Eine zauberhafte Nanny - Knall auf Fall in ein neues Abenteuer

It's only when you need her and not want her, that she appears, and only when you want her but no longer need her, does she go away. It's been 5 years since the first Nanny McPhee film burst onto the silver screen, and now a second film comes at a time during the school holidays to provide the little ones some entertaining, family friendly fare with good moral messages to boot. Emma Thompson reprises her role as the magical nanny with facial disfigurements that disappear one at a time, each time she imparts values to children, and here she has 5 to teach the little ones to behave.

Like its predecessor, Nanny McPhee appears to assist Maggie Gyllenhaal's Mrs Green, a war time wife whose husband (Ewan McGregor) has been off to war and has only corresponded back home through snail mail. Being the current breadwinner and finding great difficulty in controlling her children Vincent (Oscar Steer), Norman (Asa Butterfield) and Megsie (Lil Woods), her problems compound when they are joined by their cousins Cyril (Eros Vlahos) and Celia (Rose Taylor-Ritson) who hail from the city, and a clash of attitudes spell even more trouble for the harried Mrs Green. But not if Nanny McPhee can help it, and does so in a jiffy.

Set mostly in and around the Green farm which the children's uncle Phil (Rhys Ifans) as chief baddie who tries hard to get Mrs Green to sell half her ownership so as to bail him out of gambling debts, McPhee gets to impart lessons learnt through manufactured incidents on the farm and allows her magic to be weaved even on piglets, which will probably delight the younger audience as they do strange things like climbing trees and synchronized swimming. In some ways, the lessons here somehow paled from the earlier film, and the last lesson happened more like a matter of fact rather than one properly planned out, though they do enough to allow some nifty special effects laden scenes to be played out.

The children in the film brought about fine performances and are able to hold their own against the likes of Maggie Gyllenhaal, and even the cameos of McGregor and especially Ralph Fiennes, who boomed with much stature as Lord Gray of the War Office and in that short scene, provided enough pathos and a key plot element as to why the Green's cousins came to live with them on the farm. Comedy came in the form of Maggie Smith's senile Mrs Docherty, though it was a mix of hits and misses with the latter taking unfortunate dominance.

I suppose Nanny McPhee can be an enduring franchise if the younger audience embrace it as the less flashier franchise series of say, Harry Potter and even Twilight. After all, it has good moral lessons to impart, and has a feel good element about it, on one hand being light weight in treatment, yet packing some punch in its messages. Stay tuned during the end credits too for an animated sequence that's too beautifully done to miss, and for the sharp eyed viewer, let's see if you can spot a moment of goof in the film that has something to do with the film being flipped left to right. Recommended for children, and adults alike.

Emma Thompson returns from the 2005 film "Nanny McPhee" for the sequel as she reprises the titular character of the movie in "Nanny McPhee Returns (formerly known as "Nanny McPhee and the Big Bang". The first movie was surprisingly good and was it was a pleasure to watch the movie. Now, the second movie has a different tale and how about it? It was great.

First, "Nanny McPhee Returns" is not set in a city but rather on the countryside. A mother who's husband is gone to war has three naughty children who helps her work in the farm. Suddenly, their cousins from the city had to stay with them for a while. Since they're environment is different, their way of living has to be different and so, they can't stand it and so trouble comes. With nothing else on hand, Nanny McPhee comes to the rescue to teach the children five lessons that would change their behavior forever.

From flying motorcycles to swimming pigs, "Nanny McPhee Returns" was still able to keep the magic pumping up from the first movie. This movie has more magical things than the first movie. But, the first movie has a stricter Nanny McPhee than the first one and the first one (I think) gives Nanny McPhee a harder job to handle them rather than handling the kids in the second movie.

Emma Thompson who previously portrayed Professor Trewlawney from the "Harry Potter" series denied to reprise her role in the final installments and instead chose to reprise "Nanny McPhee" back to the screen. She was still able to repeat her solemn character in this movie. Although Thompson was a bit less in depth on her acting, her acting can still be praised.

Maggie Gyllenhaal plays the troubled mother who has been encountering endless problems in her life. Here, she uses British accents on her lines and her acting was perfect. Maggie Smith who also played Professor McGonagall in the "Harry Potter" series plays Mrs. Docherty who is a friend of Mrs. Green, the troubled mother. She plays in more of a funnier role than her previous ones and her acting was great, brilliant. The actors/actresses who played the naughty kids were also shockingly awesome. There's nothing wrong with the acting.

The special effects, the script and the cinematography were all stunning. The flying pigs scene was breathtaking and the script was perfectly written. The cinematography was not a problem at all. They were all mesmerizing.

In all, "Nanny McPhee Returns" is a good family adventure. It's still able to recreate the magic of the first film. It was brilliant and I recommend this to all families. I guarantee that most kids who see this film will try to see this film again. I had no regret watching this film. Overall, this movie gets 7 stars out of 10. Thanks for reading my review.

I don't know what the critics here were expecting, but from some of the reviews I've read it seems that it wasn't a kids' film. In short, this is a lovely, well-written, beautifully cast film that's executed with great affection and makes maximum use of its chocolate-box locations.

Emma Thompson, aside from having no little talent for scriptwriting, is savvy enough to understand that the real stars of this film are the children and, in particular, Asa Butterfield and Eros Vlahos as Norman and Cyril respectively.

Rhys Ifans shows what an accomplished comic actor he is, even if his performance as Uncle Phil seems to draw much, both in characterisation and delivery, from that of Matt Dillon's portrayal of Healy in There's Something About Mary.

There's a lovely turn from Maggie Smith as Mrs Docherty and a reassuringly exuberant performance from Sam Kelly.

If there's a lull, it's when the action moves away from its countryside setting, although the scene played between Vlahos and Ralph Feinnes works nicely.

At a little under an hour and fifty minutes, it's quite long for children, yet my five- and eight-year-olds sat transfixed throughout. And in the end, that should be the yardstick by which any film aimed at younger cinema-goers should be measured.

As to Thompson herself, she is sublime when required, understated when the surrounding action demands. The reviewer who likened her performance to that of Roger Moore does not, I would suggest, appreciate either the characterisation of the Nanny McPhee role (much can be, and is, portrayed by simple facial expressions) or the very real acting ability of our erstwhile Bond. Comedy isn't all about snappy one-liners and the ability to convey comedy simply by saying nothing is an art in and of itself.

In the final analysis, this is a better film than its predecessor. It is more lovingly-crafted, less fantastic in the literal sense and more sharply observed. Watch it for what it is - a modern take on the old Mary Poppins story - and you won't be disappointed.

Emma Thompson once again pens and stars in the candy-coloured film adaptation of the children's' books by Christianna Brand, following a very strict and very ugly nanny who brings order and manners to a household full of naughty children. This outing sees the titular character nursing a farmhouse family whose father is off at war. The mother, played by Maggie Gyllenhaal is obliged the sell the land to her nasty brother (Rhys Ifans), a slimy character who will not rest till he gets his way. Meanwhile the children's' vile London cousins come to stay - two little brats who bawk at the state of the earthy farm abode.

Enter Nanny McPhee - an otherworldly being who appears when a family needs her most - squashed-nosed and snaggle-toothed, she calmly teaches the children five important lessons, though when things get out of hand she must employ the same supernatural technique of setting down her walking stick as she did in her previous adventure, and to spectacular effect. Nanny McPhee attempts to set the household to rights using these very methods, while the family struggle on with their visitors and hope against hope that their father will return.

Thanks to Emma Thompson's involvement, the film boasts a impressive array of British thespians including Maggie Smith, Ewan McGregor and Ralph Fiennes as a senior WW2 army officer. Though characterisation is hardly profound in a story such as this, each actor has their moment to shine - and Gyllenhaal, as the young mother, sports a flawless British accent and conveys her trademark maternal emotion when needs be. Production values are stellar, with all the period details on display. The film whisks along at a nice pace and never gets bogged down in one place - Thompson's adaptation is wrought with real warmth and wit, and once again she works wonders on-screen under layers of prosthetics, with every wry glance and raise of the eyebrow worthy of a laugh.

Setting the story of against the backdrop of World War II is very smart move - the 'big bang' in the title referring to the imminent threat of bombings during this time period. This gives the film a foundation of realism that the previous movie lacked....however, there's little room left for war time misery in the thematic threads of this story - you're more like to find a group of piglets doing synchronised swimming than any sign of a swastika.

Ultimately this is a family film, written for children - talking to them, not at them and carrying a very sensitive message at its heart. There are no double-entendres for the adults the snigger at, this is harmless entertainment at its best. It may not be a new classic but it's nice to see something like this making its way to our screens during the Easter break.

Nanny McPhee and the Big Bang is a personal project for Emma Thompson, starring and writing both the 2005 original and this sequel. She has an obvious love for this children's franchise and the novels of Christianna Brand. Nanny McPhee and the Big Bang was met with almost universal critical acclaim upon its initial release in the UK.

Isabel Green (Maggie Gyllenhaal) is a stressed out mother to Norman (Asa Butterfield), Megsie (Lil Wood) and Vincent (Oscar). Her husband (Ewan McGregor) is fighting in the Second World War and the family farm is suffering financial troubles. When Isabel's spoilt brat nephew and niece, Cyril (Eros Vlahos) and Celia (Rosie Taylor-Ritson) arrive from London they clash with her hardy county children: it is clear Isabel needs help. Luckily Nanny McPhee (Thompson) comes to disciple the children, teach them important life lessons and help save the farm from being sold by the dastardly Uncle Phil (Rhys Ifans).

Nanny Mcphee and the Big Bang is clearly aimed for young children and director Susanna White (who is known for television work on Bleak House and Generation Kill) attempts to keep a childish, playful tone throughout the film. This is shown in some of the set designs, like the pig scratchier, and the use of CGI animals. Many of the set pieces in the film felt like being from a cartoon. Young children will enjoy this sequel and there are strong moral messages such as working together and learning to share which parents will want to encourage. Nanny McPhee and the Big Bang is perfectly light and fluffy for boys and girls. The humour of the film is aimed at a young audience, focusing on poo and burping gags and general slapstick, which makes it harder to appeal to teens and adults. The children do grow as characters and slowly become more likable with Thompson and White looking beyond the stereotypes. Nanny McPhee and the Big Bang is a very British, quaint family film with it period, rural setting. This film is also the type of sequel where you do not need or any knowledge of the previous film. Yet the plot is basically a cross between Mary Poppins and a standard plot of someone trying to take property from the rightful owner through sabotage. Plus the filmmakers did not try hard enough to allow adults to enjoy the film as much as children would. Less poo gags and more swimming pigs for next time is my advice.

Thompson obviously enjoys her role and she did well in her performance as a hard but fair magical woman with a dead-pan delivery. She knows exactly what she wants to do as Nanny McPhee. Gyllenhaal offers a good performance and pulls off a decent English accent. Despite the over-the-top nature of the film, Gyllenhaal plays her character straight as a mother who is simply snowed under. The rest of the main cast are caricatures, with the child actors showing promise. But other performances did not fit well, like Sam Kelly as the Air Warrant. There are some cameos from big name actors like Ralph Fiennes and McGregor to smaller name actors like Bill Bailey, a talented comedian who is best known to American as the desk sergeant in Hot Fuzz. He was quite funny as a stereotypical farmer.