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Glücksrad

Originaltitel: Gûzen to sôzô
  • 2021
  • 12
  • 2 Std. 1 Min.
IMDb-BEWERTUNG
7,5/10
10.838
IHRE BEWERTUNG
Glücksrad (2021)
Official Trailer ansehen
trailer wiedergeben1:48
1 Video
99+ Fotos
DramaRomance

Eine unerwartete Dreiecksbeziehung, eine fehlgeschlagene Verführungsfalle und eine Begegnung, die aus einem Missverständnis resultiert, werden in drei Episoden erzählt, um drei weibliche Fig... Alles lesenEine unerwartete Dreiecksbeziehung, eine fehlgeschlagene Verführungsfalle und eine Begegnung, die aus einem Missverständnis resultiert, werden in drei Episoden erzählt, um drei weibliche Figuren darzustellen.Eine unerwartete Dreiecksbeziehung, eine fehlgeschlagene Verführungsfalle und eine Begegnung, die aus einem Missverständnis resultiert, werden in drei Episoden erzählt, um drei weibliche Figuren darzustellen.

  • Regie
    • Ryûsuke Hamaguchi
  • Drehbuch
    • Ryûsuke Hamaguchi
  • Hauptbesetzung
    • Kotone Furukawa
    • Ayumu Nakajima
    • Hyunri
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,5/10
    10.838
    IHRE BEWERTUNG
    • Regie
      • Ryûsuke Hamaguchi
    • Drehbuch
      • Ryûsuke Hamaguchi
    • Hauptbesetzung
      • Kotone Furukawa
      • Ayumu Nakajima
      • Hyunri
    • 36Benutzerrezensionen
    • 118Kritische Rezensionen
    • 86Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 10 Gewinne & 20 Nominierungen insgesamt

    Videos1

    Official Trailer
    Trailer 1:48
    Official Trailer

    Fotos165

    Poster ansehen
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    + 159
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    Topbesetzung8

    Ändern
    Kotone Furukawa
    • Meiko (segment "Magic (or Something Less Assuring)")
    Ayumu Nakajima
    • Kazuaki (segment "Magic (or Something Less Assuring)")
    Hyunri
    Hyunri
    • Tsugumi (segment "Magic (or Something Less Assuring)")
    • (as Hyonri)
    Kiyohiko Shibukawa
    • Segawa (segment "Door Wide Open")
    Katsuki Mori
    • Nao (segment "Door Wide Open")
    Shôma Kai
    • Sasaki (segment "Door Wide Open")
    • (as Kai Shôma)
    Fusako Urabe
    • Moka (segment "Once Again")
    Aoba Kawai
    Aoba Kawai
    • Nana (segment "Once Again")
    • Regie
      • Ryûsuke Hamaguchi
    • Drehbuch
      • Ryûsuke Hamaguchi
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen36

    7,510.8K
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    Empfohlene Bewertungen

    9yiuleungf

    Amazing

    The director showed how to create an amazing story with just a fixed scene and two actors talking to each other with some very good dialogs.
    7Jeremy_Urquhart

    Three compelling stories, all well-told

    (Apologies in advance for spending most of this review comparing the film to Drive My Car... I couldn't help it 😔)

    The less well-known (but still quite good) 2021 film by Ryusuke Hamaguchi. I understand why Drive My Car has made more of an impact, and overall I enjoyed it more. But this is a different sort of movie and it's interesting to compare and contrast the two.

    Apparently Drive My Car blended several short stories, but did it in a way where (to me at least) it felt like one coherent three-hour film. Wheel of Fortune and Fantasy tells three short stories as three short films, each approximately 40 minutes long. Because of this, I'd say it lacked the almost hypnotic effect that Drive My Car had, where it sucks you in and becomes absorbing the longer it goes on.

    One other interesting difference: it doesn't make the movie better or worse, but I found it interesting how in Drive My Car, the lead characters keep their emotions held in, whereas in Wheel of Fortune and Fantasy, characters are surprisingly open. Even when they hide the truth, it doesn't take long for them to reveal it (maybe besides the third story, which emotionally feels the most similar to Drive My Car).

    This film isn't as beautiful as Drive My Car. Some of it looks a little rough and flat to be honest, but maybe the minimalist style was intentional, and to be fair, there are a few visually arresting shots throughout that really stand out.

    The stories themselves are interesting, and the dialogue mostly engaging. Acting is good across the board too, and overall, while it's not always consistently absorbing, I enjoyed it for the most part, and much of it is undeniably well-made.

    2021 was a good year for Hamaguchi, and I'm interested to see what he directs next.
    8ObsessiveCinemaDisorder

    3 Engaging Conversations in a Well-Executed Anthology Film

    Wheel of Fortune and Fantasy is a Japanese anthology film told as three dialogue-driven vignettes, about an unexpected dating mix-up, a malicious seduction, and a misunderstanding between strangers. The three shorts are not love stories, but rather stories about love in the face of coincidence.

    Written and directed by Ryûsuke Hamaguchi, the man behind the currently Oscar-nominated Drive My Car, the film evokes drama out of everyday mundanity.

    If you had Wheel of Fortune and Fantasy on mute, you wouldn't see anything visually dramatic happening. There's no violence, chases, or explosions. Hamaguchi delivers three dramatically engaging conversations on film, much like a theatrical play. What the dialogue churns out of its characters is remarkable, ranging from the dark, the perverse, and the deceitful. It covers every color of the emotional spectrum, which I suspect was Hamaguchi's goal.

    The film brilliantly steers clear of the trappings of anthology films. The three segments are in a perfect balance with each other and all serve the film's overall theme. There was no best segment out of the three, which is quite impressive.

    After seeing Wheel of Fortune and Fantasy, I thought about the everyday quality of life and how often that is forgotten as being dramatic. What the film explores is in a similar artistic area that the HBO show Mare of Easttown was exploring earlier this year.

    Every dramatic moment in life tends to be a person in front of you about to reveal something for better or worse. And life just all seems like luck of the draw. This theme washed over me and I recollected similar moments in my own life afterward.

    Wheel of Fortune and Fantasy captures its idea with impressive precision and also with a whimsical smile on its face. They don't really make films like this anymore and I'm glad someone brought it back. I look forward to seeing Drive My Car now.
    8pasaribuharisfadli

    Hamaguchi Ryûsuke did it again!

    With mise-en-scène that strongly resemblance of a stage play, there's an undeniable sort of distance between the viewers and Wheel of Fortune and Fantasy. At least for a while. But then Hamaguchi Ryûsuke was able to break the distance with his direction that felt both intimate and personal. In the end, the film has a lasting impact, even long after the end credit rolls.
    9tedempsey-80741

    Watch if only for the 3rd Act

    Bookended by fantastic pieces,I would have rated a little lower, but the third act is marvelous. TBH the second story is good but way overshadowed by the other two. What a great treatment of what it means to "love."

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    Handlung

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    Wusstest du schon

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    • Wissenswertes
      The three stories were actually designed as the three of a group of seven stories, which have all been written already. The first two were shot in late 2019, and the third one was shot in July 2020, in the midst of the long break in the shooting of Drive My Car (2021) due to the COVID-19 pandemic.
    • Patzer
      In one of the first shots, the photographer and the models review the pictures taken on a laptop. At the right of the screen, a pedestrian can be seen walking on the sidewalk towards the characters, and she suddenly stops and stares off screen, probably at a crew member telling her to act natural or move along.
    • Verbindungen
      Featured in Radio Dolin: Why is 2021 - The Year of Woman Film Directors? bonus: Tarantino and Yankovsky (2021)
    • Soundtracks
      Kinderszenen Op. 15 No. 7 Träumerei
      Written by Robert Schumann

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    FAQ14

    • How long is Wheel of Fortune and Fantasy?Powered by Alexa

    Details

    Ändern
    • Erscheinungsdatum
      • 1. September 2022 (Deutschland)
    • Herkunftsland
      • Japan
    • Offizielle Standorte
      • Diaphana Distribution (France)
      • Film Movement (United States)
    • Sprache
      • Japanisch
    • Auch bekannt als
      • Wheel of Fortune and Fantasy
    • Drehorte
      • 3 Chome-14-5 Sendagaya, Shibuya, Tokio, Japan(Kazuaki's office exteriors)
    • Produktionsfirmen
      • Fictive
      • NEOPA
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

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    • Weltweiter Bruttoertrag
      • 1.549.323 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      2 Stunden 1 Minute
    • Farbe
      • Color
    • Seitenverhältnis
      • 1.85 : 1

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