Zwei ungleiche New York City Detektive nutzen die Gelegenheit, um aufzusteigen, wie die besten Polizisten der Stadt, die sie vergöttern, nur dass die Dinge nicht ganz wie geplant laufen.Zwei ungleiche New York City Detektive nutzen die Gelegenheit, um aufzusteigen, wie die besten Polizisten der Stadt, die sie vergöttern, nur dass die Dinge nicht ganz wie geplant laufen.Zwei ungleiche New York City Detektive nutzen die Gelegenheit, um aufzusteigen, wie die besten Polizisten der Stadt, die sie vergöttern, nur dass die Dinge nicht ganz wie geplant laufen.
- Auszeichnungen
- 3 Gewinne & 15 Nominierungen insgesamt
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Really good watch, will watch again, and can recommend.
This is weird proof that Will Ferrell can do (some level) of action, and (as always) he's hilarious alongside Mark Wahlberg (see also "Daddy's Home").
To me, this is a testament of how good Will Ferrell is, not only can he elevate a bad premise (it just wasn't that strong), but he can elevate another actor (not saying Mark Wahlberg is bad, he's just not Will Ferrell).
With the on screen chemistry, a slew of supporting actors, including Michael Keaton, and some actually good action scenes, the onslaught of comedy sugar definitely helps any of the weaker jokes go down.
While I think the weak point is the villains: its a very bland "greedy millionaire business" trope, but even they get some good jokes in.
This is weird proof that Will Ferrell can do (some level) of action, and (as always) he's hilarious alongside Mark Wahlberg (see also "Daddy's Home").
To me, this is a testament of how good Will Ferrell is, not only can he elevate a bad premise (it just wasn't that strong), but he can elevate another actor (not saying Mark Wahlberg is bad, he's just not Will Ferrell).
With the on screen chemistry, a slew of supporting actors, including Michael Keaton, and some actually good action scenes, the onslaught of comedy sugar definitely helps any of the weaker jokes go down.
While I think the weak point is the villains: its a very bland "greedy millionaire business" trope, but even they get some good jokes in.
I'm disappointed to see that this film still hasn't garnered the attnention it deserves. Even back when it came out it did so pretty quietly and was thus buried under other big budget flicks. Rarely though does a comedy keep you entertained and laughing throughout pretty much the entire film. Most comedies try and fail, or take breaks from the humor with someone else to preserve material. But Ferrell and Wahlberg play off of eachother perfectly in this film and have real chemistry to keep the film quality high. This is also one of the mostquotable films ever. 9 years later and my dad and I still shoot off a "I'm a peacock captain, you gotta let me fly", or a "if I were a lion and you were a tuna I'd swim out to the middle of the ocean and freakin eat you" every once in a short while. I definitely recommend this movie for fans of comedy
I tend to have mixed feelings about Will Ferrell films. Ferrell is a likable guy and plays likable characters, but often his films feel a little too much like extended Saturday Night Live sketches; even if they're funny, they just don't have that much to them.
But I love The Other Guys. The premise is unexceptional, a mismatched buddy movie about two undistinguished cops who stumble into a big case, but the movie is wildly funny.
One of the things I love about this movie is how everyone plays it straight. Ferrell is almost as low key here as a cop-accountant as he was in Stranger Than Fiction, and while the movie is often extremely silly, no one in it ever gives a hint that they know it (although Ferrell has a few over-the-top moments that have that SNL cartoonish feel to them that I could have done without). Wahlberg doesn't act like he's making a cop movie parody, he acts like he's making a cop movie. There is a certain odd realism in moments where the heroes pull off something clever or dazzling and take a moment to be impressed with themselves.
Mainly though, this movie is just really, really funny. I could not stop laughing.
But I love The Other Guys. The premise is unexceptional, a mismatched buddy movie about two undistinguished cops who stumble into a big case, but the movie is wildly funny.
One of the things I love about this movie is how everyone plays it straight. Ferrell is almost as low key here as a cop-accountant as he was in Stranger Than Fiction, and while the movie is often extremely silly, no one in it ever gives a hint that they know it (although Ferrell has a few over-the-top moments that have that SNL cartoonish feel to them that I could have done without). Wahlberg doesn't act like he's making a cop movie parody, he acts like he's making a cop movie. There is a certain odd realism in moments where the heroes pull off something clever or dazzling and take a moment to be impressed with themselves.
Mainly though, this movie is just really, really funny. I could not stop laughing.
P.K. Highsmith (Samuel L. Jackson) and Christopher Danson (Dwayne Johnson) are the best action hero rock star cops in the NYPD. They get into outlandish chases for nothing arrests. Everybody loves them. Martin (Rob Riggle) and Fosse (Damon Wayans Jr.) are the jokers. Captain Gene Mauch (Michael Keaton) is in charge. Then there are the Other Guys. Allen Gamble (Will Ferrell) is a naive paper pusher. His partner Terry Hoitz (Mark Wahlberg) is still trying to make up for shooting Derek Jeter. Gamble is eager to do paperwork for the heroes and Hoitz hates him for it. Highsmith and Danson finally kill themselves stupidly in a chase. Everybody wants to be the next hero cops. Hoitz forces Gamble to take on a high profile case. David Ershon (Steve Coogan) is an investment banker who lost $32 billion of Pamela Boardman (Anne Heche)'s fund. She demands that he replace the losses and he tries to go on the run. Gamble arrests Ershon on a scaffolding permit violation but a professional team takes him. On the personal side, Hoitz can't believe that Gamble is married to Sheila (Eva Mendes).
I would have loved a buddy cop movie with Samuel L. Jackson and Dwayne Johnson. This is just as good in a completely different way. Ferrell is hilarious and Wahlberg is the perfect angry foil. The fighting partners have great chemistry. The angrier Wahlberg gets, the funnier the movie gets. Adam McKay has a great sense of the ridiculous. The story is stupid. The setups are insane. The dialog is hilarious. There are some gut busting laughs.
I would have loved a buddy cop movie with Samuel L. Jackson and Dwayne Johnson. This is just as good in a completely different way. Ferrell is hilarious and Wahlberg is the perfect angry foil. The fighting partners have great chemistry. The angrier Wahlberg gets, the funnier the movie gets. Adam McKay has a great sense of the ridiculous. The story is stupid. The setups are insane. The dialog is hilarious. There are some gut busting laughs.
OK first off I will say that the story was just OK. But that usually happens in comedies. So you have to rely more on the film trying to make the viewer laugh. If you are a fan of Will Ferrell's comedy and Mark Wahlberg, then you will pretty much laugh throughout the film. Ferrell really gets to act like himself in this film. I mean he is playing a character, but he gets to use his typical humor. Wahlberg plays a really angry cop and some of the things that come out of his mouth will really get you laughing. I actually laughed more at Wahlberg than Ferrell. Samuel L. Jackson and Dwayne Johnson are in the film a bit as the head cops; like a newer Starsky and Hutch. They were entertaining. Eva Mendes plays Ferrell's wife and she is actually entertaining. Then the chief of the police station is played by Michael Keaton. Throughout the movie he kept quoting from the group TLC. He was actually also pretty funny. You will find yourself laughing a lot throughout the film. But there are some parts where they do try to be serious and most of the time it can be a turn off in a good comedy. There are some great one liners and scenes that will stick in your mind. So a pretty good comedy and I will end by saying, I want to see Mark Mahlberg do more comedic roles, because he is pretty good in them.
Wusstest du schon
- WissenswertesThe idea of teaming up of Will Ferrell and Mark Wahlberg had been gestating since The 79th Annual Academy Awards (2007), where Will had been viciously insulting other actors as part of a bit, but became extremely polite to Mark.
- PatzerAs Terry is sliding down the board room table on his back, one of his guns falls out of his hand near the end. When he is on the ground, he has a gun in both hands.
- Zitate
Terry Hoitz: I am a peacock, you gotta let me fly!
- Crazy CreditsAn outtake between Will Ferrell and Mark Wahlberg at the restaurant plays after the end credits.
- Alternative VersionenThere are two versions available., the PG-13 theatrical release, running 1h 47m (107 min) and an unrated home video cut of 1h 56m (116 min).
- VerbindungenFeatured in The Nostalgia Critic: Top 11 Coolest Cliches (2010)
- SoundtracksWe Trying to Stay Alive
Written by Barry Gibb, Maurice Gibb, Robin Gibb, John Forte, Wyclef Jean and Pras Michel (as Samuel Michel)
Performed by Wyclef Jean featuring John Forte and Pras Michel (as Pras)
Courtesy of Columbia Records
By arrangement with Sony Music Licensing
Contains a sample of "Stayin' Alive"
Performed by The Bee Gees
Courtesy of Warner Bros. Records Inc.
By arrangement with Warner Music Group Film & TV Licensing
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- How long is The Other Guys?Powered by Alexa
- In the extended version of the movie, when Alan and Terry flee with Ershon, two songs play while they drive away while fighting two thugs. The first one is never gonna give you up by Rick Astley. But what's the second song that plays, when the thug has Alan's head outside the car door?
- What song is playing while Will Ferrell makes love with Eva Mendes?
- What are the differences between the Theatrical Version and the Unrated Version?
Details
- Erscheinungsdatum
- Herkunftsland
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Box Office
- Budget
- 100.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 119.219.978 $
- Eröffnungswochenende in den USA und in Kanada
- 35.543.162 $
- 8. Aug. 2010
- Weltweiter Bruttoertrag
- 170.458.922 $
- Laufzeit1 Stunde 47 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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