Ip Man 2

'Ip Man 2' is really spectacular. No wonder that this movie has tons of actions scenes. Even though you're not Chinese, this is a really great Chinese movie you have to watch.

The story is pretty normal since it's a part historical movie where you can't change a lot of the original story. For a historical film, the story is not the real factor for it to be good.

After seeing 'Ip Man', I have to say that it was good. It was very astonishing! After hearing the announcement on this sequel, I decided to check it out! Honestly, it was beyond my expectations! The fighting scenes were long enough and awesomely shot. The movie had so many fighting scenes that I say this movie is much better than it's predecessor. All those scenes were beyond my thoughts.

The kungfu moves were also well directed. They were amazing and far cooler than the first movie.

With a lot of action scenes, I think that 'Ip Man 2' is one of the greatest Chinese action films in history.

Well done 'Ip Man 2'! 8 stars for this sequel!

I don't think I have seen the film that this is a sequel to, so early on I was a little lost with the flashback montage in the credit sequence and I felt a little unsure of some of the characters. Within about 5 or 10 minutes though this really doesn't matter because mostly the film is happy with very basic motivations and plotting, in favour of frequent fight sequences. The overall plot sees Ip Man coming to Hong Kong to continue the spread of his teaching but coming up against resistance from other schools in the area and the interference of a corrupt British chief. Although we also have money problems, a pregnant wife and relationships from the first film, that is pretty much all you need to know.

This is undeniably a disappointment – not so much because I wanted lots of dialogue and character development, but more because the moments of the film where we do have them tend not to work particularly well because they are just lip-service and not done well. How much of a problem this is though is minimised by just how much action there is and also how good it is. Whether it is an intense fight in a fish market against a gang of others, or the one-on-one boxing match of the finale, all of the fight sequences are exciting and very well choreographed. Although it has pace, the editing is not so frantic and rapid that it masks the action and it is impressive to see all the moves and skills of the performers. Donnie Yen is impressive in all of them.

Where Yen is less effective is in the acting side; the film doesn't give him much to work with and he also plays it very quiet and still, respectful perhaps but he is a lot less of a presence when he is not fighting. Fortunately others are more lively in terms of performances and the film benefits from plenty of nice characters and light comedy from the other masters and the students. Sammo is solid in all regards and he gets some good action too.

Yip Man 2 may carry characters and story from the first film, but very quickly it gets down to the action and pretty much delivers action sequence after action sequence, all of them engaging and intense. The lack of character and development is a weakness, but the strengths do more than carry it through this.

Overall, Ip Man's series has been a very inspirational trip for me. I grew up with Bruce Lee and from the direction of the director, I see where the movie is going to, whether it's historic or not. Before anyone else say anything about the western boxer in this movie, I lived through the end 70's of Asian martial arts world and I must say it has has it's share of "to the death boxing matches". Growing up in asia, we have had our share of nonregulated matches where contestant signed papers which declared their fight to the death. So it is no surprise that in this movie such a scene would occur. Not having TV at that time, the thrill of hearing such a match from radio (I remember my first Ali match and it was also on Radio, not TV) I can sympathise for the director's broad representation of history.

On the whole, when Ip Man told his disciple Leung, that he wasn't trying to teach him how to fight but to teach him the values of "martial morals", reminded me of my martial arts training under my master. Movies reflect life and in this moment of the film, I totally understood what the movie was going to.

I can only say, seek the truth and not be blinded by what is presented.

Ip Man (Donnie Yen), a master of the fighting style Wing Chun despite his smoking habit, has come to Hong Kong. But he meets some resistance, both from other masters of other fighting styles and then from the British authorities who rule. Can Ip Man overcome, or at least learn to live with, such obstacles?

Let me just get this out of the way: "Ip Man" is a terrible name for a movie, even if that was really the man's name. And having his nemesis be Master Hung? This is not how you sell a movie to American audiences. Marketing concerns aside, the film was amazing.

The choreography was excellent, the use of tables, chairs and pallets as props during fighting was wonderful. And the musical score was phenomenal, hitting all the emotional highs in just the right places, making the fight scenes even more epic than they already were.

I can see this film being popular, especially with the current MMA craze: this film features a Wing Chun master fighting a Western-style boxer. Of course, this is not real, but I still see this appealing to someone. Probably many someones.

The DVD is loaded with hours of extras, and the quality is amazing. You even have six audio options, so your stereo will get a workout, and you can watch in either Chinese or English (I watched in Chinese with English subtitles, but you may prefer to have your movies dubbed).

The quote on the cover called this "possibly the best martial arts movie", which I am sure is taken out of context, but it is also not a stretch. While I am not a huge fan of the genre, this film captivated me and I found it hard to look away. With the exception of Master Hung's repulsively ugly, fat son, this movie is pretty much perfect.

Ip Man 2 contains top-notch action sequences from the beginning to the end. It is a befitting sequel that is almost on par with the first movie.

However, it is unfortunate that some of the action scenes rely too much on wire-works. The battle between the masters for example, was inventive but a bit on the fantastical side. Looking back at the first movie, all of the best action sequences were much more grounded in realistic portrayal, as the Wing Chun style looks good in this manner.

It was good to see some cool style vs style fights though, as we get to see Animal Style, Baguazhang and Hung Gar vs. Wing Chun. A friend and I were wondering though if it'd be more accurate to present Preying Mantis, Taiji and Choy Li Fut in the mix as these styles are well established in Hong Kong.

In terms of plot, Ip Man 2 transitions nicely from the first movie, where we get to follow Ip Man as he establishes and propagates Wing Chun in Hong Kong after escaping Communist persecution in 1949. A fact that was obscured by making the character look like he's escaping the Japanese Army instead. No doubt this is a marketing ploy to make sure the movie would not upset the powers-that-be in China.

And like the first movie, Ip Man 2 takes liberty with many facts and plot to condense the essence of Ip Man's characters and what he stood for. It is interesting to note that little is mentioned about his sibling and extended family who helped him in some capacity during this difficult period of time. One of his first pupils was loosely based on a real-life counterpart, the late Master Wong Shung Leung. In Ip Man's old life, he'd often send Wong to successfully answer challenges.

Sammo Hung has delivered yet another amazing feat with choreographing this movie, despite his declining health during production.

My biggest disappointment has to do with the blatant stereotype and one-dimensional characterization of the British colonists and the Twister character. It's a lazy writing that may excite a certain segment in the Chinese market, but in my eyes this serves only to bring down the movie to B-grade martial art flicks of bygone era. There's no denying the populist appeal of this method considering the main target market.

All in all, this has been a fun movie to watch, and I hope the prequel will be as fun, if not more mature in its storytelling.