Bulletproof Gangster

Wow..... Wow..... Wow.............

I DID NOT EXPECT THAT! I AM STUNNED!

The Hunter becomes the Hunted in KILL THE IRISHMAN. In the year 1976 in Cleveland 36 bombs went off but could they get Danny Greene?

Based on the life events of Irish American gangster Danny Greene KILL THE IRISHMAN is by far one the most involved movies I have watched of its kind. Danny Greene a gangster from Cleveland in 1970s is a man with pride and honor. Quite unusual traits for a gangster don't you think? Exactly what I did think as well until I completed the whole movie! Danny Greene's story brings to light the hardships that certain people go through to meet their ends in life. Although not most of them are legal methods, sometimes these seem to be the only way out for some of them. Most learned folk at this point would think I am a few screws lose upstairs to agree with an illegal approach to life. I sincerely believe that all humans will tread paths they never would if they too are pushed to extreme limits. This is just me, however I am sure some may feel that to die with hunger is better than steal, try it and let me know! Please note I am not promoting criminals since Danny Greene's revelation is entirely different. Danny Greene earned his bread and butter until the associations abused them and ill-treated them. Danny stood up to them and took over the associations and became a self-found businessman. However when authorities came for him few years later, he did not run, he had the courage to stand up to his faults.

Ray Stevenson, Christopher Walken, Vincent D'Onofrio and Val Kilmer bring to life the dark early 1970s of Cleveland. I am impressed of the precision performances. Especially Ray Stevenson, he is amazing and its wise choice by the casting directors to go with an unfamiliar face (although Ray Stevenson has appeared in a fair number of movies) since it's a biography of an actual person. I believe Ray Stevenson fits into the character with ease rather than to have a Hollywood regular play the protagonist. I need not speak about Christopher Walken, you put him in front of a camera and wonders emerge. Val Kilmer's weight does not stop him from slamming a great performance either. Unison is what it is with these men pulling the movie through.

A very appropriate and touching soundtrack evokes a great emotion within me. Much like BRAVE HEART or ROBIN HOOD PRINCE OF THIEVES she captures and wraps me with a strange enchantment. It's like a spell, I need to admit there were moments in the early parts of the movie where I did consider switching it off. The interest did not seem to be consistent. In my terms the attention span of the viewer is violated with Jonathan Hensleighs directorial approach. It lost me a few times, however it did not LOSE me. I am having difficulty expressing what I felt, let me try to elaborate. It's like water, tasteless, however after a long night when you wake up dehydrated after one too many drinks, and that one glass of water you have at that point of time is the perfect drink. This is the only way I can bring myself to explain the feeling of this movie.

A definite skip for those who look out for action and cleverly choreographed fight sequences. A good one for the mature audience who savor biographies and slow paced dramas.

This is how I see it, nothing more nothing less!

Title: Kill the Irishman Directed by: Jonathan Hensleigh Starring: Ray Stevenson, Vincent D'Onofrio, Val Kilmer, Robert Davi, Vinnie Jones & Christopher Walken Rated: R for strong violence and some sexual content/nudity Rating: 07/10 106 Minutes

Review by Ruby: If you are reading this, you have probably read the background info about The Irishman Danny Greene and his Italian buddy John Nardi who worked and broke the law many times over in the streets of Cleveland throughout the 1970s. In addition to Greene and Nardi, many of the cast members were familiar "mob types," and testosterone was practically flying off the screen in the midst of bravado, fistfights, gunfire, and countless explosions. But there was an actual story to follow also, so it offered more substance than much of the drivel that manages to run in the theatres today.

Even though they were gangsters, Greene and Nardi were surprisingly likable characters—for killers, that is—mostly because of the charismatic acting of the two leads, Ray Stevenson and Vincent D'Onofrio. The supporting characters were interesting also, including the talents of Christopher Walken, Val Kilmer, Steve Schirripa, Paul Sorvino, Tony Lo Bianco, and Mike Starr.

Interspersed with the actors' scenes were actual clips of film footage from local newscasts of the day, which added authenticity and a touchstone to the amazing story that unfolded in Cleveland some 30-40 years ago.

I highly recommend "Kill the Irishman" as an action-packed, escapist, period piece, featuring superior acting and excellent film editing. It was a thoroughly enjoyable 100+ minutes!

The author of the book in which the movie is based has a unique insight, he's a cop, his family was part of the old "mustache pete" mafia. the book and the movie, demonstrate in realistic detail just how far the Mafia has declined in the post golden era of the 50s and 60's. One Irishman, with the help of an old Mafia associate, showed the world just how incompetent the mob had become in Cleveland and elsewhere. The movie deftly shows that level of incompetence.

Ray Stevenson does a credible job as Irish Danny Green and Vincent D'Onforio is even better as the conflicted John Nardi. Christopher Walken is barely visible as Shonder Burns. Tony Lo Bianco does a great job of a weak, indecisive mob boss who just can't get it right.

The movie is burdened with low production value, but the story is true. And the life they highlight deserves low production value. Anyone who compares this to Goodfellows or the Soprano's is out of touch.

I'm not often writing critics on IMDb, but when i checked the page of this movie I was really surprised that there were so few reviews.

I must confess that I haven't heard anything about this movie before I read that there will be free theater screenings of "Kill the Irishman" in my hometown. As far as i know, the film also had a very limited theater release in the USA, which is a sad thing because this movie was surprisingly good and well-crafted and was one of the best films I've seen in the last months.

The film tells the true story of Danny Greene, a tough irish gangster - and let me tell you, it is definitely a story worth telling.

I guess many of you are informed about the story of Danny Greene, so i won't go further into the story.

The movie features an impressive cast including Ray Stevenson, Val Kilmer, Christopher Walken and many other familiar faces known from other mob movies. Ray Stevenson gives an incredibly good performance as Danny Greene and manages to keep his character really violent, but also likable. This movie could give him a career boost for bigger roles.

The direction and the cinematography are very nice and i'm hoping this movie will enable Jonathan Hensleigh more work soon, because he's definitely a talented craftsman.

In some reviews i read that other people complained that this movie is just a ripoff of Goodfellas. That isn't true. The movie stands well on his own, despite featuring some actors known from Goodfellas, and wasn't that also the case in Shows like The Sopranos? Why complain about that? And last but not least, it IS a true story and who grows sick of seeing good mobster movies? Definitely not me.

Ray Stevenson carries this otherwise amateurish production into the realm of almost great.

None of the side characters get enough time to shine, thanks to a script that should have been more polished before making it.

The story is interesting enough to make a great film - it just needed someone like Scorsese to bring life to it.

Still, Ray Stevenson is so great as Danny Greene - that the thing is watchable.

Val Kilmer is probably the worst part of it, though I hate to say it.

It is from the time in his career where his passion was long gone, but he still needed paychecks.

Walken is shamefully wasted.