IMDb-BEWERTUNG
6,2/10
2040
IHRE BEWERTUNG
Ein Blick auf das Leben des Fotografen Robert Mapplethorpe von seinem Aufstieg in den 1970er Jahren bis zu seinem frühen Tod 1989.Ein Blick auf das Leben des Fotografen Robert Mapplethorpe von seinem Aufstieg in den 1970er Jahren bis zu seinem frühen Tod 1989.Ein Blick auf das Leben des Fotografen Robert Mapplethorpe von seinem Aufstieg in den 1970er Jahren bis zu seinem frühen Tod 1989.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 8 Gewinne & 4 Nominierungen insgesamt
Karlee Leilani Perez
- Lisa Lyon
- (as Karlee Perez)
Empfohlene Bewertungen
If this was a mainstream cinema release rather than a Gay film festival movie I suspect Matt Smith would have been included in all the major acting nominees for this years awards.
Matt Smit gives an amazing performance as Michael Mapplethorpe the famous art photographer for the late 1960's 1970's.
Of course he was a cultural gay icon and the movie does show his famous male erotic photos as well as the beautiful floral subjects he also photographed. It was the era in New York if promiscuous sex when thousands of men died of AIDS including Mapplethorpe who died in 1989 age 42.
Mapplethorpe says in the movie That he wouldn't reach the age of 50 but he hoped he'd be famous before he dies and he was correct on both counts.
The film won 7 audience awards at International Film Festivals and it's easy to understand why as Director Ondi Timoner and the great supporting cast especially Marianne Rendon as Patti Smith and Brandon Sklenar as Edward Mapplethorpe Roberts brother have contributed to make a very interesting and entertaining movie that should be seen by all just not the GLBTQI audiences.
If male erotic nudity in photography or mild homosexual sexual content offends this movie is not for you but as I watched this film I thought of all explicit heterosexual sexual content in films our community sits through and it made me think if one day so called GLBTQ movies will be shown alongside mainstream movies and therefore gain a much wider audience. I also wondered watching Mapplethorpe if the Art and Photography of that amazing psychedelic era of Mapplethorpe and Andy Warhol would be viewed as such valuable masterpieces if created today but I guess it's like saying that if a painter today painted like a renaissance master like Leonard Da Vinci or Michelangelo would we think it old fashioned ? We watched Matt Smith yesterday play another famous Gay cultural icon Christopher Isherwood in his 2011 movie Christopher and His Kind in which he plays another very different gay man and I agree with his stance of defending straight actors who play gay characters as far as I'm concerned it's the best actor to suit the part regardless of sexuality and Matt Smith I think is perfect in this role. Hi see it or catch it on DVD or stream release.
Of course he was a cultural gay icon and the movie does show his famous male erotic photos as well as the beautiful floral subjects he also photographed. It was the era in New York if promiscuous sex when thousands of men died of AIDS including Mapplethorpe who died in 1989 age 42.
Mapplethorpe says in the movie That he wouldn't reach the age of 50 but he hoped he'd be famous before he dies and he was correct on both counts.
The film won 7 audience awards at International Film Festivals and it's easy to understand why as Director Ondi Timoner and the great supporting cast especially Marianne Rendon as Patti Smith and Brandon Sklenar as Edward Mapplethorpe Roberts brother have contributed to make a very interesting and entertaining movie that should be seen by all just not the GLBTQI audiences.
If male erotic nudity in photography or mild homosexual sexual content offends this movie is not for you but as I watched this film I thought of all explicit heterosexual sexual content in films our community sits through and it made me think if one day so called GLBTQ movies will be shown alongside mainstream movies and therefore gain a much wider audience. I also wondered watching Mapplethorpe if the Art and Photography of that amazing psychedelic era of Mapplethorpe and Andy Warhol would be viewed as such valuable masterpieces if created today but I guess it's like saying that if a painter today painted like a renaissance master like Leonard Da Vinci or Michelangelo would we think it old fashioned ? We watched Matt Smith yesterday play another famous Gay cultural icon Christopher Isherwood in his 2011 movie Christopher and His Kind in which he plays another very different gay man and I agree with his stance of defending straight actors who play gay characters as far as I'm concerned it's the best actor to suit the part regardless of sexuality and Matt Smith I think is perfect in this role. Hi see it or catch it on DVD or stream release.
"Mapplethorpe" (2018 release; 102 min.) is a biographical movie about the life and times of controversial photographer Robert Mapplethorpe. As the movie opens, we are told it is "Pratt Institute, Brooklyn, New York, 1969", where a young Robert Mapplethorpe looks utterly bored. Next thing, we are in Manhattan, where Mapplethorpe is bouncing from place to place, and he is refused entrance to the Whitney Museum as he can't afford the $1 admission. Then one day, at the park, a young lady comes up to him asking for help. Turns out to be Patti Smith. They hit it of right away, and it's not long before they move in together at the Chelsea Hotel. By happenstance, another tenant there introduces Robert to a Polaroid camera... At this point we're less than 15 min. into the movie, and you;ll just have to see for yourself how it all plays out.
Couple of comments: this movie is written and directed by Ondi Timoner, best known for her music documentary "DIG!". As soon as I saw her name attached to "Mapplethorpe", I was pretty reasonably confident that we'd get a good movie. And it is a good enough, although by no means great, movie. The challenge faced by Timoner is how to bring the controversial sides (yes, in plural) of Mapplethorpe, both as to his personal life and as to his art, to the screen, without diluting the essence of the man and his work. In my book, Timoner strikes a good balance. The movie benefits greatly from the incredible performance by British actor Matt Smith in the title role. He really makes you believe that we are looking at the real Mapplethorpe. Beware: the movie contains a fair amount of nudity, mostly male nudity I might add. The early years between Mapplethorpe and Smith have also been covered in Patti Smith's brilliant memoir "Just Kids" (much better than this film, frankly). It is hard to believe that 2019 marks the 30th anniversary of Mapplethorpe's death... The movie's closing credits reference "The Perfect Moment" traveling exhibit later in 1989-90, where upon its exhibition at the Contemporary Arts Center here in Cincinnati in Spring of 1990, the CAC was charged with obscenity, the first museum ever to face such a charge, the movie reminds us. The CAC was subsequently acquitted by a unanimous jury, but the film makers "accidentally forget" to mention this in the movie's closing credits...
"Mapplethorpe" premiered at last year's Tribeca film festival to positive acclaim, and finally was released in theaters this weekend. The Saturday early evening screening where I saw this at my art-house theater here in Cincinnati, was attended okay but not great (about 20 people). Following the screening, there was an insightful, free-flowing half hour Q&A session with Louis Sirkin, the Cincinnati lawyer who successfully defended the CAC against that obscenity indictment. If you have any interest in controversial art and a controversial artist, I'd readily suggest you check this out, be it in the theater, on VOD, or eventually on DVD/Blu-ray, and draw your own conclusion
Couple of comments: this movie is written and directed by Ondi Timoner, best known for her music documentary "DIG!". As soon as I saw her name attached to "Mapplethorpe", I was pretty reasonably confident that we'd get a good movie. And it is a good enough, although by no means great, movie. The challenge faced by Timoner is how to bring the controversial sides (yes, in plural) of Mapplethorpe, both as to his personal life and as to his art, to the screen, without diluting the essence of the man and his work. In my book, Timoner strikes a good balance. The movie benefits greatly from the incredible performance by British actor Matt Smith in the title role. He really makes you believe that we are looking at the real Mapplethorpe. Beware: the movie contains a fair amount of nudity, mostly male nudity I might add. The early years between Mapplethorpe and Smith have also been covered in Patti Smith's brilliant memoir "Just Kids" (much better than this film, frankly). It is hard to believe that 2019 marks the 30th anniversary of Mapplethorpe's death... The movie's closing credits reference "The Perfect Moment" traveling exhibit later in 1989-90, where upon its exhibition at the Contemporary Arts Center here in Cincinnati in Spring of 1990, the CAC was charged with obscenity, the first museum ever to face such a charge, the movie reminds us. The CAC was subsequently acquitted by a unanimous jury, but the film makers "accidentally forget" to mention this in the movie's closing credits...
"Mapplethorpe" premiered at last year's Tribeca film festival to positive acclaim, and finally was released in theaters this weekend. The Saturday early evening screening where I saw this at my art-house theater here in Cincinnati, was attended okay but not great (about 20 people). Following the screening, there was an insightful, free-flowing half hour Q&A session with Louis Sirkin, the Cincinnati lawyer who successfully defended the CAC against that obscenity indictment. If you have any interest in controversial art and a controversial artist, I'd readily suggest you check this out, be it in the theater, on VOD, or eventually on DVD/Blu-ray, and draw your own conclusion
I cannot say I am a Matt Smith fan because every time I see a project with him in it, it take a while for me to get Matt Smith off the screen and the character he is playing on it. It took an extra long time in this one to get rid of Matt Smith "playing" Robert Mapplethorpe and accept him as Robert Mapplethorpe. Too long to give the film a better rating than a 7. Had Matt disappeared MUCH sooner, it would have been an 8.
The film did show the progression of how Mapplethorpe morphed into a photographer instead of being another type of artist.
No, there wasn't a lot of Patti Smith, but it wasn't a film about her. I liked her time at the end with him.
This renewed my interest in Mapplethorpe and the pure language of art. It was interesting when he told his brother that he had no idea how he did what he did and that made a lot of sense.
This film is a must-see for anyone who appreciates art. Any kind of art.
The film did show the progression of how Mapplethorpe morphed into a photographer instead of being another type of artist.
No, there wasn't a lot of Patti Smith, but it wasn't a film about her. I liked her time at the end with him.
This renewed my interest in Mapplethorpe and the pure language of art. It was interesting when he told his brother that he had no idea how he did what he did and that made a lot of sense.
This film is a must-see for anyone who appreciates art. Any kind of art.
Award-winning documentarian Ondi Timoner (Dig!) creates her first fiction feature as an episodic ramble, rather than a wild ride. Ticking off famous encounters - an affair with Marianne Rendón's Patti Smith, his careermaking partnership with gay curator Sam Wagstaff (John Benjamin Hickey) - the script feels like a dutiful life-list, its dialogue creakily banal ("You're the Jekyll and Hyde of photography!"). Shot quickly, and on a small budget, the action's confined to stylish interiors, which gives it a shut-in feeling. Smith throws himself gamely into the part, but his languid performance can't spark the movie into life, even when drugs, Aids and heartbreak kick in. Set against Mapplethorpe's taboo-busting work, this homage feels oddly conventional, though it never swerves his hedonistic nightlife. Curious art lovers can check out 2016 doc Robert Mapplethorpe: Look At The Pictures for a smarter, spicier take on his fine work and fast times.
Don't waste time to watch this movie, the spirit of Robert Mapplethorpe and Patti Smith not been delivered at all. And the actor / actress didn't click as well. PLSSSS GO READ "JUST KIDS" WROTE BY PATTI SMITH.
Wusstest du schon
- WissenswertesThe film was shot in only nineteen days.
- PatzerAfter dinner with his parents, during the scene when Robert photographs the knife and the flower the knife is held in place by a "Mathellini" clamp. The original Cardellini wasn't invented until the 1990s, after Robert's death.
- Alternative VersionenA longer 114 minute director's cut version was released in 2020. It features additional footage (with more scenes focusing on Mapplethorpe's childhood) and an alternate soundtrack.
- VerbindungenReferences Asphalt-Cowboy (1969)
- SoundtracksShake Shake Shake
Performed by William Bollinger
Written by William Bollinger
Courtesy of Simply Grand Music
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
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- Auch bekannt als
- The Perfect Moment
- Produktionsfirmen
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Box Office
- Bruttoertrag in den USA und Kanada
- 91.002 $
- Eröffnungswochenende in den USA und in Kanada
- 17.000 $
- 3. März 2019
- Weltweiter Bruttoertrag
- 91.002 $
- Laufzeit
- 1 Std. 42 Min.(102 min)
- Farbe
- Seitenverhältnis
- 1.85 : 1
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