IMDb-BEWERTUNG
5,6/10
40.047
IHRE BEWERTUNG
Ein Angestellter eines mächtigen Unternehmens findet sich in einem Eckbüro wieder, aber zu einem gefährlichen Preis: Er muss den alten Mentor seines Chefs ausspionieren, um ihm einen milliar... Alles lesenEin Angestellter eines mächtigen Unternehmens findet sich in einem Eckbüro wieder, aber zu einem gefährlichen Preis: Er muss den alten Mentor seines Chefs ausspionieren, um ihm einen milliardenschweren Vorteil zu sichern.Ein Angestellter eines mächtigen Unternehmens findet sich in einem Eckbüro wieder, aber zu einem gefährlichen Preis: Er muss den alten Mentor seines Chefs ausspionieren, um ihm einen milliardenschweren Vorteil zu sichern.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Nominierung insgesamt
Will Peltz
- Morgan
- (as William Peltz)
Empfohlene Bewertungen
Thankfully, Gary Oldman can make almost any film bearable and his portrayal here of a ruthless, corrupt CEO is just about the only thing that this derivative movie has going for it. He manages to infuse a one-dimensional character with at least one more dimension.
The script is so full of hackneyed clichés that I felt like I was watching a Dan Brown novel. You have to assume that the writer's entire experience of the corporate world is based on a combination of Occupy Movement manifestos and Oliver Stone movies. Liam Hemsworth has evidently starred in something call the Hunger Games where, I have to assume, he was hired for his looks and not his acting chops.
August is usually the doldrums when it comes to movie releases and this dud simply proves the rule to which Blue Jasmine is the exception.
The script is so full of hackneyed clichés that I felt like I was watching a Dan Brown novel. You have to assume that the writer's entire experience of the corporate world is based on a combination of Occupy Movement manifestos and Oliver Stone movies. Liam Hemsworth has evidently starred in something call the Hunger Games where, I have to assume, he was hired for his looks and not his acting chops.
August is usually the doldrums when it comes to movie releases and this dud simply proves the rule to which Blue Jasmine is the exception.
PARANOIA is one of those corporate suspense thrillers about rival businesses, spying, and the like. All of these films seem to owe a debt to WALL STREET in the depiction of fresh-faced newcomers going under the wings of seasoned and cynical professionals.
Sadly, there isn't much to get excited about in PARANOIA, a distinctly average type film. The writing is of bog-standard quality and the most interesting thing about it is the sheer number of familiar faces playing in support: Embeth Davidtz, Julian McMahon, Josh Holloway, even Richard Dreyfuss in a minor put pivotal role. Sadly they have little to do in a storyline that feels devoid of suspense and is really very ordinary.
One of the the film's biggest flaws is in the central casting of the inexperienced Liam Hemsworth. Hemsworth fails to bring any charisma to his part and in fact feels wooden throughout, and certainly out of his depth compared to the seasoned pros surrounding him. On the other hand, there's a nice turn from Gary Oldman who successfully manages to capture some of that fire he had in the 1990s. Harrison Ford looks incredibly old but is pretty good in a cast-against-type role.
Sadly, there isn't much to get excited about in PARANOIA, a distinctly average type film. The writing is of bog-standard quality and the most interesting thing about it is the sheer number of familiar faces playing in support: Embeth Davidtz, Julian McMahon, Josh Holloway, even Richard Dreyfuss in a minor put pivotal role. Sadly they have little to do in a storyline that feels devoid of suspense and is really very ordinary.
One of the the film's biggest flaws is in the central casting of the inexperienced Liam Hemsworth. Hemsworth fails to bring any charisma to his part and in fact feels wooden throughout, and certainly out of his depth compared to the seasoned pros surrounding him. On the other hand, there's a nice turn from Gary Oldman who successfully manages to capture some of that fire he had in the 1990s. Harrison Ford looks incredibly old but is pretty good in a cast-against-type role.
Cassidy and his friends work for Wyatt mobile and are pitching a new idea to the boss. He doesn't care for it and Cassidy gets arrogant. They're fired but for some reason he still has an active expense account credit card and they party that night. He also meets the pretty Emma.
The next day, Wyatt wants to meet with Cassidy. He will get him a job with his childhood competitor Goddard so that he can steal Goddard's next big idea. He's got a behavioral specialist on board and sets Cassidy up with the good life and trains him. Cassidy gets the job and Goddard is impressed with his idea. And as it turns out Emma also works for Goddard. Everything is going fine until Wyatt's people become more pushy and want him to steal the future device from Goddard's corporate vault. Of course he's caught and with that Goddard wants to buy Wyatt's company or put him in jail, but Cassidy has some plans of his own.
Paranoia has a lot going for a it- a decent budget, impressive cast, an OK story, good visuals. It even starts with some important discussion about how America has completely ceased being the country of opportunity it once was. The direction is poor and the script could have used some work. The movie's title is wrong or if they intended to highlight the moment of Cassidy's paranoia they failed. As a whole, emotionally, this movie is pretty flat. There should be a far greater sense of dread and danger. Perhaps it's because they went with a PG-13 rating. As an R-rated movie this could have been better. I get the sense that they aimed for a mature teen audience looking for a serious movie. And perhaps it would work for that crowd- not sure. Paranoia had a lot of potential. I wanted to like this movie as the cast does a good job, except for Oldman's and Davidtz's obnoxious British accent. But the director did his best and succeeded at frustrating the audience and not giving us as good a movie as it should have been.
The next day, Wyatt wants to meet with Cassidy. He will get him a job with his childhood competitor Goddard so that he can steal Goddard's next big idea. He's got a behavioral specialist on board and sets Cassidy up with the good life and trains him. Cassidy gets the job and Goddard is impressed with his idea. And as it turns out Emma also works for Goddard. Everything is going fine until Wyatt's people become more pushy and want him to steal the future device from Goddard's corporate vault. Of course he's caught and with that Goddard wants to buy Wyatt's company or put him in jail, but Cassidy has some plans of his own.
Paranoia has a lot going for a it- a decent budget, impressive cast, an OK story, good visuals. It even starts with some important discussion about how America has completely ceased being the country of opportunity it once was. The direction is poor and the script could have used some work. The movie's title is wrong or if they intended to highlight the moment of Cassidy's paranoia they failed. As a whole, emotionally, this movie is pretty flat. There should be a far greater sense of dread and danger. Perhaps it's because they went with a PG-13 rating. As an R-rated movie this could have been better. I get the sense that they aimed for a mature teen audience looking for a serious movie. And perhaps it would work for that crowd- not sure. Paranoia had a lot of potential. I wanted to like this movie as the cast does a good job, except for Oldman's and Davidtz's obnoxious British accent. But the director did his best and succeeded at frustrating the audience and not giving us as good a movie as it should have been.
A thriller about the dark world of tech business giants, with big shot start like Gary Oldman and Harrison Ford, what could go wrong, right? Well, with this movie, almost everything did. It's slow, boring, repetitive and overall just disappointing.
Adam (Liam Hensworth) is a programmer (I think, because character development apparently wasn't a priority in this movie) who gets stuck in the middle of a feud between two tech giants, Wyatt and Goddard, played by Gary Oldman and Harrison Ford. And that's about as deep as the story goes. There's some background as to the rivalry between Wyatt and Goddard and a hard-to-believe love story between Adam and one of Goddard's executives, but overall, the film feels like an unfinished job, with a lot of potential, but no real charm to it.
I've got to accept the movie has some good things worth mentioning. Gary Oldman is great, as expected, in his limited screen time, and the final scenes are actually pretty good, but all in all this was not a good movie, and I would not recommend it.
Adam (Liam Hensworth) is a programmer (I think, because character development apparently wasn't a priority in this movie) who gets stuck in the middle of a feud between two tech giants, Wyatt and Goddard, played by Gary Oldman and Harrison Ford. And that's about as deep as the story goes. There's some background as to the rivalry between Wyatt and Goddard and a hard-to-believe love story between Adam and one of Goddard's executives, but overall, the film feels like an unfinished job, with a lot of potential, but no real charm to it.
I've got to accept the movie has some good things worth mentioning. Gary Oldman is great, as expected, in his limited screen time, and the final scenes are actually pretty good, but all in all this was not a good movie, and I would not recommend it.
What a misleading title for a movie? Nobody's even paranoid in this movie at all so calling it Paranoia doesn't really make sense to me. Instead, they could've titled it Generic Conveniences. Know why? Because everything in this movie is written in so conveniently for the characters to succeed in the most generic way. So, I guess you can tell it's not a very likable movie. Before seeing this movie, the premise sounded pretty cool. One guy is spying on a company for a rival company but not everything goes according to plan and then stuff happens. Plus, the CEOs of the companies are played by none other than two of the best actors in the business! We got Gary Oldman, one of the most diverse actors of modern cinema, and Harrison Ford (Indiana Jones & Han Solo: 'nough said). On top of that, it stars Thor's brother, Liam Hemsworth, who's good in The Expendables 2 and The Hunger Games, but this could have been his breakout role as a leading actor! Sadly, it's not.
Hemsworth's character in this movie is so unlikable; the only reason an individual would enjoy him in this movie is because he's an attractive guy. However, his acting in this movie is pretty bad. I found myself comparing him to Taylor Lautner's performance in Abduction but at least with that movie we knew it was gonna be bad. Just as bad as his acting are the choices made by his character. The whole plot is put into motion because he got fired from a company and then he decides to go out clubbing with the credit card that's issued by the company he got fired from that he still luckily has! How stupid is that! And then, through a sequence of events, they choose him of all people to be a spy; this irresponsible guy who just goes out clubbing after he's fired? Wow. The writing in this movie clearly is off-putting, but we'll get to that later. The chicks, too, that Hemsworth gets with in this movie are really weird as well. One tries playing hard to get even though he already got with her, while the other chick tries to seduce him while he's already trying to seduce her. The only semi-redeeming qualities of this movie are that Gary Oldman and Harrison Ford actually try in this movie. It's undeniable that they're phenomenal actors, and they are, for the most part, good in this movie for what they're given. Nonetheless, they're given crap dialogue and stupid plot points. I cannot bag on the writing of this movie enough; it is so bad. The dialogue is unrealistic and not enjoyable, while the plot is so convoluted and uninteresting that I kept wanting to stop watching the movie.
Additionally, the directing of this movie is a huge weakpoint. It looked like a made-for-TV movie from the '90s. The directing and camera-work were horrible. Sometimes there was a person talking but half their face was off the screen. In another sequence, Hemsworth is running like a little girl, flailing his arms around and whatnot. There's no purpose for him to be running like that; who said that was okay? It's funny seeing how stupid it is, but it's not even supposed to be funny. And with it being a spy thriller with convoluted twists, you'd think that it'd be unpredictable, right? Well it's not. It had those cliché moments like when he has to break into a vault and he's failed two out of three attempts, with the next failed attempt triggering the alarms. And then it tries to build tension in that moment, but you already know he's gonna be alright and his last attempt is gonna get through. The movie has no suspense whatsoever, despite trying to be a suspenseful summer thriller. It's not suspenseful because you always know what's gonna happen and don't really even care for the characters. It's not summer because it's boring and uninteresting rather than being fun. And it's not a thriller because there are absolutely no thrills. The only thing remotely okay about this movie are the performances of Gary Oldman and Harrision Ford, and that sometimes even gets old since Ford never gets the chance to say "Get off my plane!" It's not worth seeing in the theatre or even worth renting. It's one of those movies that will be on cable and you'll have to think about if you actually have nothing better to do than invest your time in it. But you'll probably end up passing anyways
Hemsworth's character in this movie is so unlikable; the only reason an individual would enjoy him in this movie is because he's an attractive guy. However, his acting in this movie is pretty bad. I found myself comparing him to Taylor Lautner's performance in Abduction but at least with that movie we knew it was gonna be bad. Just as bad as his acting are the choices made by his character. The whole plot is put into motion because he got fired from a company and then he decides to go out clubbing with the credit card that's issued by the company he got fired from that he still luckily has! How stupid is that! And then, through a sequence of events, they choose him of all people to be a spy; this irresponsible guy who just goes out clubbing after he's fired? Wow. The writing in this movie clearly is off-putting, but we'll get to that later. The chicks, too, that Hemsworth gets with in this movie are really weird as well. One tries playing hard to get even though he already got with her, while the other chick tries to seduce him while he's already trying to seduce her. The only semi-redeeming qualities of this movie are that Gary Oldman and Harrison Ford actually try in this movie. It's undeniable that they're phenomenal actors, and they are, for the most part, good in this movie for what they're given. Nonetheless, they're given crap dialogue and stupid plot points. I cannot bag on the writing of this movie enough; it is so bad. The dialogue is unrealistic and not enjoyable, while the plot is so convoluted and uninteresting that I kept wanting to stop watching the movie.
Additionally, the directing of this movie is a huge weakpoint. It looked like a made-for-TV movie from the '90s. The directing and camera-work were horrible. Sometimes there was a person talking but half their face was off the screen. In another sequence, Hemsworth is running like a little girl, flailing his arms around and whatnot. There's no purpose for him to be running like that; who said that was okay? It's funny seeing how stupid it is, but it's not even supposed to be funny. And with it being a spy thriller with convoluted twists, you'd think that it'd be unpredictable, right? Well it's not. It had those cliché moments like when he has to break into a vault and he's failed two out of three attempts, with the next failed attempt triggering the alarms. And then it tries to build tension in that moment, but you already know he's gonna be alright and his last attempt is gonna get through. The movie has no suspense whatsoever, despite trying to be a suspenseful summer thriller. It's not suspenseful because you always know what's gonna happen and don't really even care for the characters. It's not summer because it's boring and uninteresting rather than being fun. And it's not a thriller because there are absolutely no thrills. The only thing remotely okay about this movie are the performances of Gary Oldman and Harrision Ford, and that sometimes even gets old since Ford never gets the chance to say "Get off my plane!" It's not worth seeing in the theatre or even worth renting. It's one of those movies that will be on cable and you'll have to think about if you actually have nothing better to do than invest your time in it. But you'll probably end up passing anyways
Wusstest du schon
- WissenswertesKevin Spacey turned down the role of Nicholas Wyatt.
- PatzerWhen Adam Cassidy is playing chess with Wyatt, there is no way he can make a checkmate without making check with his queen.
- Zitate
Jock Goddard: Privacy. Absolute myth. There's no such thing.
- VerbindungenFeatured in Chelsea Lately: Folge #7.121 (2013)
- SoundtracksAlive (Zedd Remix)
Performed by Empire of the Sun
Composed by Nick Littlemore (as Nicholas Littlemore), Peter Mayes, Luke Steele, Jonathan Sloan, Steve Bach (as Steven Bach) and Zedd (as Anton Zaslavski)
Administered by: Universal Music Publishing Group Pty Ltd, on behalf of
Chenfeld Ltd and Solola Ltd, Sony/ATV Music Publishing (Australia) P ty Ltd.
admin by Sony/ATV Tunes LLC, Pulse Recording Songs (ASCAP) admin by
Downtown DLJ Songs (ASCAP), Bach to Bach Music (ASCAP),
Zedd Music Empire (ASCAP) admin by Kobalt Songs Music Publishing.
Courtesy of EMI Music Australia Pty Ltd./Astralwerks
under license from Universal Music Enterprises
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
- How long is Paranoia?Powered by Alexa
Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprache
- Auch bekannt als
- Traición al límite
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 35.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 7.388.654 $
- Eröffnungswochenende in den USA und in Kanada
- 3.528.376 $
- 18. Aug. 2013
- Weltweiter Bruttoertrag
- 17.056.265 $
- Laufzeit
- 1 Std. 46 Min.(106 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen