Skeletons

Finally a modern film that isn't Hollywood and isn't by the numbers or tickboxes. Nobody is killed, no car chases, just two eccentrics with special powers helping people to get rid of their bad memories or skeletons in the cupboard, modern exorcists with humour instead of horror.

The two actors are perfect for these two odd and squabbling characters. Two mates that look out for each other but also argue and get on each others nerves sometimes.

It's perfectly watchable and enjoyable at all levels, though normally I can't stand that wailing type music which is overused in a lot of films and irrelevant it seems to me. Whereas the Eastern European music was a perfect fit.

The only shortcoming I would say is that not enough is explained in the beginning about what they do or the retro equipment they use. Not everybody knows a lot about cleaning bad spirits and older traditional viewers will be a bit lost. The "boss" is kind of shoe-horned into the plot - again without much explanation or background context. We just have to fill in the gaps ourselves.

Also the pairing at the end is not a very likely outcome though it is a logical conclusion to the previous events.

Whatsisname's review is right - this would make a really good TV series.

There are a fair number of brilliant, unusual, quirky films out there. Some of them are very well known, like Field of Dreams. Others not quite as well known such as like Little Miss Sunshine, The Station Agent, Shaolin Soccer, etc, etc. The thing that all of those films have in common, is that no matter how odd the story, and context, the characters are those whom you can care about and emotionally invest in. And they tackle big themes like loss and redemption, moral complexity etc in a way which is ultimately cathartic and uplifting. Skeletons, is as brilliant and enjoyable as any of the aforementioned films. All of the actors are superb, and the unusual story is captivating from beginning to end. A hidden and delightful gem.

Most films with high concept values require a Herculean level of suspension of disbelief to prevent the what-ifs becoming a ceaseless stream of yeah-rights.

Quite often, a movie concept to which a viewer is asked to subscribe turns out to be poorly conceived and badly constructed. The movie then suffers from something I like to call China Syndrome: The concept is as far fetched as a bucket of chit from China.

Skeletons, although possessed of one of the most original move concepts I've ever seen, right from the opening scene, presents its concept in such a matter of fact and unassuming manner that the viewer is instantly on board. Even if, initially, you won't have a clue what's going on you will know that whatever is happening is happening for a reason and the world will somehow be a better place because of it.

Although many strange, unexplained and downright bizarre things happen in the film there wasn't, for me, any moment or event I felt required further questioning, it all seemed so natural and even the really odd things I couldn't immediately figure out were, in the context of the concept, sure to have an obvious and easily justifiable answer.

Brilliantly cast with excellent directing and if you don't 'get' Skeletons you have to understand, it's not the film, it is most probably you. Maybe there's something blocking your ability to enjoy stuff. Perhaps you ought to call someone in ?

9/10

I had the pleasure of catching this great little gem of a film. I found it to be charming and engaging. The two main characters are physically the type you'd never see headlining an American film. They work as investigators for a company rooting out skeletons from their client's closets. The main characters banter back and forth between assignments, and only in reading other reviews here did I find out these two are a comedy duo. This helps their chemistry on screen and moves the film along.

A standout is Tuppence Middleton, who plays her daughter role with luminosity. The screenplay doesn't give her much, but she's ready when it does. Expect more good things from her.

Another standout character was the main character's boss. (He looks and sounds strikingly like Timothy Dalton.) While watching this film, I was reminded somewhat of Inception. Unlike that film's gun-blazing dream logic, here you get a well-explored charming British version. They are quick to establish it, flesh it out and for the bulk of the movie, dance for the sheer joy of dancing with it. The small cast each give great performances.

I am rating this highly because I know I'd sit through this movie again. I'd sit through a series of movies based on the world that's created and explored here. I was left at the end hoping they already had a sequel in the can, or perhaps an entire British TV series of hour long episodes. This movie is based on a premise that hasn't *quite* been handled this way. The director shoots it well, and with the single exception of a slightly overused musical cue, it came across to me as perfect.

I came across this totally by accident and was very surprised there hadn't been more of a buzz about this great film. Best film I have seen for a long time and it must be one of the best ever British films. Creates a weirdly familiar alternative universe which we accept despite ourselves. Very original. Proof that you don't need a big budget or star names to create an interesting, amusing and very successful film. This deserves to be seen by a large audience. It isn't fast paced but the lack of exposition keeps it rolling along nicely. The acting is excellent and for a first time director this is amazingly well imagined and put together. I'm looking forward to the director's next effort.