Bo ist ein übernatürliches Wesen, das die Lebensweise ihres Clans herausfordert.Bo ist ein übernatürliches Wesen, das die Lebensweise ihres Clans herausfordert.Bo ist ein übernatürliches Wesen, das die Lebensweise ihres Clans herausfordert.
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We are living in a new golden age of television. This is the age of the one hour drama. Sure, we've had them for decades now, but never have we had so many good ones available at one time. Chuck, The Walking Dead, Dexter, Sons of Anarchy, 24, House, Supernatural, No Ordinary Family, etc, etc, etc.
Now we have Lost Girl.
I won't say this show will be enjoyed by everyone, but any sane person will at least acknowledge it is worthwhile.
Decent acting shows through a veil of light camp as characters develop personally and with each other. This development is rushed at times, but the point seems to be allow for the audience to quickly absorb as much info as they can on a world with a decidedly massive mythos. Understandably, some may find this up-tempo plotting to be counter- immersive, but there is no accounting for personal preference.
Some may be turned away by the sexual energy which charges this show. That being said, the sexuality inherent in the atmosphere is never gratuitous and always essential to the product as a whole.
Finally, it must be said that the possibilities for future plot lines are nearly endless, considering the vast amount of folklore this show can draw inspiration from. Not to mention the possibilities of political intrigue between the two major factions in the show.
I've tried to be as vague as possible in describing the show, as that is what the summary is for. All I seek to do is shine a little light on a prime product that, with all the other great shows on TV, some folks might miss or simply pass up. Trust me, you owe it to yourself to give this a try, even if it's just to see if you like it.
Now we have Lost Girl.
I won't say this show will be enjoyed by everyone, but any sane person will at least acknowledge it is worthwhile.
Decent acting shows through a veil of light camp as characters develop personally and with each other. This development is rushed at times, but the point seems to be allow for the audience to quickly absorb as much info as they can on a world with a decidedly massive mythos. Understandably, some may find this up-tempo plotting to be counter- immersive, but there is no accounting for personal preference.
Some may be turned away by the sexual energy which charges this show. That being said, the sexuality inherent in the atmosphere is never gratuitous and always essential to the product as a whole.
Finally, it must be said that the possibilities for future plot lines are nearly endless, considering the vast amount of folklore this show can draw inspiration from. Not to mention the possibilities of political intrigue between the two major factions in the show.
I've tried to be as vague as possible in describing the show, as that is what the summary is for. All I seek to do is shine a little light on a prime product that, with all the other great shows on TV, some folks might miss or simply pass up. Trust me, you owe it to yourself to give this a try, even if it's just to see if you like it.
Bo (Anna Silk) has lived a troubled life. She seems to suck the life out of anyone she kisses. She befriends petty thief Kenzi (Ksenia Solo). Then she discovers that she's a Succubus and there is a secret world of beings called The Fae. She is told to choose between Light and Dark Fae but she chooses to be unaligned. Dyson (Kris Holden-Ried) is a light Wolf shapeshifter and a police detective. Hale (K.C. Collins) is a fellow detective and a Siren. Trick (Richard Howland) is the barkeep and so much more. Lauren (Zoie Palmer) is a human doctor and property of the Ash. The group is later joined by Valkyrie Tamsin (Rachel Skarsten).
At its best, the show is fun and sexy. That has a lot to do with Ksenia Solo. She's a terrific smart-mouthed sidekick. As long as her great lines keep coming, this is a wonderful show. Sadly, she does leave the show for long stretches. Rachel Skarsten tries to replace her with her own wackiness. The mythology of the show is fascinating until it gets too convoluted. This is a good group of characters and the show is quite good most of the time.
At its best, the show is fun and sexy. That has a lot to do with Ksenia Solo. She's a terrific smart-mouthed sidekick. As long as her great lines keep coming, this is a wonderful show. Sadly, she does leave the show for long stretches. Rachel Skarsten tries to replace her with her own wackiness. The mythology of the show is fascinating until it gets too convoluted. This is a good group of characters and the show is quite good most of the time.
When I first heard the premise for SyFy's new show, Lost Girl, I greeted it with a big yawn. Luckily for me, my roommate recorded the pilot. She knows my taste in movies/TV and she insisted that I watch it. I didn't right away, but I did set the DVR to record the series. Last week, I finally started watching the first 7 episodes. I was blown away! First, I can't take my eyes off of Anna Silk. She is stunning. Then the sexuality that's central to the story - outstanding and artfully done. I like the concept. It reminds me of the Easy Rawlins mystery series. Like Rawlins, Bo can move between worlds in a way that others can't and so she is the perfect private investigator for those cases that require a unique approach. I hope this series gets picked up for more seasons. It's great fun!
My first thought on the show is that the premise seems very much like that of Nightwatch. More akin to the book than the movie, but with a completely different type of mystical beings.
The acting, unsurprisingly, seems a trifle wooden, but it was just the first episode, so the actors are all still feeling out their characters. I'm certain, considering the actors that I'm familiar with, that they'll flesh out well in very little time, though.
Technically, I like that they kept the effects quite minimal, in an effort to give us more character development and more story, rather than try to wow us with a load of digital nonsense.
I have high hopes for the show, and will keep watching to see if it lives up to those hopes.
The acting, unsurprisingly, seems a trifle wooden, but it was just the first episode, so the actors are all still feeling out their characters. I'm certain, considering the actors that I'm familiar with, that they'll flesh out well in very little time, though.
Technically, I like that they kept the effects quite minimal, in an effort to give us more character development and more story, rather than try to wow us with a load of digital nonsense.
I have high hopes for the show, and will keep watching to see if it lives up to those hopes.
I've seen lots of sci-fi and fantasy, they are my favorite genres. Few of them do I enjoy enough to get the DVD and watch several times but this is one of those few. Like most sci-fi it requires a stretch of the imagination and like many of these types of shows the budgets don't allow for all out big screen special effects. Personally I don't mind the special effects when you have a team of characters that have interesting, complicated interactions. Each character has a personal relationship one with the other with its' twists, turns, betrayals, redemption plus the group has a dynamic together that feels genuine.
Another thing or two that I like about the writing and direction is that there is not a lot of time spent on the strength of one gender over another. Although there is a heroine she is supported by the ensemble in a way that gives everyone a place of importance in the goals of the team. Also, I can always root for a hero/heroine who sees the pride of privilege and wants to help the underdog without expectations. It's a side we are all capable of and I like to see it portrayed as a reminder of what we can do for each other when we look outside ourselves. There's not always a clear line of what is good and what is evil so it challenges us to decide where the line is where we say no.
So, there are things that might take you a little leap of faith or investing in more than a couple of episodes to tie into the characters. Yeah, like many of our favorite shows you have to invest in a few maybe several episodes before you feel a connection but it's a small investment and you may like the returns.
Another thing or two that I like about the writing and direction is that there is not a lot of time spent on the strength of one gender over another. Although there is a heroine she is supported by the ensemble in a way that gives everyone a place of importance in the goals of the team. Also, I can always root for a hero/heroine who sees the pride of privilege and wants to help the underdog without expectations. It's a side we are all capable of and I like to see it portrayed as a reminder of what we can do for each other when we look outside ourselves. There's not always a clear line of what is good and what is evil so it challenges us to decide where the line is where we say no.
So, there are things that might take you a little leap of faith or investing in more than a couple of episodes to tie into the characters. Yeah, like many of our favorite shows you have to invest in a few maybe several episodes before you feel a connection but it's a small investment and you may like the returns.
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- WissenswertesInga Cadranel, who plays Aife, Bo's (Anna Silk) succubus birth mother, is actually four years younger than Silk.
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Bo Dennis: [Opening Narration] Life is hard when you don't know who you are. It's harder when you don't know *what* you are. My love carries a death sentence. I was lost for years, searching while hiding, only to find that I belong to a world hidden from humans. I won't hide anymore. I will live the life I choose.
- VerbindungenFeatured in Vampire Reviews: Monster Mash (2014)
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