Jin shouzhi

There's a Chinese saying called tiger head, snake tail, which perfectly describes the film. The Goldfinger starts with a bang with over the top scenes that harkens back to the heydays of HK cinema. But as the story progresses, you realize how thin of a plot the movie has. The film fails to develop further on what is a very interesting rivalry between Tony Leung and Andy Lau, even worse if you consider how much of a classic The Departed was. In the end, the film is too "business-oriented" and not driven by its story enough. To make matters worse, the ending feels like something to appease movie authorities.

Wanted to see what grandpa Tony is up to these days. His most recent movies that I have seen are Hidden Blade and Shang-Chi. And he's looking very much like a grandpa on his socials, but they do some movie magic here cause he's perfectly refreshed. What I'm saying is I'm now attracted to grandpa Tony so there's that... He is really captivating here as the baddie, a very charismatic, chill dude, with plenty of hidden depths that are barely alluded to. He's always been good with that enigmatic smile of his.

Andy Lau and Tony Leung once again on opposite sides of the law, only here they switch places. So that was also exciting. They have plenty of scenes together but I wished for even more.

The first half hour is captivating enough but the following hour I admit I had to push through. There's a lot happening, a lot of characters and side plots and the execution is quite good overall, but I just wasn't that into it. The last half hour gets things back on track and got my attention again, exposing the scope of the scheme, the many ramifications and hidden figures and in the end the venality of the main orchestrator and it is a beautiful thing to uncover, I am just sorry about that middle part cause I don't know what happened there.

It's not Infernal Affairs and it's not Wolf of Wall Street but with this story it could've been and I don't know why it wasn't and I'm a little frustrated about it.

Also, I couldn't find a version in Cantonese so I couldn't relish Tony's voice and sometimes it's obvious that it's dubbed. I like Mandarin but I will always prefer the actors' voices.

There's a shot from the Goldfinger teaser that got me wildly excited: a close-up of Tony Leung biting a cigar smugly laughing with gold Mardi Gras raining down all around him.

Tony Leung's cheese-eating grin came across as an attempt at something new, different from the usual shy side smirk from his repertoire of introverted characters. Leung is creating a high-energy chaotic character, a performance we haven't seen yet.

In The Goldfinger, Tony Leung plays Henry Ching, a fictionalized version of real-life businessman and financial criminal George Tan who ran the Hong Kong conglomerate Carrian Group which collapsed from a corruption and fraud scandal in the 1980s.

Henry arrives under mysterious circumstances in Hong Kong in the 1970s, working his way up to founding the Carmen Group. The sudden collapse of a billion-dollar company due to a stock market crash draws the attention of ICAC prime investigator Lau Kai-yuen, who begins an investigation on Ching.

The Goldfinger is a disappointment. It pains to say...

Writer-director Felix Chong, one of the writers behind the Infernal Affairs trilogy, gets lost in an overbaked plot and delivers a flashy run-of-the-mill rise-to-fall crime thriller that sinfully misuses its two leads Tony Leung and Andy Lau.

Felix Chong gets caught up in window dressing the plot, using a non-linear structure of police interrogations conducted by Andy Lau's ICAC officer to fill in Henry Ching's past and set up the mystery behind Henry's secret money backer. It's a plot that Chong never gets the audience to care about.

The audience's priority is quite simple: to see Andy Lau and Tony Leung chewing scenery.

Infernal Affairs fans who are eagerly anticipating Tony Leung and Andy Lau's reunion will be let down. First off, Andy Lau is in a supporting role as the ICAC investigator. Secondly, Leung and Lau's scenes are procedural and plot-serving and lack the dramatic scene-chewing quality like the rooftop finale in Infernal Affairs.

As for Tony Leung's performance, it's an unsatisfying half-creation that lingers between the Tony Leung we're all familiar with and something brand new. The script positions Henry Ching as a mysterious cipher for so long that Leung never gets the screen time to properly develop his part.

Decked out in flashy expensive suits and tinted sunglasses, there are glimpses of the chaotic flamboyant Tony Leung that the trailer promised, but it's too few and far between, only appearing in montage moments-just enough to cut into a trailer!

What remains is Tony Leung's usual persona. As a result, the performance becomes an unfortunate case of the costume wearing the actor, like a cosplay.

Andy Lau is stuck in a bland stock hero role who's delivering exposition and driving the story, or rather investigation, forward. Lau is given a family subplot involving a disgruntled wife who's mad at him for neglecting his family for his job, but it goes nowhere.

It all fizzles out awkwardly at the end. As the end title cards are showing the fate of the characters, you realize the whole film is a string of historical facts.

I walked out of the theater bored and exhausted, contemplating how I got so excited over a trailer. Trailers lie. Lesson relearned.

I am very curious about what happened to this film.

It's like a chef preparing high-end ingredients to make a stunning dish for diners, but halfway through, he suddenly finds that the natural gas has run out, and there is no other heat source available, so he can only rely on the residual heat in the pot to cook the dish.

The first half of the film is undoubtedly a good one. Seeing Tony Leung and Andy Lau opposite each other will make people wonder whether it can reach the height of "Infernal Affairs". As a result, it completely collapsed in the second half. The narrative advancement relied entirely on voiceover dictation, and every scene that could have been polished turned into a few seconds scenes.

The last cooperation of Tony Leung and Andy Lau is "Infernal Affairs", which is over 20 years ago! The Goldfinger is a true scam adapted into a movie, which presents the 80s of Hong Kong perfectly! Before watching the movie, I have spent a great deal of time to conduct the research of the historical scam, as i think the mastermind of this case was so terrible and crazy! Undoubtedly, the movie show us that money is the chief of all evil and how did a largest business deception work superbly. Tony Leung exquisite acting skills lead audiences feel like engaging into the capital empire. I was so happy that he get the Best Actor in 42nd Hong Kong Film Award through this amazing movie!