, a transgender sex worker striving for acceptance, and a YouTuber obsessed with subscriber counts, the film explores varied themes but fails to weave them into a cohesive narrative.

LSD 2 is an exhausting watch, with all three segments failing to sustain interest or engagement. Director Dibakar Banerjee's vision feels weak, unable to effectively translate the potential of the premise onto the screen. Despite the efforts of the cast, the film's terrible execution falls flat. The screenplay is convoluted, leaving viewers bewildered and struggling to follow the disjointed plotlines.

Direction 1/5 Acting 1.5/5 Editing 0.5/5 Story 1.5/5 Screenplay 0.5/5.

Different and weird is the expression I can give to this movie I mean I failed to understand what was this there are 3 stories how they are connected what is the overarching plot I don't know yes there is some social commentary but that's it. And that is not enough at the end It ended I was expecting some kind of explanation I can go home with but nothing it demands you to find something coherent which I am not sure is present at least I didn't find it in my watching

Atleast it is watchable the direction is surely different and want to see it replicated in a film with a better story. In itself the stories were on good concept but felt nothing like a movie

FAVOURITE CHARACTER :: haha the mother in the 1st part can take it FAVOURITE MOMENT :: Anu Malik stopping the dance.

Why, oh why? Why are these types of movies even made? What has the world done to deserve such horrific films? I dare anyone to watch 15 minutes of this movie-you'll be pulling your hair out.

What is this? It's nothing but nonsense, certainly not a movie. Plotless, storyless, and meaningless, with utterly ridiculous acting. I sincerely hope no one was actually paid for this.

This is the kind of movie that should be completely eradicated from all movie databases. This is not cinema; it's certainly not a movie. Dibakar Banerjee, apart from his one film "Lucky Oye," consistently produces top-notch ridiculousness, and this one tops them all.

Save yourself.