Robo-geisha

Not a good film, i am not going lie, this Movie is just lacking, Special effects is just weak,acting just awful, Worst than Meatball Machine 2005, so give it a 5/10,

The crazyness is a token from this guy, so I can't give my approval just for that. Why the hell he thought that a talkative rendition of a soap-opera The Bold and the Beautiful style was a good idea in this kind of movies, in which the relationships between the characters even when they're well written generally don't involve that kind of crap, I will never understand. I guess the increase of budget from Machine Girl to this had to result in something...bad. I'll happily re-watch the latter and Mutant Girls Squad over this anytime.

The first thing that comes to mind when sitting down and watching "Robo-Geisha" is probably: only in Japan! At least that is what rang true for me. This particular genre of movies is something that usually only rears its head from the bowels of Japan.

And it takes a certain kind of mindset to be able to fully appreciate these particular types of movies. I enjoy them for the campy, cheesy over-the-top entertainment that they are. Don't put too much into them, because they are not really meant to be taken seriously.

The story is about two sisters, one being a Geisha and the other living in the shadow of her Geisha sister. When they are both recruited by the Kageno steel company, a rivalry develops between the sisters in order to prove to be the better Geisha warrior/assassin. The Geisha women are trained to be deadly killers and are enhanced with robotic parts. But there is a sinister secret stirring beneath the surface of the Kageno company.

Yes, it is bizarre and odd, but still fun and entertaining for the campy movie that it is. Sure, this is somewhat of an acquired taste, and as such the movie will not prove appealing to every viewer. Mind you that this is not Shakespearian thespian acting in the least bit. You know what you get here, and "Robo-Geisha" delivers exactly on that account.

The acting in "Robo-Geisha" is as to be expected for a movie such as this. Personally, then I found it to actually be adequate acting for the genre. So that was a good thing.

However, the overall movie experience is a mediocre one. The movie fails to really impress in comparison to many others of this particular odd genre. And as such, then the movie failed to rise above the mediocre waterline. I am rating "Robo-Geisha" a mere five out of ten stars.

There are far better choices to pick from if you enjoy this particular genre of Japanese movies.

To enjoy this you have to take it for what it is, a movie made for fun with a low budget and no pretensions to be anything other then a campy B movie.

If you enjoyed the 70s-80s Japanese monster and robot movies with the rubber costumes you will enjoy this. I don't think the producers intended this movie to be taken seriously. It had robot geishas with swords from their bums, automatic weapons from their head gears, breast gatling guns and acid squirter's, giant robot castles, gun toting grannies etc.

Story wise its not bad either; mad scientist intending to blow up japan creates killer geishas with the top geishas turn into killer robot geishas. There isn't a lot of gore....unless you count the buildings that gushes blood when the robot smashes them. I think they must have had fun writing this movie.

Good movie. I liked it.

Noboru Iguchi's films have a reputation. You know people are going to die in them, but you are never entirely sure who will be next. Or what the weapon will be. Or from what orifice the weapon protrudes from. Robogeisha carries on this fine tradition, but as a teensy-weensy spoiler, there's more use of CGI blood this time around. I guess it saves on the cleaning bills.

So two sisters, one a geisha, the other the attendant, get invited to perform at a dinner for the big bad guy, and end up being recruited into his army of highly-trained female killers masquerading as more geisha. Oh and there's a few cybernetic upgrades on the way as well.

I can't really say much more to this movie that you can't already tell from the trailer. So I'll just say that I, and practically everyone else in a tiny cinema in the backstreets of Shibuya, was in fits of giggles throughout this movie as we were regularly surprised at what Iguchi's imagination would throw at us. Think of Wacky Racers with cast-iron Shimadas, comedy instead of splatter and only a slight feeling of disappointment when some of the set pieces are cut too short then there's still laughs to be had. Anyone for fried shrimp?