IMDb-BEWERTUNG
7,5/10
10.838
IHRE BEWERTUNG
Eine unerwartete Dreiecksbeziehung, eine fehlgeschlagene Verführungsfalle und eine Begegnung, die aus einem Missverständnis resultiert, werden in drei Episoden erzählt, um drei weibliche Fig... Alles lesenEine unerwartete Dreiecksbeziehung, eine fehlgeschlagene Verführungsfalle und eine Begegnung, die aus einem Missverständnis resultiert, werden in drei Episoden erzählt, um drei weibliche Figuren darzustellen.Eine unerwartete Dreiecksbeziehung, eine fehlgeschlagene Verführungsfalle und eine Begegnung, die aus einem Missverständnis resultiert, werden in drei Episoden erzählt, um drei weibliche Figuren darzustellen.
- Auszeichnungen
- 10 Gewinne & 20 Nominierungen insgesamt
Shôma Kai
- Sasaki (segment "Door Wide Open")
- (as Kai Shôma)
Empfohlene Bewertungen
This was my second Hamaguchi film of the year (the other being "Drive My Car"), and I'm starting to think I just don't vibe with his style.
To be fair to this movie, I'm not a fan of anthology films, so it was my choice to watch one. And I also watched it assuming that it would be similar in style to "Drive My Car" (it is) and knowing that I wasn't in the mood for a movie like that (it was due back to the library the next day so I felt forced to watch it).
I just get very restless watching Hamaguchi films. They're static and feel very long. Perhaps my favorite movie of 2021 was "Mass," a film that's mostly four characters talking in a single setting for two hours, so it's not like I'm resistant to the kinds of movies Hamaguchi makes. They just don't speak to me for some vague reason, even as I can see that they're objectively very good movies.
Grade: B+
To be fair to this movie, I'm not a fan of anthology films, so it was my choice to watch one. And I also watched it assuming that it would be similar in style to "Drive My Car" (it is) and knowing that I wasn't in the mood for a movie like that (it was due back to the library the next day so I felt forced to watch it).
I just get very restless watching Hamaguchi films. They're static and feel very long. Perhaps my favorite movie of 2021 was "Mass," a film that's mostly four characters talking in a single setting for two hours, so it's not like I'm resistant to the kinds of movies Hamaguchi makes. They just don't speak to me for some vague reason, even as I can see that they're objectively very good movies.
Grade: B+
Clearly, this movie polarises viewers. For me, way better than same director's Drive My Car. As good as Burning, American Honey, Stuff and Dough, or Our Time, a few of my benchmarks for 21st century cinema.
The original Japanese title, which translates as Coincidence and Imagination, is much more apt than the clunky English title.
To illustrate his theme, the director writes the most utterly brilliant dialogue, which is sort of like 3D scrabble on steroids.
For all of that, it still needs the wonderful third reel, where the coincidences coalesce into genuine insight and wisdom, of the sort that can reduce you to sudden tears in a darkened cinema.
Hamaguchi-san, you are an ornament, go to the top of the class. I reckon the old masterful deceiver, Bunuel, will be smiling down upon you.
The original Japanese title, which translates as Coincidence and Imagination, is much more apt than the clunky English title.
To illustrate his theme, the director writes the most utterly brilliant dialogue, which is sort of like 3D scrabble on steroids.
For all of that, it still needs the wonderful third reel, where the coincidences coalesce into genuine insight and wisdom, of the sort that can reduce you to sudden tears in a darkened cinema.
Hamaguchi-san, you are an ornament, go to the top of the class. I reckon the old masterful deceiver, Bunuel, will be smiling down upon you.
The beauty of this movie lies in its simplicity and class. This is a classy movie with elegant characters, inspired by French cinema: Actors keep talking like there is no tomorrow. If you enjoy dialogue driven drama movies with some offbeat-comedy elements, you will enjoy it.
There are a few minor twists here and there but this is not a thrilling or exciting movie. Not groundbreaking or some kind of masterpiece either.
7.4/10. A very good movie for this genre.
There are a few minor twists here and there but this is not a thrilling or exciting movie. Not groundbreaking or some kind of masterpiece either.
7.4/10. A very good movie for this genre.
Bookended by fantastic pieces,I would have rated a little lower, but the third act is marvelous. TBH the second story is good but way overshadowed by the other two. What a great treatment of what it means to "love."
Wusstest du schon
- WissenswertesThe three stories were actually designed as the three of a group of seven stories, which have all been written already. The first two were shot in late 2019, and the third one was shot in July 2020, in the midst of the long break in the shooting of Drive My Car (2021) due to the COVID-19 pandemic.
- PatzerIn one of the first shots, the photographer and the models review the pictures taken on a laptop. At the right of the screen, a pedestrian can be seen walking on the sidewalk towards the characters, and she suddenly stops and stares off screen, probably at a crew member telling her to act natural or move along.
- SoundtracksKinderszenen Op. 15 No. 7 Träumerei
Written by Robert Schumann
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- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
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- Auch bekannt als
- Wheel of Fortune and Fantasy
- Drehorte
- 3 Chome-14-5 Sendagaya, Shibuya, Tokio, Japan(Kazuaki's office exteriors)
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- Weltweiter Bruttoertrag
- 1.549.323 $
- Laufzeit2 Stunden 1 Minute
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- 1.85 : 1
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