YellowBrickRoad - Weg ohne Wiederkehr

The plot: In the 1940s, an entire town inexplicably follows a path into the wilds of New Hampshire, where they find death and madness. Later, a modern day team of researchers seek to discover what really happened.

YellowBrickRoad is one of the best "flawed but interesting" horror movies I've seen in a while. It's frustrating to many viewers, because it seemingly promises one set of genre conventions (such as a slasher or scifi thriller), yet delivers something radically different (more akin to the Blair Witch Project, without the "found footage" gimmick). YBR is very subtle -- perhaps too subtle. Many questions are never explicitly answered, because the writers apparently find the questions irrelevant or unimportant. Instead, it focuses on subtle themes, which hint at vague answers. If this sounds frustrating, then I'd avoid YBR. It might take multiple viewings to make much sense of this movie.

YBR is a pastiche of rather obvious influences, chiefly the Blair Witch Project and 60s/70s horror. It will also probably appeal to fans of Lovecraft, given the themes of unknowable evil, the frailty of sanity and civilization, and the danger of obsessively searching for answers to unanswerable questions. Fans of modern horror franchises, such as Saw or Hostel, will probably be bored.

In 1940, almost the entire population of a town in New Hampshire mysteriously leave their homes, their belongings and even their pets, and head north along a trail into the dense wilderness. The corpses of those discovered are the only trace of what might have happened to the people of Friar. Many years later, Teddy Barnes and a team of researchers, pathfinders, historians and psychologists decide to follow the same trail and uncover the mystery of what happened in 1940. But what waits for them at the end of the trail - and will they survive to reach it?

I know what you're thinking. This is a movie about a group of people who, whilst following a mysterious trail through the wilderness in search of answers, begin to perish. It therefore must involve masked killers or mutated bears, right? Actually, no. "YellowBrickRoad" takes its inspiration from some of the classic older horror movies – such as "The Shining", "Deliverance" and the original version of "The Wicker Man" – and, instead of aiming purely for the eyes of the audience, it also aims for the mind. This is a slow-burning psychological horror filled with sights and sounds which get under your skin and worm their way into your brain; just as they do with the characters themselves.

That's not to say that there isn't gore or violence in "YellowBrickRoad". There are several scenes involving terrible, bloody things happening to people, but the film-makers shoot those scenes in a way that forces the audience to let their imaginations run rampant and fill in the gaps. It's not really these death scenes that will stick with you after the movie has ended, though. It's the way that "YellowBrickRoad" forces you to watch as the seemingly well-adjusted individuals to whom you're introduced at the beginning rapidly drift into insanity, rage, loneliness, brutality and utter confusion as the rules of reality change around them.

For a good portion of its running time, "YellowBrickRoad" is a creepy and unsettling story that fully preys upon our fear of the unknown. Without resorting to cheap scares, the movie accurately portrays how a group of people might act if they took too many steps northward and suddenly found themselves in the Twilight Zone. All of the main actors do a fine job and, despite working with an obviously limited budget, the directors utilise sound, along with moody, lonesome cinematography and the rustic setting to create a tense and spooky atmosphere.

Some may have a problem with the ending which perhaps veers a bit too closely into David Lynch territory, but I found it to be an interesting and apt way of closing the movie. For those who are fans of horror cinema, such as "Session 9" or "The Shining", in which the protagonists are confronted with something unknown and terrible that slowly burns away at their sanity and willpower, this may be close to essential viewing for you.

Bit of a mix between Lost and The Shining, I really enjoyed this actually. In fact I love it when I find a really low scoring film on IMDb that I enjoy! Quite creepy, incredible sounds / score, especially the constant old style music that plays incessantly through the woods, driving the characters insane.

Quite light in gore (no bad thing) but the few scenes there are are fairly shocking, especially the one seen from a distance, which was pretty chilling.

If I had to choose between Saw, Scream (any) or this, I would choose this any day.

Oh yeah I mentioned the sound already but its really good. Very atmospheric.

Been googling for 'meaning behind the film' type stuff since the DVD stopped, and that in my opinion is what a decent horror should make you do.

I watched this film when I was sick with bronchitis. I was glued to the couch, coughing and hacking, watching this movie and wondering if I was hallucinating, or if the movie was really this freaking weird. The answer is a resounding 'yes.' This movie really is extremely weird.

YellowBrickRoad is an assault on the senses, and I believe that was completely intentional. The visuals, the characters' reactions, the never-ending path, the hopelessness, the desperation, the cacophonous sounds-- all of these things created a unique and subtly terrifying environment. That said, I didn't necessarily find the movie scary, but I did find myself thinking about it for a few days after watching it.

But, I wanted to like the movie more. I wanted more substance. I love movies with an pseudo-historical backdrop, and I wanted to know more about the town's former inhabitants and the path. I guess I wanted a bit more investigation and a bit less acid trip. Yet, I was left with the impression that the semblance of an acid trip was the writers' and director's intention.

So, if you keep the film within its hallucinatory context of a deconstructed and wholly disturbing reality, you might glean some enjoyment out of it. Don't expect your typical horror fare, though, because this is a strangely unique plate that almost borders on experimental.

For the first 70 minutes of this film, I thought I had found my new favourite horror movie. There are sequences here that will take your breath away - IF you are a fan of true psychological horror and not the mainstream CGI crap that hits the multiplexes. The concept is fascinating, and the set-up is superb. The sound design of this film is flawless, and has one of the best uses of music I have ever experienced. The music... it's skin-crawling, and is almost a character in the movie. Likewise, the violence and gore. Very underplayed, timed well and not gratuitous. But when it hits, it's incredibly effective.

But then something goes awry. The plot becomes muddled and almost self-important, the actions of the characters don't really add up... it almost feels like a different film than the intense, slow-burn of the first two acts. It reminded me of 'Insidious' in this regard; incredibly good for the first two thirds then becomes too hokey in its final reel.

It's a shame, because this had the potential to be a genre classic. As it is, the unconvincing third act makes this an effective but ultimately unsatisfying film.