Fright Night

Can a horror remake actually be a good for a change? I mean, how many classic horror flicks does Hollywood have to crap on until they finally give up? "Texas Chainsaw Massacre", "Amityville Horror", "Nightmare on Elm St.", "Friday the 13th", "House of Wax".......all of these films are examples of why i sometimes HATE Hollywood.

Finally......a horror remake that's WORTH seeing. I must admit, i had some pretty low expectations walking into this, and it did way more than prove me wrong. Initially i thought they were going to make this a straight 'B' movie by incorporating tons of humor with their gore, which would have been fine with me, seeing that i love the genre'. But this movie was more fun than funny. Don't get me wrong, there are some sequences that are funny, but it had more of that 'drive-in' appeal to it's horror. And i loved every bit of it.

It's story is pretty basic, and somewhat cliché'. I mean come on, a vampire living next door. But the weird thing is, it didn't come off as cliché'. And i think the biggest contribution to that was the pace of the film. Once you get past the first 10 to 15 minutes of the film, which are kind of dull, the movie quickly begins to morph into a fast paced gore fest. And now looking back on it......if it were not rated R, then this movie would have been stupid, and it would've fit in with every other crummy horror remake.

But the aspect that i appreciated the most was the writing. For once, they didn't alter any rules to make their film different. They stuck with what already works, and left it up to the actors to make these vampire rules entertaining. And Collin Farrell did just that.

Bottom Line.....Of all the horror movies that come out this year, this will probably be the one you will have the most fun at. It's funny, it's somewhat scary, but most of all, it's pretty damn entertaining. It's one of those movies i would've loved to of seen at the drive-in. If your tired of all this 'Twilight' crap, which they happen to mention in the movie itself, then this is really a breathe of fresh air to all the TRUE vampire fans.

Fright Night is a remake from an underrated 1985 horror gym that doesn't get near the praise it should. However, I watched the remake open minded and was pleased with a lot of new elements to the movie. There are a few nice plot twists and I really liked the main leads especially Colin Farrell and Imogen Poots. I liked that it was a bit more modern and that the setting took place in Las Vegas. It set up nicely the fact that Peter Vincent's magic show was one of the famous Vegas highlights. The movie has a few flaws though one being a poor job on character development for the three friends, which I thought they could have extended a few scenes on in the beginning. Also, it was a huge bummer seeing the fake computer generated vampire effects. That was a huge turnoff that made me say "UGH!" out loud a few times. The Fright Night remake (6/10) is not total rubbish but it's really nothing to seek out.

Fright Night is directed by Craig Gillespie and written by Tom Holland. It stars Anton Yelchin, Colin Farrell, David Tennant, Christopher Mintz-Plasse, Imogen Poots and Toni Collette. Music is by Ramin Djawadi and cinematography by Javier Aguirresarobe. Film is a remake of the 1985 film of the same name, also written by Tom Holland, it sees Yelchin as Charley Brewster, a teenager living in a suburb of Las Vegas who finds the new handsome neighbour, Jerry Dandridge (Farrell) is actually a blood sucking vampire. With nobody believing him and the vampire homing in on his mother and girlfriend, Charley turns to enigmatic playboy magician Peter Vincent (Tennant) for help.

Ah remakes, a word that often spells trouble in film fan circles, especially when populated by the horror faithful. So no surprise, then, that Fright Night has been met with much division whilst hardly making waves at the box office (it made a small profit when various costs were taken off the gross). Yet it did receive some favourable reviews in critic's offices, where like myself they feel that this more than lives up to the original, which was fun and scary but hardly what you call a horror comedy masterpiece. I often have my rose tinted spectacles on for the likes of the 85 Fright Night, but whether we choose to accept it or not, they were real fun films back then, but that was because they were viewed through younger eyes. Now when viewing in the haze of nostalgia, it's not hard to see why some modern film makers feel a remake is possible and can work; Fright Night is one such case.

This is no masterpiece either, it drags for the first third and the CG malarkey really doesn't offer anything particularly worthy to the film's substance. In fact the transformation sequences are quite frankly weak. You don't have to be a nostalgist to lament the absence of a Bottin or Baker. But for all its little missteps, it still rounds out as great fun and scores high in the last third with the well blended mix of comedy, suspense and terror. The dialogue, too, is very enjoyable, with many lines bringing the chuckles. The casting is very good, particularly with the core three characters of Charley, Jerry and Peter. It's great to see Farrell having such fun, free of emotional character restraints, he just lets rip with a sexy and vengeful performance. Yelchin is just so likable, a rising blockbuster star after turns in Star Trek and Terminator Salvation (he would sadly be killed in a freak accident in 2016), here he crafts top work as Charley shifts from geeky teen into babe magnet bravado. While Tennant slots in and steals the movie with a glorious excess of profanity, sexuality and witticisms that befit the nature of the piece.

Next up Farrell went serious and threatened to run the wrath of sci-fi fans with his star turn in the Total Recall remake. Here he comes out of this horror remake, like the film in general, with good credit. So those 80s teens like me should shake off the dust and strap themselves in to a seat for this particular ride. It may not surpass the original, but it is every bit its modern equal, and that is something that newcomers to the Fright Night world should hopefully rejoice in. 7/10

The original Fright Night was already a cult classic which makes this remake unnecessary. But since all vampires these days are less scary and like what Evil Ed said "Love Sick", it can be necessary for some reason. Bringing back the true vampire camp. Although it's not as scary as the original but Colin Farrel's performance improves the vampire villain. This Fright Night is endlessly watchable and fun. This may sound strange but I think this version is better than the original.

The original have the disturbing schlocky masks but this version actually has the vampire danger and thrills. The credit goes to Colin Farrel. He gives a lot of vigor and terror to the evil vampire. David Tennant has his own Peter Vincent. His charisma and delight shines through all of his scenes. Just like Roddy McDowall, David Tennant nearly steals the show. But Farrel really owns this show.

It's a welcome back, actually. It's not a cash in remake. It's the returning of the vampire horror to our cinemas. Our vampire movies these days are just tired and relies to nothing but the senseless violence. And some of them are in love with a bland girl and sparkle in sunlight. But the biggest thing that is missing in most modern vampire movies is how scary these monsters are. They are not only bloodsuckers. They can be terrifying for somehow.

The filmmaking is obviously good but some of the CGI tones the scares down a little bit but it works though. The score sounds nothing like the score of the original but it's true to its vampire genre. The movie is shot in 3D but most of the film is dark and 3D usually dims the aspect of a film but if you are in for some blood and sparks coming out of the screen then try it. Not quite recommending though.

Overall, Fright Night is enjoyable. Maybe the biggest mistake they made is the jump scares since Fright Night isn't really fond to that trend. Well, this is definitely better than all the unnecessary horror remakes we usually get every year. Colin Farrel made a lot of things better. Vampires are evil again. It has plenty of joys and thrills. Fright Night is recommendable by bringing back the true elements of the genre.

At the time it came out, a remake of Fright Night seemed like one of those unnecessary movies - what was so wrong with the Tom Holland original, which gave us a subtle/over-the-top performance from Chris Sarandon and some cheeky humor from Roddy McDowell as a vampire named Jerry and the would-be 'celebrity' vampire hunter? Did it need an update? But upon the sudden and to put it mildly tragic death of Anton Yelchin, I thought it was certainly time to watch it. And among a cast that features really major talents like Colin Farrell, David Tennant and Toni Collette, Yelchin holds his own. More than that, he is necessary for the movie to work: he has to be believable as a young guy who starts off somewhat unsympathetic (trying to be 'cool' by ditching his nerdy friend for an attractive girl), and over the course of the story has to man up and not do what his dad did, which was ditch the family behind.

Yelchin plays the 'straight man' to a point where we can find him believable as being both completely scared and yet ballsy enough to go for what he has to go through to save and protect the ones he cares about - his mother and then, when she's taken by this 'Jerry' fella, Amy - and it's interesting to see this *after* Green Room, where he played a somewhat similar character though in a different setting (actually substitute Nazis for vampires and you got a somewhat similar premise, with Yelchin as the vulnerable but strong-willed and tough protagonist). If you've ever liked this actors work, this is a must-see of his.

Looking at 2011 Fright Night on its own terms, outside of viewing it as some kind of after the fact thing for Yelchin, it's... good. Better than expected, really, as far as these kind of remakes can go (in other hands it could be easily disposable trash like Sorority Row or something). With Yelchin there as the main core for the audience to put their 'what would I do if' perspective on, Farrell and, in the second half of the film, Tennant get to have the time of their lives in these roles. Farrell is so evil he even eats an apple to show off how much of a nasty fella he is! Though it may not possibly require, shall one say, 'range', it takes real screen presence and a sense of menace, and I think Farrell makes this a memorable vampire as far as a) sex appeal (I mean, women and some men wouldn't kick him out of bed), and b) when he gets nasty and violent, the threat feels real. For Tennant, it's not a complicated character either - a fraud of a "vampire hunter" who is mostly for Las Vegas show - but he also gets to have fun in the role and can deliver exposition that is not in the least boring or distracting. And Toni Collette is... Toni Collette, good in all of her scenes. Even McLovin' and Dave Franco give some good supporting turns, turning cliché parts into something with personality.

At any rate these characters are put into a setting that is rather novel: having it in/around Las Vegas makes it so that it's believable that people would be out and about largely at night, being the primary time vampires get their food. I liked seeing that and that it was used to good effect. Where the movie loses me most is in certain parts of the execution of the action. I don't know if it's because I'm tired of wasteful or lackluster CGI, but any time Farrell or any of the other vampires "Fully turn" (which doesn't seem to have a lot of logic, it only seems to occur when they're extra mad) it looks really bad and fake, and a particular over the top car chase, which is attempted in part in one "long" take ala Spielberg's War of the Worlds (no coincidence I think it's a Dreamworks production, the setting and lack of/absentee father seem like Spielberg notes). Practical effects could have taken more time or been more intensive, but the results would last longer and not take one out of the movie like here.

If one can look at the substance of Fright Night it does work - the screenplay comes from Buffy the Vampire Slayer creative Marti Noxon, and the sense of whip-smart timing in the dialog and come-backs about how people look at vampires is especially funny, even from Peter Vincent most of all - and is a fitting tribute to the original. That film had a little more deadpan wit due to McDowell as Peter Vincent, though it too had some dated things as well (maybe in a cool way) like 80's synth music. Will this hold up so well? I don't know. But for what it is, it's entertaining and successful for being bloody (it looks as if the blood is not all CGI which is good) and knowing of the genre (it's self-conscious of vampire lore and movies, but it doesn't wear you out on it like the other 2011 post-modern horror, Scre4m)