Gejagt - Auf Leben und Tod

The Boer War has ended. Arjan van Diemen (Ray Winstone) arrives in New Zealand. The soldiers are returning home but he's a former Boer soldier who lost everything. Three drunken white soldiers find a white woman with a Maori man. The white men start a beating and one of them accidentally kills another. The innocent Maori is accused of murder and becomes a hunted man. Arjan joins the hunting party for the reward.

For the longest time, I struggle to formulate Arjan's journey. I don't think that this movie ends perfectly but it ends well enough. One way to help is not to show the inciting incident. His innocence or guilt can be achieved in other ways. The arrival to that opinion can parallel Arjan's journey. It's harder to pinpoint his thinking unless it's laid bare. I do like the finger idea but it's a little rushed. They should reveal his finger premise from the very beginning. All in all, this is a riveting chase movie with two great actors and a few minor problems.

Archetypal Londoner, Ray Winstone plays Arjan Van Diemen, a staunchly anti-British character, who fought against the Brits in the Second Boer War. He's come to New Zealand to confront them for scorching his farm and murdering his family. Instead of receiving retribution or an apology, he is invited to track a Maori on the run for the (false) charge of killing a British soldier. The reward is 100 sovereigns alive, 25 dead.

The casting director can't have had many names in the hat for the role of Kereama, so Kiwi Temuera Morrison seems stereotypical. But for a man who I still remember for T.V.'s 'Shortland Street', Morrison more than holds his own. Winstone's presence doesn't faze him. The plot ensures he is integral and not just a brown-skinned irrelevance, and he demonstrates an impressive Maori lexicon to prove it. It's not a natural pairing, but they have unmistakable chemistry. Both are educated, worldly and principled. They have a mutual respect.

Winstone's rotund frame (he's a Boer, but looks more like a bear) suits his weathered character in a way that it hasn't in his recent tough-guy roles. To track Kereama he has to be agile, self-sufficient and able to summon his skills as a South African bushman. He shows in a gritty, punch-up that he still has the moves. And he pulls off a convincing accent.

What stood out for me was New Zealand. Cinema has scarcely photographed a more magnificent land. The mountain ranges, woodlands, lakes and rivers are a pleasure to behold. You can watch 'Tracker' just for the scenery; it really is that attractive.

What spoiled it was the constant to-ing and fro-ing. Van Diemen loses Kereama every time he catches him, though their constant reintroductions allow them to size each other up a bit more. Kereama expostulates 'We both hate the British'. 'I don't hate the British', Van Diemen defies, 'I hated my God, for a time'.

I didn't understand why Van Diemen accepts the task. Money can't be his motivation because that would undermine his case for what the British did to him. Winstone's passion didn't come through for me, and Morrison's sudden embracing of Maori customs and incantations, including a flaccid enactment of the Haka while on the run seemed forced.

There's some fun action, however, set against beautiful, sweeping vistas, but ultimately I wasn't moved enough to believe in the characters or their motivations.

www.scottishreview.net

I saw Tracker at a preview screening a few days back and wasn't sure what to expect - The idea of Ray Winstone attempting a South African Accent in particular made me nervous. And it does get off to a slowish start. But...

As soon as the chase is underway the film really opens out. Moments of genuine threat, tension and some really quite crunchy violence are counterbalanced by a pervading air of melancholy - hunter and hunted have both lost everything - and an increasing dramatic weight to the story as they find common ground whilst engaged in a high risk game of cat and mouse.

It's not the most psychologically complicated movie in the world, basically being a boys own action film, but it's made well, with obvious love and attention to detail plus two towering central performances from the leads. And it has a heart. By the time the film reached it's climax I was properly choked up and genuinely on the edge of my seat.

And Ray did a good job with the accent after all.

Boer War veteran Arjan Van Diemen (Ray Winstone), an Afrikaner who has lost everything at the hands of the British, including his family and farm, lands in New Zealand. A superb tracker and thorn in the side of the British during the war, Van Diemen nevertheless is facing an uncertain future. Ironically, he accepts an offer from former foe Major Pritchard Carlysle (Gareth Reeves) to help hunt down and apprehend a fugitive Maori sailor (Temuera Morrison) who has been accused of murder. Venturing deep into the dominion from the coast, Arjan soon finds himself struggling with not only a formidable quarry, but also his own conscience.

Somewhat overlooked upon release and since, Tracker really does deserve a more elevated status. With a well written script and to the point story line, the film quickly demand the viewer's attention. The characters are well fleshed out, with interesting and sympathetic back stories. Veteran director Ian Sharp handles the tale very well indeed, showing strong technical ability and a polished style but without the need for flashy gimmicks or pointless editing. Crucially, he lets the story flow seamlessly and brings out the best in his talented cast.

Performances are truly excellent throughout, with both Winstone and Morrison utilising their considerable screen presences to great effect without ever becoming overbearing. Winstone, a truly underrated actor in my opinion, brings Van Diemen's inner turmoil and sorrow subtly home, as well as providing a convincingly thick Afrikaans accent. Morrison is equally as good as a man beset by his own demons, eliciting sympathy and respect without overacting. The leads are well supported by the rest of the cast, with Reeves as the respectful Major and Andy Anderson as local tracker Bryce being particular highlights.

Of course, the other star of the show is the wonderful New Zealand scenery. The locations are quite simply breathtaking. Harvey Harrison's cinematography is extraordinary well judged, with each scene set against tremendous backdrops that give Tracker a look and feel like few other movies. Mixed with subtle post-production, you quickly find yourself eagerly awaiting the next stunning location.

The only real criticism to make is that the story arc is sometimes predictable, however this is a minor quibble as Tracker is an exceptionally well made and beautifully shot piece of work. Add in it's splendid performances and you have a truly absorbing, well told and refreshingly unpretentious dramatic adventure that deserves to find itself a greater audience.

Just over an hour and half long, nice story, good acting, nice twists in plot, triffic ending, AMAZING scenery. Go watch it!