IMDb-BEWERTUNG
7,0/10
9063
IHRE BEWERTUNG
1916 unterquert die 1st Australian Tunnelling Company deutsche Befestigungen und Bunker, um massive Sprengladungen zu zünden.1916 unterquert die 1st Australian Tunnelling Company deutsche Befestigungen und Bunker, um massive Sprengladungen zu zünden.1916 unterquert die 1st Australian Tunnelling Company deutsche Befestigungen und Bunker, um massive Sprengladungen zu zünden.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 6 Gewinne & 23 Nominierungen insgesamt
Harrison Sloan Gilbertson
- Frank Tiffin
- (as Harrison Gilbertson)
Bella Heathcote
- Marjorie Waddell
- (as Isabella Heathcote)
Alex T. Grant
- Walter Sneddon
- (as Alex Thompson)
Empfohlene Bewertungen
This film should be seen by all Australians. It is authentic and extremely well acted; no overacting and no gilding the lily. Take a box of tissues. As an indication of how special this movie was, at the end while the credits were playing, everyone except two people remained in their seats for the entire running time of the credits and the upper part of the theatre was full. I would like to encourage younger people to see it; young people like those who visit Gallipoli would appreciate its significance. It depicts the true nature of the first world war and also depicts the essence of the Australian character; free-spirited, somewhat disrespectful of officer ranks until said officers earn respect. WWI was not like other wars; though the very awfulness of the trenches is obvious, the movie dwells just enough but not too much on this aspect. I hope it is successful overseas though I cannot imagine the British going to see it in large numbers, nor the Americans. The British are gently lampooned once or twice and would not take kindly to this, and the Americans do not get a look in at all so they would not be likely to be motivated to see it. However, if they did, I think they would appreciate it.
7sol-
Based on the true story of how a platoon of Australian soldiers tunneled under enemy soil during World War I, 'Beneath Hill 60' recounts a slice of wartime history not often told. Most noteworthy is how the film does not just depict battles and explosions, but also the squalid living conditions and claustrophobic surrounds of the soldiers. There is a particularly effective struggle as two Germans invade the tunnel; the scene takes place in pitch black darkness for nearly a whole minute after a lamp is knocked out. Another memorable sequence features disquieting sound effects as a soldier realises that an explosion has deafened him. The film is unusually structured with several flashbacks to the main soldier's pre-war life woven into the mix. Brendan Cowell is solid as the soldier in question and the flashbacks serve well to pinpoint why he felt a need to fight (pressure, expectations, etc), however, they also break up the intensity and immediacy of the trench/tunnel action. Cowell's romance with a teenage girl half his age also makes for an odd inclusion as their age disparity is very prominent (by all accounts this is accurate though). Whatever the case, 'Beneath Hill 60' works almost all the time when focused on the trench/tunnel action. A constant sense of danger lingers in the air, and yet at the same time the film portrays the ability of camaraderie to also develop in adverse conditions.
This is a movie that every Australian must watch. It's a story about the unforgotten heroes, who went and did their bit for the Great War. Amazingly it's based on a true story of miners who, went to the Western Front and dug a network of tunnels deep beneath the Germans. Implanted within the labyrinth of tunnels, is millions of explosives waiting to be set off.
What makes this film is the human side of emotion. There is mate ship and bonds which can never be set aside; experiences that only the men can relate to. There is the love story between Oliver Woodward (Brendan Cowell) and young Marjorie Waddell (Bella Heathcote). And you see the youthful innocence of young men, in particular Frank Tiffin, played by Harrison Gilbertson and Walter Sneddon (Alex Thompson).
The contrast between the Queensland and the war is reflected in the use of colour and lighting. Queensland is bathed in sunlight, warm clean colours and in the costumes. While the Western Front is portrayed in constant bleak colours where bright colours don't exist. It's cold, wet and rain(for some reason, it's not a war movie until is has the element of rain and coldness).
The English accent of the British troops are not great, they sound more like upper crust Australians. But apart from that comment, this is a gem of a movie. It will have you hooked until the very last second.
What makes this film is the human side of emotion. There is mate ship and bonds which can never be set aside; experiences that only the men can relate to. There is the love story between Oliver Woodward (Brendan Cowell) and young Marjorie Waddell (Bella Heathcote). And you see the youthful innocence of young men, in particular Frank Tiffin, played by Harrison Gilbertson and Walter Sneddon (Alex Thompson).
The contrast between the Queensland and the war is reflected in the use of colour and lighting. Queensland is bathed in sunlight, warm clean colours and in the costumes. While the Western Front is portrayed in constant bleak colours where bright colours don't exist. It's cold, wet and rain(for some reason, it's not a war movie until is has the element of rain and coldness).
The English accent of the British troops are not great, they sound more like upper crust Australians. But apart from that comment, this is a gem of a movie. It will have you hooked until the very last second.
It's 1916 on the western front. The battle has stalemated by trench warfare. Australian miner Oliver Woodward is the new commander of an Australian tunnel platoon. He was courting 16 year old Marjorie Waddell, 10 years his junior, when he joined the new mine wars. The underground world is a rarely seen battlefield of intense paranoia and constant death.
In many ways, this world reminds me of a wartime submarine. There is also plenty trench warfare and above-ground fighting. It would be great to have more delineated characters. A lot of time is spent on Woodward with his flashbacks. Brendan Cowell plays it with stoic heroism. The others tend to blend together. This is a compelling world of combat and takes the fighting to different places.
In many ways, this world reminds me of a wartime submarine. There is also plenty trench warfare and above-ground fighting. It would be great to have more delineated characters. A lot of time is spent on Woodward with his flashbacks. Brendan Cowell plays it with stoic heroism. The others tend to blend together. This is a compelling world of combat and takes the fighting to different places.
An outstanding portrayal of the Messines Ridge battles - a part of the overall series of battles in WWI around Ypres in Belgium. Anyone who knows anything about WWI will recognize the incredible fighting and human misery surrounding the 3 major Ypres battles. For a great depiction of these battles - read A Storm in Flanders - by Winston Groom -one of the best histories of the Great War.
The movie works on all levels - some of the other reviews state that Aussies should see this - I disagree - everyone who is interested in how the free world defended against German aggression need to see this. I am a WWI junkie, but I believe this movie will appeal to a very wide audience.
A few of the good points: Realism - this movie focuses on many small details which give it great credibility: clipping canaries nails; covering your coffee cup when there is an explosion (to keep dirt from falling in); continual rain and mud (can you say Passchendaele?) ; unbelievable living conditions; the cat and mouse game being played under ground where both sides were trying to discover the others mines; prejudice against the miners/sappers as not being real soldiers; and the death of the father (you'll see what I mean).
This is one of the finest war movies I have seen (and I've seen a lot.) I really hope you will take this one in. Then, the next time you are in London - go to the Imperial War Museum for an in depth look at WWI & II. Cheers DonB
The movie works on all levels - some of the other reviews state that Aussies should see this - I disagree - everyone who is interested in how the free world defended against German aggression need to see this. I am a WWI junkie, but I believe this movie will appeal to a very wide audience.
A few of the good points: Realism - this movie focuses on many small details which give it great credibility: clipping canaries nails; covering your coffee cup when there is an explosion (to keep dirt from falling in); continual rain and mud (can you say Passchendaele?) ; unbelievable living conditions; the cat and mouse game being played under ground where both sides were trying to discover the others mines; prejudice against the miners/sappers as not being real soldiers; and the death of the father (you'll see what I mean).
This is one of the finest war movies I have seen (and I've seen a lot.) I really hope you will take this one in. Then, the next time you are in London - go to the Imperial War Museum for an in depth look at WWI & II. Cheers DonB
Wusstest du schon
- WissenswertesThe box that Tiffin makes for Captain Oliver Woodward, as shown in the movie, was the actual box that was made in the trenches during the war. The Woodward family still has this box and gave the cast and crew permission to use it for the film.
- PatzerIn the attack on the Red House, Morris is holding and aiming his Lee-Enfield rifle left-handed. Soldiers during WWI and subsequently were always trained to fire the Lee-Enfield right-handed as the bolt is on the right, which is difficult to operate when firing left-handed.
- VerbindungenFeatured in Beneath Hill 60: Photo Gallery (2010)
- SoundtracksMademoiselle from Armentieres
(uncredited)
Tune - traditional; source of English lyrics unknown
Sung by Australian soldiers with modified bawdy lyrics
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Beneath Hill 60
- Drehorte
- Townsville, Queensland, Australien(and environs)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 8.140.500 AU$ (geschätzt)
- Weltweiter Bruttoertrag
- 3.440.939 $
- Laufzeit2 Stunden 2 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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Oberste Lücke
By what name was Helden von Hill 60 (2010) officially released in India in English?
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