Revenge of the Green Dragons

Traveling across an ocean or desert and into a new country, one becomes subject to different rules, and vulnerable to thugs who know the system better. Those unable or unwilling to control their own destinies in this new climate, invite others to do it for them. "Captain leads, sailor sails," is the saying, and some unsavory, yet deceptively wholesome looking, captains appear at the helm. The American dream depends more on one's luck, resources and strength of character, than on equal opportunity, liberty or other tenuous threads. Based on actual events from the 1980s, the film follows the lives of Chinese immigrants to New York City who are pressured into gangs, menial labor and violence. The main characters are two boys who become part of the notorious Green Dragon gang. Despite shaky acting and disjointed transitions, it is an intriguing and insightful glimpse into the underworld of U.S. immigration. Many scenes are predictable, yet there were some twists and turns, especially at the end, that I did not see coming. Seen at the 2014 Toronto International Film Festival.

Reviewed by: Dare Devil Kid (DDK)

Rating: 2.5/5 stars

Andrew Lau's "Infernal Affairs" trilogy became the best-known import in the early 2000s from the storied Hong Kong film industry, supplying Martin Scorsese with material for his Academy Award- winning film "The Departed". But while Mr. Lau's latest, "Revenge of the Green Dragons," leaps forth with a flurry of montage, attitude, and action, it loses its way as a drama.

This film — a crime yarn directed jointly by Lau and Andrew Loo, and set in Queens during the Chinese immigration wave of the 1980s — begins by sketching out the hungry desperation of the era, and how Chinese gangs took hold of two schoolmates, Sonny and Steven, and never let go. Violence and cynicism abound, as the story ratchets forward to track the hotheaded Steven and the more prudent Sonny through gangland intrigue, shootings, and blowbacks. The violence is savage and the torture, graphic. The victims are true-to-life: women, children and the elderly. There are also a few mind games - coupled with a neat albeit unconvincing twist at the end - as there are straight-up acts of brutality. Sadly, the rest of the mayhem that's fueled by drugs, human trafficking, and an unconvincing, supposedly ill-fated romance seem hurriedly patched together, and contribute little towards making this gangster flick as engaging and fresh as it's ruthless and stylish.

Inspired by a 1992 article in The New Yorker, "Green Dragons" gets a certain vigor out of it's prideful battles for power, turf control, and respect in a world where only the murders of whites seem to matter. Yet the busy plotting shoves past the characters, and Justin Chon as Sonny, and Kevin Wu as Steven, can't keep up. A smuggler's speech about America's basis in hatred won't find many buyers, nor will a frozen-faced Ray Liotta referentially cast as a detective benefiting from the efforts of a Chinese-American colleague (Jin Auyeung).

"Revenge of the Green Dragons" starts with promise, but soon becomes predictable, filled with clichés that do little in terms of engagement or spinning a novel, fresh story from an interesting, untouched plot. What initially feels like brash energy peters out until what's left mainly evokes some pretty run-off-the-mill gangster lore.

*What's the Hong Kong equivalent of Hollywood, eg "Bollywood" for India?

I read the story of the Green Dragons over 20 years ago, and have just recently heard of the movie adaptation. After watching this, I think this is another case of "the facts are more interesting than fiction". The original events were violent and raw. It ended with a sense of retribution. What the director did with the movie version was to partially "Hong Kong"ize the story. This really doesn't work unless you go all in and purposely try to suspend the audience's disbelief.

I don't mean to say Hong Kong action movies are bad, but they only fit in a style that shouldn't be done for non-fiction, even with a gangster movie. All the brooding, the slow moving gun mechanics, the improvised romance, etc. works great when the action is so gratuitous, you can shut your brain off and enjoy the flick for what it is. In Dragon, all the personalities, including the lead, just mesh into a stylized melodramatic comic character of their real counterparts. It's not the actor's fault, since their portrayals are closely reminiscent of Hong Kong action movies.

Again, I just think they should have gotten a more appropriate director and stay truer to the original events. For example, in Casino, I can believe it happened in real life as shown on the screen... not so much with Dragon.

That said, I enjoyed the movie, perhaps mostly because I enjoyed the story.

Sure it wasn't the greatest film of all time. But it sure as hell wasn't as bad as everybody says it is.

I enjoyed it, with its twists and turns. A lot of well shot scenes. And come on its a gangster movie how could you go wrong.

The ending was good and might have left you wanting a little more but overall I think it will make a good watch on a rainy night. Let me know what you think after watching it because I definitely recommend it. Especially since it is a Scorsese and has Ray Liota in it. The fact that it is based on a true story is a bonus.

You have to keep in mind that this as a movie that you need to watch to appreciate. Don't let the reviews fool you, perhaps people see Martin Scorsese's name and have different expectations.

Despite Martin Scorsese being the executive producer and Ray Liotta having a role, "Revenge of the Green Dragons" doesn't seem to have received much of a theatrical release (if any) in North America. It doesn't take long to figure out why - the movie simply isn't very good. I'm not saying there isn't any merit to be found. Some of the acting by the largely no-name cast is fine, and directors Wai-Keung Lau and Andrew Loo do manage to inject a little stylishness despite their low budget. But for the most part, the movie's low budget does show, particularly with the extremely tight direction - I almost suffered from a case of claustrophobia with everything so closely filmed. But the movie also suffers script problems. None of the characters are fleshed out enough to give us a good idea as to their backgrounds or what they are thinking or feeling. I simply didn't care one way or another about these guys. As a result, the movie becomes extremely tiresome very quickly, and you'll be impatiently waiting for it to come to its end.