Yuni

YUNI showcase the harsh reality of being a female teenager in Indonesia where society push her hard to be domesticated and silenced. I can relate to some of it and I sobbed through a few scenes. It saddens me that there are tons of real YUNI out there, who need help, as this review is being written and days go by. This movie's message is powerful and brilliantly delivered through each scenes.

This movie not only shows you how traditions vary in other cultures, but only which struggles they cause for the people affected by it. It manages to grab your mind and fully emerges you into this world and you try to imagine what you would do in such a situation or how you could possibly escape it.

A really important story to be told and brought to western societies. The quality of cinematography and sound is of course not on a top notch level, but this isnt important. Yuni shows, that a gripping story is ALL you need for a great movie, no matter if you film it on a RED or an iPhone.

The better and more advanced Indonesian film is, I am very proud. Hoping to get better and have more character in promoting Indonesian local values. Success in competing with foreign films.

Indonesia's official entry to 2022's Oscars is a very good coming-of-age. It's simple yet powerful and sensational. It tackles interesting important topics like sexual awakening, virginity, early marriages, girls' dreams and access to education in a conservative traditional society. But it feels incoherent and distant sometimes due to having too many subjects to portray, it doesn't take one clear path to follow.

Obsessed with the color purple and confident in her dreams, Yuni is close to graduating from high school. Her grades are good, her parents supportive, and her future bright. This is until the unexpected and unwanted marriage proposals begin. Some are from total strangers and much older men. Marriage is a "blessing" people insist. Maybe so, but there seems to be no other path for women to choose, or a way for them to choose who they want to walk with. "I used to think I can do anything in life," Yuni says "now I don't anymore." She doesn't know what she wants, but it doesn't make her future dark. Together with a sympathetic boyfriend and a strong female mentor, Yuni plots her path in life. But it may not be up to her.

In Indonesia there are few options for women other than marriage and it is lucky if she has any say in the matter at all. This personal, intimate, and enthralling portrait of a young woman's emotional life reveals these constraints. The camera work is playful, moody, and colorful, like Yuni herself. Sounds and scenes reveal her emotional state. When Yuni is frustrated there is constant construction noise in the background or rainfall. When she is happy and feeling free she is at the seashore or riding her purple moped. Yuni's vital message is that girls are not allowed to participate fully in the world, but they need to.

World premiere seen at the Toronto international film festival. Winner of the platform prize.