Wake Up Dead Man

I travelled about 300 miles to my first film festival screening for the chance to see this movie early and I can honestly say that it was time and money well spent. I've been excited about and following these movies from the moment the first Knives Out was announced and it's given me nothing but complete satisfaction. Watching all 3 movies in quick succession only further confirmed my love for them. Even if I think Wake Up Dead Man is my least favourite of the bunch I still loved the experience it provides and maybe more so than the first two movies I can't wait to rewatch it just to catch on to the next embarrassing amount of details in almost every scene.

Something I love about what Johnson does with these movies is that he creates a wholly different experience with every new entry. It's part of their lasting appeal and I quickly gave up on any notion that I was going to correctly predict anything because it's a script that I have no shame in admitting is a lot smarter than I am. It's unbelievably dense, even more so than I expected, and even if that occasionally comes to the films detriment I was just actively excited to see how everything was going to tie together because I had no reason to expect this movie to take a single misstep on a story level.

Wake Up Dead Man is decidedly different from its predecessors and in ways that never felt gimmicky. There's even more moral complexity this time around to the point where I could see their being a real discussion around the justifications of certain characters which is not something I could say to the same degree for the other films. It's actually quite thoughtful it's commentary on religion and people of faith without ever being afraid to poke fun at the absurdity of the situations it's presenting and it thankfully never felt cheap. It is absolutely hilarious in how the jokes sneak up on you and it was so unbelievably satisfying to watch this movie with an audience which is another one of the mountain of reasons I'm unbelievably frustrated that these movies have been relegated to Netflix.

Wake Up Dead Man feels considerably plot focused and I did feel that sometimes came at the expense of the characters. They're appropriately colourful and fun to watch that I felt were developed the least so far. I loved the proxy-protagonist of Josh O'Connor this time around and I was really happy with the complex backstory they gave his character. He plays of Daniel Craig so well and just like the first two movies he's the main point of investment for the entire narrative. I loved Glenn Close in how mysterious she is and I so enjoyed how unhinged Josh Brolin's character and performance was. The rest of the characters didn't feel that compelling to me but they all get their moments to shine and as always it's just a delight to see this many actors of this calibre on screen together.

I also think the film is lacking a little bit of something that sets it apart from the rest of murder mystery genre. Both Knives Out and Glass Onion had structures that set them apart and feel entirely their own. While this movie isn't entirely linear it's a lot more linear than I expected. I kept expecting to film to make a turn that changed things but instead it ends up feeling like a story we might have seen before but executed to the highest level of quality possible. I also cannot overstate how packed this script is with details but I don't know that I can always say it was for the better. The first 30 minutes in particular throw a lot at you and it doesn't end up feeling like intrigue or tension building but just like a lot of information that left me feeling overwhelmed. I think it takes a bit too long for the story to introduce Benoit Blanc and the slight worry I have is that some of these sections might drag on rewatch knowing where everything goes but that doesn't stop my desire to go back to this movie again in the slightest.

Wake Up Dead Man sits comfortably next to the other Knives Out movies and even despite its shortcomings it doesn't change any desire I have to see Daniel Craig and Rian Johnson make countless more mysteries. It totally stands on its own as a new experience and it's going to take at least a few watches to catch every little clue that Rian Johnson weaves into the narrative and I'll happily go back to this movie to discover them. A great movie and a great experience and I'll be so excited to see what Johnson does next whatever it ends up being.

Before diving into the murder mystery aspect, I want to take a moment and acknowledge the commentary done on faith here.

A double-edged sword; on one side, it can uplift those in need and pain, guiding them toward better decisions and encouraging repentance. However, it can also be twisted and misused for selfish gains, leading some to become radicalised, blinded by anger and driven by greed and hate.

Now, turning back to the main story, while it certainly captivates and offers suspense in certain moments, the final twist doesn't deliver the punch that a good "whodunnit" should.

And I feel the primary issue lies in the lack of a compelling ensemble who would fit according to the situation being dealt with.

In narratives like this, it's essential for each character to have a strong, distinct identity, allowing the audience to continuously speculate and second-guess who the real culprit might be. When the cast fails to spark curiosity or engage the viewers, the whole experience feels diminished, ultimately undermining the story's intent.

With the exceptions of Blanc, Martha and Jud, the rest failed to make their cases heard, utterly forgettable on every front.

I had to keep watching till the end because I was already invested! But it was much too long and it felt like overly long Agatha Christy novel. Some of the characters were interesting and some just felt like fillers. There are movies out there that you want to watch over and over again, but that wasn't the case this time for me.

Fr. Jud Duplenticy (Josh O'Connor) is a young priest reassigned to a remote parish where Monsignor Jefferson Wicks presides with a combination of theatrical flair and spiritual manipulation, a style the Church higher-ups deeply disapprove of. Jud arrives already uneasy about Jefferson's practices and it doesn't take long before the two clash openly. A few days later, Jefferson collapses and dies inside a small viewing chamber during a church service, with the entire congregation present and all of them potential suspects.

The Knives Out films have always thrived on sharp characterization and clever, layered mysteries but here, the bigger the cast gets, the thinner the story becomes. The first two hours drag like a penance. Conversations stretch forever without payoff; the extended talk between Jud and Louise feels like pure filler, aiming for quirky humor but landing somewhere between awkward and irrelevant. Even the early "boo!" moments with Glenn Close suddenly popping into frame, clearly meant to be funny, play like a desperate attempt to generate a laugh.

Josh O'Connor commits fully, but he's stranded in scenes that don't know what tone they're aiming for. The ensemble is vast, colorful and utterly underused, a recurring problem as the franchise inflates itself.

The film finally wakes up when Benoit Blanc (Daniel Craig) begins unraveling the mystery. For a brief moment, it feels like the sharp old magic is returning. And then... he just stops. The momentum dies, and the movie pivots into a last-minute plot twist followed by a long, talky explanation that feels like the cinematic equivalent of being shown the answer key after the exam is already over. It's not clever, it's an apology disguised as a finale.

There are bright spots: the production design is gorgeous, the supporting cast has bursts of fun and Craig is still an absolute delight whenever he enters detective mode. But the script is overloaded with empty dialogue, undercooked ideas and humor that never quite lands.

Not terrible, just underwhelming, especially for a franchise that once felt so sharp.

Wake Up Dead Man: A Knives Out Mystery is a fine third iteration of the classic whodunnit mystery within the Knives Out franchise.

To review this film, you have to either write a lengthy passage reflecting on all the themes the film shines light on, or make it short and simple. I'll go simple on this one.

The script is just an imprint of Rian Johnson's thoughts and style. And since supposedly nobody was keeping Rian at bay, the first probably 30 minutes of the film felt unhinged when it comes to humor and satire. The film almost turned into a meta-comedy in the second act, but still managed to get back to the mystery it was intended to untangle.

The story was a classic Rian Johnson's one with excessive childish humor, lots of callbacks and nods to other franchises, constant attempt at subverting the viewer's expectations.

At the same time, it had lots of interesting political, personal and religious themes discussed, like (obviously) faith, religion, moral values and personal choices, greed, manipulation, power and politics, media and social interactions. While Rian surely wanted to have fresh characters and not basic stereotypes, some of them were still loosely connected to the story if at all, and felt more like tokens with traits attached rather than characters. The plot was well-constructed, but few scenes still felt like the plot was giving itself a push forward after stumbling and loosing it's focus.

Some might say that the film bashes on religion (especially in the first 30 minutes), but didn't find the film offensive in this way. The ending perfectly shows the respect given to genuine faith and canonical moral values.

The cast managed to deliver great performances with no exceptions, probably due to good direction, although in my opinion Andrew Scott was just underused, really needed more of him in this film.

Wake Up Dead Man: A Knives Out Mystery is a prefect blend of political, religious and other personal themes, wrapped into classic Johnson's excessive whodunnit buffoonery. A solid 8/10, thank you, Rian Johnson.