Celeste & Jesse

Celeste and Jesse Forever is a more honest look at breakups and divorce than most romantic dramedies of the last couple of years. The film had a lot of thoughtfulness to it, was delicately filmed and full of wit and raw emotion. The downside though is that it has an overly familiar formula that has been done to death now with films like The Break-Up, Forgetting Sarah Marshall, Take This Waltz, Friends with Kids, etcetera. The film just gets lost in that ever-growing genre, even though it's quite the gem and probably the most relevant version of that specific formula I've seen lately.

The performances were genuine and charming, with an undeniable likable cast. Rashida Jones is becoming one of my favorite actresses of today, and I think Celeste and Jesse Forever is her true breakthrough performance. Rashida plays Celeste who is in the process of finalizing her divorce from her husband Jesse, who still lives with her and are oddly close friends still. Jesse, played with corky poise by Andy Samberg, soon starts dating to move on which thrills Celeste until his past fling pops up in his life again and reveals that she is pregnant. Celeste finds it harder than ever to move on and all she is feeling is regret.

I think the film's process of his or her struggle of moving on was naturally dealt with, as there is no Hollywood ending or overuse of sentimentality. The film in the end doesn't sugarcoat anything, which was a breath of fresh air in that aspect. The supporting cast was not half bad either and it's always great to watch Ari Graynor who plays Celeste's best friend Beth. Ari Graynor to me is a talented actress and it's about time she deserves a leading role and put an end to playing sidekicks.

Director, Lee Toland Krieger seems to be a personable director and connects with the audience in a timely matter. There were a couple of quiet, simple moments of poignancy and then balanced it with humor effortlessly. The use of songs fits this film like a glove and went with the flow. Writers and stars of the film Will McCormack and Rashida Jones should definitely collaborate again because the writing was just filled with honest humor and thoughtfulness, which created great energy for the film.

Overall, it's not a groundbreaking romantic comedy, but Rashida Jones is such a mesmerizing, witty and intelligent actress in this film that you will fall in love with it.

¨At last love wins. You guys are lucky to be best friends.¨

Celeste and Jesse Forever is an authentic romantic comedy directed by Lee Toland Krieger (winner of the Independent Spirit Award in 2010 for the screenplay of The Vicious Kind) and written by first timers Rashida Jones and Will McCormack. They are mostly known for their acting abilities, but they did receive an Independent Spirit nomination for their collaboration in this screenplay. Rashida Jones also stars in this film and McCormack has a supporting role as well. The story feels real and authentic and despite the fact that it stars Andy Samberg this is not as much as a comedy as it is a romantic drama. This is a very different role than what Samberg has us used to and he gives a very convincing performance alongside Rashida Jones who really delivers here. This may be her best performance to date. What I enjoyed most about their characters is that they were deeply flawed and vulnerable towards each other, but despite that they still managed to be really likable. I thought it was a very honest portrayal about two best friends who fall in love with each other at a very young age and have problems making the transition to adulthood together. In a way this is a very different romantic comedy since it begins sort of upside down with the romantic montage at the beginning of the movie and the disintegration of their relationship from then on. I really was surprised with the opening of the film since I really didn't know what this movie was about. The movie transitions nicely from being serious at times to being more playful at others, but it's all handled in a very authentic and believable way.

The movie begins with a romantic montage between Jesse (Andy Sandberg) and Celeste (Rashida Jones), two best friends in love with each other with a nice indie soundtrack in the background. When the story begins we are surprised to discover that the two friends aren't actually in a relationship anymore, since they have been separated for 6 months and are planning on getting divorced after six years of marriage. You wouldn't know that if you were an outsider because the couple seems to get along with each other perfectly. Jesse and Celeste remain close friends and spend almost all day talking to each other. Jesse also happens to be living in Celeste's guest house as he is currently unemployed and seems to be a bit of a slacker. Celeste on the other hand is a successful trend forecaster who has recently written a book on the matter. It seems that the main issue between them during their marriage was that Jesse was a little too childish and irresponsible. Anyway, they seem to get along better now as friends. They spend a lot of time with their friends, Beth (Ari Graynor) and Tucker (Eric Christian Olsen) who are engaged, and think that the two should work out their issues. Celeste is currently working for an important client, a pop artist sensation named Riley (Emma Roberts), along with her partner Scott (Elijah Wood). Their friendship is put to the test when Jesse begins dating another woman and Celeste struggles to let go of feelings she thought weren't there anymore.

I really enjoyed this film because it tackled the issues of best friends and breakup in a very authentic and real way. Rashida Jones gives a strong performance although she did go a little over the top with her reaction over Jesse dating someone else. She plays this character that thinks is so successful and smarter than everyone else. That is basically what hurt her relationship with Jesse since she considers him a slacker who seems to be heading nowhere with his life. She feels like Jesse is too immature for her, but at the same time that is what she loves about him because when the two are together they do a lot of childish things together. Their relationship is complicated, and the film depicts it in a very authentic way. This is an enjoyable indie romantic drama that is definitely worth your time. Rashida Jones should get some stronger roles offered her way because she's a talented actress and proved here that she can carry a movie. This is a strong emotional film that will leave you with a smile on your face and at the same time a sense of nostalgia. I agree with Mary Pols from TIME magazine where she said ¨I'd rather watch five divorce movies like this than one more featuring Katherine Heigl getting married.¨ Break up can be really hard and this movie shows it in an authentic way.

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This film is pure candy. Rashida Jones wrote a story about a couple who love each other enough to call it quits while they're still in love. Both characters have flaws, but Samberg's character is to blame for the divorce because he's a child who is content to let his upwardly mobile wife carry the couple's financial responsibilities. As a result, Jone's character loses respect for him, and finds it hard to relate to him as a wife, but feels more like a mother. This is a common problem in relationships these days, and this script jumps right into the middle of the subject. The chemistry between Jones and Samberg is very believable, and they have the same quirk factor, so it's heartbreaking to watch their lives move in different directions when Samberg's beautiful one-night-stand-baby-mama shows up. The guy just can't do anything right. Then, he decides to do something right, and suddenly Jones' starts back walking and taking inventory of what's out there versus what she already had. Elijah Wood was a nice touch as Rashida's gay business partner. Ari Gaynor played a peach of a best friend. In fact, all the supporting actors were perfect in this romantic drama comedy that required rapid fire quips, flippancy, and gut wrenching truths, culminating in a tearful confrontation between the two main characters that brought me to tears with its heartbreaking authenticity.

Seems like Miss Jones is more than a pretty face, and Andy Samberg has range. If I had a criticism it would be that the film seemed primarily about Rashida's character, which made her character seem controlling and self absorbed. This made it a little harder to empathize with her character, however, she redeemed herself in the scene where she fell into and out of Samberg's trash can snooping, and got caught doing it. Hilarious. Chris Messina added a nice possibility.

A very enjoyable and entertaining film.

As another reviewer interestingly stated: It's tough to put this in a box or label it for that matter. Of course the first impression is that this is a romantic comedy, which is a fair assessment of the movie. But it would also be unfair to the movie to only boil it down to this. There is more to it and it deals with Human interaction and emotions on a bigger scale than this.

The two leads are terrific and unlike other romantic movies, you actually don't know where this will lead you from the get go. They play with such a gusto (great script/story matched with the acting talent to pull it off). It's also nice to see flawed characters, but not comically flawed. We all have our downfalls and we all have things/issues we work on. And the movie does concentrate on the female lead, which is a nice touch too. A really good (romantic) drama with comedy touches

Lots of comedies in the last year or so have focused on whether two people can be involved sexually without being involved romantically. "Celeste and Jesse Forever" asks if two people who were involved sexually can be involved platonically. Both beat the dead horse of "complicated" relationships in film, but what's nice about "Celeste and Jesse" is that it never loses its comic edge in spite of melodrama.

Rashida Jones and Andy Samberg star as the titular couple in the process of a divorce, but because they spent so long as best friends, they have no concept of needing to draw boundaries.

It's a tough sell early on, that two people could go through a divorce yet essentially live together and spend time together in a somewhat intimate fashion. Jones, who co-wrote the script with Will McCormack (who has a supporting role), chooses to make Celeste and Jesse opposites in terms of professional status (he's a slacker artist, she's a big-deal trend forecaster) in order to justify why, despite their fabulous on-screen chemistry, they're not meant to stay married. It takes a bit of story wizardry, namely physical obstacles that force them apart, but somehow it makes sense, probably because Jones and Samberg are so likable.

The story then plays out like the emotional roller coaster of a relationship between two people who feel one thing but do another. It's exhausting, at times, as a third-party observer, to watch them fall in and out of the same predictable problems. A few scenes will certainly elicit shouts at the screen of "just get back together already!" or "stop screwing around and end it!" — depending on the scene.

Naturally, each character has his and her attempts to rebound by going on dates with other people and trying new relationships. To this point we've seen enough of the formula to know how that part of the story goes: two former lovers get mad at each other, the one who didn't really want to split rebounds first, the other says they're really happy for that person but secretly can't stand it, etc. That's all here in "Celeste and Jesse Forever."

So what's the saving grace? Something that makes "Celeste and Jesse" stand out from the pack? The answer is the simple refusal to ever take itself too seriously. Without it, the film would likely devolve into a train wreck of predictable moments.

In spite of the absurd tear count in the movie, Celeste is never shy about cracking a joke, nor the script afraid go out on a limb with something more extreme and less believable. This, in a movie that so fiercely tries to capture the gray area in relationships in a truthful way. Humor keeps the film in check, especially for us, who would otherwise happily chop up the script and divide the pieces into piles marked "realistic" and "unrealistic." The quirkier tone and moments maintain the soft illusion of a more fantastical real-life relationship story.

Director Lee Toland Krieger nicely flows back and forth between both up-close-and-personal realism and more standard-order comedy camera-work. On a few occasions he makes bold choices, some that work, some that backfire, but the comic and dramatic moments almost never butt heads.

Life in Los Angeles is, for many, a fantasy of a sort, and "Celeste and Jesse" could easily be deemed a story that could "only happen in L.A." In addition to the frozen yogurt and the exposure of the fraud that is trendy exercise, Celeste works in the entertainment industry and post-Jesse she's set up on all these dates with successful creative people. Scenes take place in all kinds of exotic clubs, so much of the context surrounding these characters oozes with a superficiality that makes the film both great and disturbing.

A little more troubling is the legit problem that Jesse disappears in large chunks of this film. There's a reason Celeste comes first in the billing, and that's because the movie only shows intimate moments featuring her (and the ones she shares with Jesse). Samberg doesn't get much of a chance to prove himself as a talent that can go below the surface. The script treats Jesse like a child, kind of like the way Celeste sees him. There's artist value to this decision, but the moments between the two of them are too lopsided in our minds. Great romance movies get you charged up because you feel a certain way about both characters, and in this film we only really feel what Celeste feels.

There's something special in "Celeste and Jesse," however, some rare ability to see the humor in the personally tragic, the potential for levity and irony in any situation. The emotional place that these two best friends arrive at in the end might not be as satisfying as that in a strong romance or rom-com, nor as poetic as in a tragedy, but with its playful disposition, it manages to carve out a place that's different, one that stands out from the pack just enough.

~Steven C

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