Die Affäre zwischen einem Politiker und einer zeitgenössischen Tänzerin wird von mysteriösen Mächten beeinflusst, die die Liebenden voneinander fernhalten.Die Affäre zwischen einem Politiker und einer zeitgenössischen Tänzerin wird von mysteriösen Mächten beeinflusst, die die Liebenden voneinander fernhalten.Die Affäre zwischen einem Politiker und einer zeitgenössischen Tänzerin wird von mysteriösen Mächten beeinflusst, die die Liebenden voneinander fernhalten.
- Regisseur/-in
- Autoren
- Stars
- Auszeichnungen
- 1 Gewinn & 9 Nominierungen insgesamt
- Suburban Neighbor
- (as Natalie E. Carter)
- U.S. Coast Guard Officer
- (as Capt. Gregory P. Hitchen)
- Upstate Farmer
- (as Darrell James LeNormand)
- Mayor Michael R. Bloomberg
- (as Mayor Michael R. Bloomberg)
- Political Consultant
- (as Kar)
Empfohlene Bewertungen
Matt Damon is a charismatic presence and commands the film with ease without ever trying too hard. Emily Blunt has a genuine winning charm as one often finds with Blunt, her character is not quite as interesting as Damon's but Blunt makes it work. The two have great chemistry together, it really sparkles. In fact it is the romance that comes off the best and most consistently, being where 'The Adjustment Bureau' really comes alive. Anthony Mackie is suitably mysterious while also quite likable in the film's latter stages.
John Slattery really looks the part and has a lot of fun in a suitably shady role while Terence Stamp brings some sinister dignity and authority to a rather severely underwritten character that appears in the film too late somewhat. On the acting front, 'The Adjustment Bureau' is very good.
As it is too with the way it's made, suitably gritty and slick with some inventive moments and an audacious style. The locations are chosen well and used cleverly. The music score has a good mix of understatement and thrilling pulsation. The first half has a lot of very interesting and smart ideas that leaves one gripped enough to carry on and see further how it goes and there is a good deal of fun and a few suspenseful jolts to be had.
For all those great things, 'The Adjustment Bureau' would have been an even better film if it had done more with the premise. The romance is the most well done and memorable element of it and the rest doesn't live up. It's intriguing and entertaining, but the second half suffers from playing it too safe and having too many ideas needing to be tied up, meaning that potentially great ideas are not fully expanded upon (even the whole basic premise doesn't feel fully cooked).
Pacing does get stodgy, as a result of the lack of risk-taking and struggles with keeping things probable and consistent. Despite the conflict being well performed the threat feels lacking because it is handled in a way that's under-cooked and somewhat repetitive which dilutes the suspense quite badly. The more under-explored 'The Adjustment Bureau' gets, the more confusing, tonally muddled and far-fetched it gets too. This is especially true with the ending, which to me is down there with the decade's "what the heck" film endings.
Overall, has a lot to recommend but there was a lot more to the film that never fully emerged. 6/10 Bethany Cox
One day, David is traveling by bus and he meets Elise again. She gives her phone number to him and David promises to call her. However, strangers wearing hats approach to David and tell that they belong to the Adjustment Bureau and Elise and David must be kept apart. They destroy the piece of paper with her phone number and David is unable to contact Elise. Three years later, David sees Elise walking on the sidewalk. He gets out of the bus to meet her and he learns that she is a dancer. But the strangers use their abilities to keep them apart. What is the reason why David and Elise can not be together?
"The Adjustment Bureau" is a romantic and suspenseful sci-fi based on a short story by Philip K. Dick, the writer of "Blade Runner", "Total Recall", "Impostor", "Minority Report", "Paycheck", "A Scanner Darkly" and "Next", among other sci-fi films. The intriguing story is ambiguous; the chemistry between Matt Damon and Emily Blunt is wonderful; and it is always great to see Terence Stamp. My vote is seven.
Title (Brazil): "Os Agentes do Destino" ("The Agents of Destiny")
Note: On 06 September 2023, I saw this film again.
"The Adjustment Bureau" is certainly a different romantic film. The plot is an engaging and refreshing mix of romance and science fiction. The thrill and excitement of the science fiction part is well maintained throughout the film, while the romance part melts viewers hearts. Matt Damon and Emily Blunt are so convincing together, making their romance very believable. Once again, Emily Blunt puts on a particularly stellar performance, showing her impressive range of acting skills and on screen charm.
"The Adjustment Bureau" is a good film as it is a refreshing departure from mundane and formulaic romantic comedies. It deserves 100 minutes of your time.
Basically, if you like the Bourne Identity movies, you'll love this one. Matt Damon stars in another thriller about fate and total strangers knowing more about his life than he does, but I liked this better than the more famous trilogy. I'm not the biggest Damon fan, but I was so engrossed in George Nolfi's screenplay, the lead actor could have been played by anyone and I would have liked it. He starts the movie as a senatorial candidate, but a chance encounter with a beautiful interpretive dancer (Emily Blunt) rocks his world. He sees her again and they start dating, and pretty soon they fall in love. But one night, he gets kidnapped and taken to a mysterious warehouse by the "bad guys".
Are they really the bad guys, though? They're the titular bureau, led by Terence Stamp, in charge of making sure everyone stays on his or her path. When people deviate from their predestined path, they "adjust" things so life goes back on track. Depending on your point of view, Damon is the pot-stirring villain and Stamp is the hero who sees the bigger picture - which is why this movie is so enjoyable. You can root for anyone you want to, and it can spark any number of conversations afterwards with your friends. You'll also see lots of familiar faces, like John Slattery, Michael Kelly, Jennifer Ehle, and Anthony Mackie, as well as New Yorkers giving cameos, like Jon Stewart, James Carville, Chuck Scarborough, Michael Bloomberg, Terry McAullife, Jesse Jackson, and Madeleine Albright. Check it out!
Wusstest du schon
- WissenswertesAccording to Emily Blunt, filming at the Statue of Liberty was frequently interrupted by onlookers yelling out "Matt Damon!" in imitation of the puppet from Team America (2004).
- PatzerWhen David is on the bus with Elise she drops his blackberry in the cup of coffee. He receives a call from Charlie on his flip phone. After the scene cuts to Charlie talking on the phone and back to David, David is talking on his Blackberry instead of the flip phone. This is one continuous conversation that should have been done on one phone.
- Zitate
[last lines]
Harry Mitchell: Most people live life on the path we set for them, too afraid to explore any other. But once in a while people like you come along who knock down all the obstacles we put in your way. People who realize freewill is a gift that you'll never know how to use until you fight for it. I think that's the chairman's real plan. That maybe one day, we won't write the plan, you will.
- Crazy CreditsSpecial Thanks: The Chairman
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Los agentes del destino
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 50.200.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 62.495.645 $
- Eröffnungswochenende in den USA und in Kanada
- 21.157.730 $
- 6. März 2011
- Weltweiter Bruttoertrag
- 127.869.379 $
- Laufzeit
- 1 Std. 46 Min.(106 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1






