Im Mittelpunkt steht die Migration von Ip Man nach Hongkong 1949, wo er die Verbreitung der von ihm entwickelten Kampfkunst des Wing Chun vorantreibt.Im Mittelpunkt steht die Migration von Ip Man nach Hongkong 1949, wo er die Verbreitung der von ihm entwickelten Kampfkunst des Wing Chun vorantreibt.Im Mittelpunkt steht die Migration von Ip Man nach Hongkong 1949, wo er die Verbreitung der von ihm entwickelten Kampfkunst des Wing Chun vorantreibt.
- Auszeichnungen
- 6 Gewinne & 10 Nominierungen insgesamt
- Cheung Wing-Sing
- (as Lynn Hung)
- Twister Supporter
- (as Christian Bachini)
- Yip Man's student
- (as Siu Lung Sik)
- Master Cheng
- (as Hark-On Fung)
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However, it is unfortunate that some of the action scenes rely too much on wire-works. The battle between the masters for example, was inventive but a bit on the fantastical side. Looking back at the first movie, all of the best action sequences were much more grounded in realistic portrayal, as the Wing Chun style looks good in this manner.
It was good to see some cool style vs style fights though, as we get to see Animal Style, Baguazhang and Hung Gar vs. Wing Chun. A friend and I were wondering though if it'd be more accurate to present Preying Mantis, Taiji and Choy Li Fut in the mix as these styles are well established in Hong Kong.
In terms of plot, Ip Man 2 transitions nicely from the first movie, where we get to follow Ip Man as he establishes and propagates Wing Chun in Hong Kong after escaping Communist persecution in 1949. A fact that was obscured by making the character look like he's escaping the Japanese Army instead. No doubt this is a marketing ploy to make sure the movie would not upset the powers-that-be in China.
And like the first movie, Ip Man 2 takes liberty with many facts and plot to condense the essence of Ip Man's characters and what he stood for. It is interesting to note that little is mentioned about his sibling and extended family who helped him in some capacity during this difficult period of time. One of his first pupils was loosely based on a real-life counterpart, the late Master Wong Shung Leung. In Ip Man's old life, he'd often send Wong to successfully answer challenges.
Sammo Hung has delivered yet another amazing feat with choreographing this movie, despite his declining health during production.
My biggest disappointment has to do with the blatant stereotype and one-dimensional characterization of the British colonists and the Twister character. It's a lazy writing that may excite a certain segment in the Chinese market, but in my eyes this serves only to bring down the movie to B-grade martial art flicks of bygone era. There's no denying the populist appeal of this method considering the main target market.
All in all, this has been a fun movie to watch, and I hope the prequel will be as fun, if not more mature in its storytelling.
The film displays exactly the same kind of sumptuous production values as the original, with Wilson Yip's expert direction combining with Sammo Hung's beautiful fight choreography to startling effect. Hung himself appears as a rival master and his various bouts with Yen are awe-inspiring, and there's a mid-way set-piece in a fish market that has to be seen to be believed – one of the greatest large-scale fight scenes ever put on film. By the time we reach the events of the last reel, involving a nasty British boxer, I was fully behind the film and loving every action-packed minute. It goes without saying that Yen gives a seemingly effortless performance and that the film provides real heart as well as top-notch action. Outstanding!
Now as for Ip Man 2, almost everyone who went in expecting the same thrilling experience that the original delivered didn't really come out feeling exactly the same. The film had an opportunity to be a worthy sequel to Ip Man but it exhibits such a massive downgrade in all aspects that it turns into a disappointment quite easily. Even its action choreography discards that grounded feel & ends up taking the same over-the-top route we've seen so many times in so many martial arts actioners before.
Following the events after the first film, set during the early 1950s & very loosely based on the life of Chinese martial artist Ip Man, Ip Man 2 presents the Wing Chun grandmaster's life in Hong Kong under British colonial rule where he opens a school to teach his discipline but soon faces opposition from local practitioners. After managing to earn their respect, things go extremely wrong when a cocky British boxer makes fun of the Chinese tradition & throws an open challenge to anyone, thus forcing Ip Man to step into the ring.
Directed by Wilson Yip, there are a handful of positives in this film such as its good pacing, an enjoyable plot & another charismatic performance from Donnie Yen. But that's all there is to this picture for it is marred by dull characters, horrible dialogues, poor performances, fractured storytelling & the most heartbreaking of them all, lacklustre action. What was done so amazingly well in the previous film is completely forgotten here although there are a few glimpses of such moments when the filmmakers aren't trying too hard.
On an overall scale, Ip Man 2 lacks the elements that made Ip Man such a terrific example of its genre & feels like those sequels which are made to cash in on the success of the original rather than trying to push forward what it achieved with the first film. Replacing the authentic martial arts choreography with eye-candy moments full of gravity-defying stunts in slow-motion within the first act of the film, Ip Man 2 is a massive disappointment in every manner, lacks the kinetic energy of the original & falls remarkably short of its expectations.
Let me just get this out of the way: "Ip Man" is a terrible name for a movie, even if that was really the man's name. And having his nemesis be Master Hung? This is not how you sell a movie to American audiences. Marketing concerns aside, the film was amazing.
The choreography was excellent, the use of tables, chairs and pallets as props during fighting was wonderful. And the musical score was phenomenal, hitting all the emotional highs in just the right places, making the fight scenes even more epic than they already were.
I can see this film being popular, especially with the current MMA craze: this film features a Wing Chun master fighting a Western-style boxer. Of course, this is not real, but I still see this appealing to someone. Probably many someones.
The DVD is loaded with hours of extras, and the quality is amazing. You even have six audio options, so your stereo will get a workout, and you can watch in either Chinese or English (I watched in Chinese with English subtitles, but you may prefer to have your movies dubbed).
The quote on the cover called this "possibly the best martial arts movie", which I am sure is taken out of context, but it is also not a stretch. While I am not a huge fan of the genre, this film captivated me and I found it hard to look away. With the exception of Master Hung's repulsively ugly, fat son, this movie is pretty much perfect.
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- WissenswertesGrandmaster Yip Man did not actually fight any British boxing champion. In real life, it was actually Yip Man's student, Wong Shun Leung ("Wong Leung" in the movie), who fought a 240 lbs Russian (not British) boxer in Hong Kong. Wong Shun Leung won that fight by KO in three punches.
- PatzerIn the final fight, the announcer's microphone appears to be a modern condenser microphone. The film takes place in the 1950's.
- Zitate
Landlady: Master! Someone wants to learn Wing Chun.
Ip Man: You want to learn Wing Chun?
Wong Shun Leung: Maybe. Just checking it out. I don't know what Wing Chun is.
Ip Man: Let me give you an introduction. As a matter of fact, Wing Chun is a close combat style from the South...
Wong Shun Leung: No need to tell me all this. Let's just fight. I'll pay you the school fees if I lose.
Ip Man: Ok. I am Ip Man of Wing Chun.
- VerbindungenEdited into Ip Man 4: The Finale (2019)
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Ip Man 2: Legend of the Grandmaster
- Drehorte
- Foshan, Guangdong, China(Town)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 12.902.809 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 205.675 $
- Eröffnungswochenende in den USA und in Kanada
- 61.057 $
- 30. Jan. 2011
- Weltweiter Bruttoertrag
- 15.089.448 $