Wir kaufen einen Zoo

A heartwarming family drama was not something I expected from either Matt Damon or director Cameron Crowe but when I ended up watching this with my movie theatre-working friend today, that's what I got and to tell the truth, I actually liked what I saw. Whatever conflict arises in such a not-so-intense film mostly arises between that of Damon and his teenage son who hasn't completely gotten over the death of his mother. There's also some amusing scenes featuring that of the inspector played by John Michael Higgins. Oh, and Scarlett Johansson as the potential love interest was also pretty good. Really, all I'll say now is if you like this kind of thing, I highly recommend We Bought a Zoo.

I am grateful that in this cynical world, there are still artists who are courageous enough not to run from earnestness, but to embrace it. Cameron Crowe has done just that with WE BOUGHT A ZOO. This is a beautiful movie, full of life - truthfully acted, beautifully shot and lovingly directed. I expected to cry (which I did, many times) but I didn't know that it would also be so funny with levity coming just when you need it. Matt Damon was brilliant as the heartbroken but hopeful father. And my only gripe about Thomas Haden Church is that there wasn't more of him! The kids were all brilliant -- not an ounce of self-consciousness to their acting, which is rare when it comes to child actors. And the final scene alone is worth the price of admission. Anyone willing to open his or her heart will fall in love with this movie like I did. Kudos to all involved.

"You know, sometimes all you need is twenty seconds of insane courage. Just literally twenty seconds of just embarrassing bravery. And I promise you, something great will come of it." Benjamin Mee's (Damon) life is starting to crumble. His wife has died, his son is expelled from school and he quit his job. In hopes to start a new life they decide to move and find the perfect house. Then they realize that it's a zoo. I have to admit that I was a little skeptical going in because I thought that it would be a good movie but really cheesy. I really like Cameron Crowe though so I expected it to be good from that. I have to admit that this was one of the best family movies that I have seen in a long time. The movie had enormous heart, depth and tackled real world issues while still appealing to all ages. The writing and the acting were great and the movie absolutely won me over a half hour in. I highly recommend this one. Overall, this is a must see for families and is one to buy so you can watch over and over. I give it an A.

Cameron Crowe never fails to deliver hart warming drama-comedies that make you laugh, cry and keep you on the edge of your seat for duration of his films. For me personally, I never seem to agree with Crowe's casting taste (Matt Damon and Scarlett Johansson never do much for me) but Cameron has a way with actors and a true vision for his story. He always seems to know exactly who can capture his characters and ultimately draw out your emotions that he's tugging at.

In We Bought a Zoo, there is a bit of a slow start and at one point I was worried Cameron had lowered his voice to appeal to a larger audience to please producers and critics alike (after his Critically-bombed but personal all time fav, Elizabethtown).

But let me tell you, pay your dues with the first half of this film because the second half will take you on a mesmerizing cinematic adventure you'll be heartbroken for more. Cameron ventures into a new family drama without compromising his voice, music taste or quality film making. And if you are still not a huge CC fan, the animals are sure to win you over. Their beautiful and natural moments on screen are as breath taking as they are tear-jerking.

Spend an amazing two hours with this film and there won't be a person in your household that won't agree that this film is one to remember. From a fan and living-room-critic, I give it two thumbs up :)

You can't get more obvious what your film is about with a title like 'We Bought a Zoo', but fortunately director Cameron Crowe's adaptation of British journalist Benjamin Mee's autobiography possesses much more subtlety and nuance than what its title would suggest. The story of a grieving widower who makes the unusual decision to buy a rural property whose 18 acres includes the Rosemoor Animal Park, it is also Crowe's first feature since his 2005 flop 'Elizabethtown' and the feel-good family movie represents a welcome return to form for the talented filmmaker behind such classics like 'Say Anything' and 'Jerry Maguire'.

Working off a script by 'The Devil Wears Prada' and 'Morning Glory's' Aline Brosh McKenna, Crowe grounds the high-concept tale in a heart- warming story about a lonely widower trying to overcome his grief for his bereaved wife while attempting to reconnect with his teenage son Dylan (Colin Ford) and young daughter Rosie (Maggie Elizabeth Jones). Crowe is better than to take the easy route of mawkish sentimentality; instead, there is genuine humanity and optimism in his storytelling, complemented by some outstanding performances that he coaxes from an ensemble cast- in particular his lead actor Matt Damon.

Though the 'Bourne' trilogy has cemented his reputation as a thinking man's action star, Damon has been and still is a strong dramatic actor. The astute actor confidently matches the emotional beats that Crowe chooses for his character every step of the way, from sanguineness at a change of scenery early on to dismay later on when one thing after another goes awry. His is a heartfelt performance that packs a powerful emotional wallop in his understated delivery of a father struggling to do it right by his children- and nowhere is this more evident than in a powerful scene where Benjamin and Dylan address their fractured relationship head-on which is guaranteed to bring tears to your eyes.

The conviction that Damon brings to his role is a huge reason why the film achieves its intended poignancy. A scene where his character finally overcomes his fear of looking at past photographs of his wife and their happy days together as a family is simple yet moving- and appropriately filmed in close-ups; while the film's last scene where he reminisces his first encounter with his deceased wife to his children also works brilliantly thanks to Damon at his earnest best. He also shares great chemistry with each of his co-stars- whether Scarlett Johannson's perceptive zookeeper Kelly, or Thomas Haden Church's wry older brother Duncan.

Both Johannson and Church are also individually outstanding in their supporting roles, alongside other equally incomparable veterans like Angus MacFadyen as the groundskeeper with a longstanding grudge for park inspector Walter Ferris (John Michael Higgins) and Patrick Fugit (who played Crowe's alter ego in 'Almost Famous') as one of the zoo staffers with a capuchin monkey perpetually perched on his shoulders. Crowe has also assembled an impressive teenage cast- Ford brings a raw edge to his character's anger, counterbalanced perfectly by the ebullient Elle Fanning as Kelly's cousin- as well as an impossibly adorable Maggie Elizabeth Jones sure to melt your heart.

Aided by an outstanding cast, Crowe drives the narrative along with a sure confident hand. Alongside the running themes of grief and parenthood are well-inserted vignettes of Benjamin and his crew's obstacles at getting the zoo up to inspection standards in time for a grand reopening on the seventh seventh (or the seventh of July)- among them the escape of the zoo's 650-pound grizzly bear Buster, the fate of the zoo's 17-year-old ailing tiger Spar and of course Benjamin's impending bankruptcy (that we admit is over all too soon by a dues ex machina). Still, there is genuine feeling in every scene, and Crowe's choice of music (a mix of oldies with more contemporary tunes) as well as Jónsi's (of Icelandic cult band Sigur Rós) eclectic score works perfectly in complementing the mood of the film.

And even though it's tinged with sadness, the tone of the film is never depressing- Crowe making it sure that the film steers clear of both over-dramatic as well as melodramatic moments. There's hope and affirmation abound in this inspirational tale, and just because its message of acceptance and reconciliation may sound familiar doesn't mean it is less authentic or touching for that matter. It wears its heart on its sleeve, but thanks to Crowe's deft hand as well as Damon's heartfelt performance, even the cynical will find themselves moved.

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