Ip Man 2

Much cornier and more emotionally broad than the first, this sequel doesn't care much about story or character logic. Luckily, the fight scenes are still the saving factor; Ip Man fighting all the masters on the wobbly table is outstanding and the main reason to watch this thing.

'Ip Man 2' is really spectacular. No wonder that this movie has tons of actions scenes. Even though you're not Chinese, this is a really great Chinese movie you have to watch.

The story is pretty normal since it's a part historical movie where you can't change a lot of the original story. For a historical film, the story is not the real factor for it to be good.

After seeing 'Ip Man', I have to say that it was good. It was very astonishing! After hearing the announcement on this sequel, I decided to check it out! Honestly, it was beyond my expectations! The fighting scenes were long enough and awesomely shot. The movie had so many fighting scenes that I say this movie is much better than it's predecessor. All those scenes were beyond my thoughts.

The kungfu moves were also well directed. They were amazing and far cooler than the first movie.

With a lot of action scenes, I think that 'Ip Man 2' is one of the greatest Chinese action films in history.

Well done 'Ip Man 2'! 8 stars for this sequel!

I somehow doubted that IP MAN 2 would compare to the general excellence of the first film, but to my surprise and delight it does! It's a cracking little action movie that tells an involving, true-life story that doesn't just repeat the same kind of stuff we saw in the first film. This time around, Ip Man must test his mettle against a series of Hong Kong martial arts masters before taking his talent to the world stage.

The film displays exactly the same kind of sumptuous production values as the original, with Wilson Yip's expert direction combining with Sammo Hung's beautiful fight choreography to startling effect. Hung himself appears as a rival master and his various bouts with Yen are awe-inspiring, and there's a mid-way set-piece in a fish market that has to be seen to be believed – one of the greatest large-scale fight scenes ever put on film. By the time we reach the events of the last reel, involving a nasty British boxer, I was fully behind the film and loving every action-packed minute. It goes without saying that Yen gives a seemingly effortless performance and that the film provides real heart as well as top-notch action. Outstanding!

Overall, Ip Man's series has been a very inspirational trip for me. I grew up with Bruce Lee and from the direction of the director, I see where the movie is going to, whether it's historic or not. Before anyone else say anything about the western boxer in this movie, I lived through the end 70's of Asian martial arts world and I must say it has has it's share of "to the death boxing matches". Growing up in asia, we have had our share of nonregulated matches where contestant signed papers which declared their fight to the death. So it is no surprise that in this movie such a scene would occur. Not having TV at that time, the thrill of hearing such a match from radio (I remember my first Ali match and it was also on Radio, not TV) I can sympathise for the director's broad representation of history.

On the whole, when Ip Man told his disciple Leung, that he wasn't trying to teach him how to fight but to teach him the values of "martial morals", reminded me of my martial arts training under my master. Movies reflect life and in this moment of the film, I totally understood what the movie was going to.

I can only say, seek the truth and not be blinded by what is presented.

Edmond Wong's screenplay, like the first film, focused more on drama and had moments where questions such as integrity and the living of one's life according to ideals get raised, whether it is, for the sake of the greater good, worthwhile to forgo those ideals in order to make a living, and allow those who work for you, to make something out for themselves too. In essence, which of the lesser evils are you willing to compromise on. There's also time taken to devote to the corruption of Caucasian police officers, as well as how the Chinese used to fight their own, before learning to unite in the face of stronger, external opponents out to humiliate and insult long held values because of ignorance and prejudice.

The second half of the film, with what we've seen in the trailers involving yet another East versus West matchup that have been covered in contemporary martial arts films and biopics like Fearless and True Legend, was quite the worry for me, in that it would be another opportunity for meaningless bashing and the championing of nationalistic messages. It's that sense of deja-vu that you fear arising from a similar situation from its predecessor, but thankfully, we get a fight that's quite compelling to watch, with Ip Man now being properly challenged by an opponent who's skilled with plenty of power and dexterity, with that lack of honour in dishing out a fair fight. Darren Shahlavi who portrays Twister the boxer, gets top marks for making you all riled up with his constant air of superiority.

Action choreography continues to be designed by Sammo Hung, and personally three action sequences stand out. I didn't enjoy the fish market brawl, as I didn't take to Ip Man fighting with an unruly horde, except that there's a moment of truth there when he shows by example his philosophy of "running away" (not that he's a coward) which continues from where he left off from an answer to Wong Leung. Two scenes which stood out involves Shahlavi's battle with the Chinese grandmasters, and frankly, despite being a "boxing" match, it was really imaginative of Sammo to deliver something that's quite different from the usual action sequences in Chinese films involving battling a Caucasian in a ring.

But the number one action sequence, albeit a little bit short, would be that which you've been teased by the trailer, with Ip Man versus Sammo's Hung Jan Nam mano a mano atop a flimsy table, in what would be Wing Chung versus Hung Ga Kuen. Naturally, not to offend real life practitioners means the result of the fight would be understood, but to see Donnie Yen and Sammo Hung match up against one another, is an action film fan's dream come true again, from SPL, especially after Ip Man dispenses with the side show phonies. If I had a complaint, these two really went all out with the speed of execution, that you just want to beg the camera to stay put from afar in slow motion to allow us all to gaze.

And because of the enigmatic presence of Sammo, somehow I feel that Ip Man the character got diluted screen time because ample time has to be set aside to prevent Sammo's Master Hung from being just the supporting character, but one that's properly fleshed out. He's there to be the contrast as the older martial arts practitioner who's well respected by his peers, and providing that glimpse of how Ip Man could progress, and whether to want to compromise ideals for those dependent on him for livelihood. Sammo being Sammo also chews up the screen with his charisma, and you can hear gasps of reverence reverberate around the cinema hall when he first appears on screen, his persona just screaming that he's one bad mo-fo not to be messed around with.

So Ip Man's thunder did get stolen a little, and the air of invincibility of Ip Man also got shattered in this film, as Wing Chun gets practiced and delivered by others, and we see him drawing or even beaten, which is something rare and unseen thus far. Of course this makes his character even more believable that he's no Superman, and that it provides an opportunity for us to cheer him on in continuing to combat and stand for his ideals. Yen continues to deliver Ip Man in a relatively low key style, preferring smiles and the occasional smoke to wanting to show off that he's one of the best martial artists out there.

Simon Yam, Calvin Cheng, Fan Siu-Wong and even Lynn Hung who plays Ip Man's Wife from the first film were all sadly underutilized, and the introduction of Kent Cheng was something like a direct replacement of Lam Ka-Tung's character from Ip Man 1 (which means the deleted scene in the earlier film could be considered canon if you wish), being the default translator between the Chinese and the British, and more often than not is seen siding with the Westerners in order to keep his cop job. Huang Xiaoming brings a youthful energy as Wong Leung, and I suppose his inclusion is to capture the Mainland market where he's got a huge following.

Same same, but different, is my verdict of Ip Man 2, being just as enjoyable but lacking a certain inexplicable x-factor that could have made the second outing surpass the first.