Die Affäre zwischen einem Politiker und einer zeitgenössischen Tänzerin wird von mysteriösen Mächten beeinflusst, die die Liebenden voneinander fernhalten.Die Affäre zwischen einem Politiker und einer zeitgenössischen Tänzerin wird von mysteriösen Mächten beeinflusst, die die Liebenden voneinander fernhalten.Die Affäre zwischen einem Politiker und einer zeitgenössischen Tänzerin wird von mysteriösen Mächten beeinflusst, die die Liebenden voneinander fernhalten.
- Auszeichnungen
- 1 Gewinn & 9 Nominierungen insgesamt
- Suburban Neighbor
- (as Natalie E. Carter)
- U.S. Coast Guard Officer
- (as Capt. Gregory P. Hitchen)
- Upstate Farmer
- (as Darrell James LeNormand)
- Mayor Michael R. Bloomberg
- (as Mayor Michael R. Bloomberg)
- Political Consultant
- (as Kar)
Empfohlene Bewertungen
Many people might assume that their lives are quite the reverse, with all the bad decisions they have made, anything resembling a master plan is unlikely.
David Norris (Matt Damon) is a rising New York Congressman with his heart set on becoming a young Senator, everything is going according to plan until he meets the beautiful quirky ballerina, Elise (Emily Blunt) in a mens restroom.
Elise inspires him in ways that he could not have imagined but any longer term relationship is not part of the plan the "Men in Grey" have mapped out. They do not like their careful plans messed with, ever. Although they do get to wear Trilby's, which not only look cool but are also a necessary tool for their profession.
The many scenes between Blunt and Damon are very believable and natural, real chemistry in action and is fun to watch. Blunt is a breath of fresh air in the congressman's driven life, living more in the moment than he possibly ever did before.
Just when you think the film will descend into a smorgasbord of special effects, the story goes into the opposite direction. A thoughtful and character driven piece about choices and the ripple effect each path taken, or not taken, has on your own and other peoples lives.
Terence Stamp, still with one of the best voices in the business, together with Anthony Mackie & John Slattery, do good work as the agents attempting to get everything back on track.
There are some good lines and Damon can play an aspiring politician with ease, no doubt he could be one in real life if he chose to move in that direction.
The central question of defining who we are by the choices we make is explored and it is good to see another movie messing with our heads, if only just a little. If we have no free will are we still the people we thought we were, very deep but don't panic, the film does not get too caught up in this existentialism.
The action is limited, there are no cars exploding and the body count is non existent, a refreshing change from most modern films. A film that could have been made in the 50's from a story point of view, although actually based on a short story by Phillip K Dick of "Do Androids dream of electric sheep" fame, the inspiration for "Blade Runner".
Production values are good, although not of the highest flight. The costumes worn by the adjustment police are rather dodgy and look like guys with spare motorcycle helmets sprayed black. Not what you would expect in a big budget Hollywood movie, a small point but quite noticeable.
Similar to many films of this genre, the movie has to decide how to wrap everything up neatly. The final reel is perhaps a little disappointing but that depends on how you would want the film to end, somehow it feels that the easier option was taken.
Summary
A well made and more thoughtful film than you might be expecting.
Well acted with a believable romance, a light dusting of Sci-Fi and a great story. "Inception" lite perhaps, which is certainly recommendation enough for any film.
http://julesmoviereviews.blogspot.com/
David (Matt Damon) has met Elise (Emily Blunt) and based on one spontaneous kiss and one flirtatious encounter, he's determined that she's the one he's supposed to be with. They have other plans. Oh yes, the indefinable, ambiguous pronoun "they". Just to keep a sense of the intrigue afloat, I'll define "they" as the men of "The Adjustment Bureau". What they want, we don't really know. But David wants the girl—a beautiful girl—but just a girl nonetheless.
For us, questions of free will, fate, soul mates, success and pre-defined destinies abound. All running around an intricate maze of New York architecture. Although intricate might not be the best word because there's nothing here for us to figure out; the film lays everything out well in advance, and over and over again in case you missed it. At least there's intelligence to the story but unfortunately no subtlety.
"The Adjustment Bureau" has pretty city-scapes and pretty people playing more profound characters than pretty people usually play. As with most genre-mixing films, there is something for everybody. I got the intelligence that is usually sorely missing from big-budget Hollywood action films although I could have done with a bit more respect.
"The Adjustment Bureau" is certainly a different romantic film. The plot is an engaging and refreshing mix of romance and science fiction. The thrill and excitement of the science fiction part is well maintained throughout the film, while the romance part melts viewers hearts. Matt Damon and Emily Blunt are so convincing together, making their romance very believable. Once again, Emily Blunt puts on a particularly stellar performance, showing her impressive range of acting skills and on screen charm.
"The Adjustment Bureau" is a good film as it is a refreshing departure from mundane and formulaic romantic comedies. It deserves 100 minutes of your time.
Caveat, I'm not the target audience, (and hadn't read the short story source first) so for you to calibrate: I rated Jumper at 7; Avatar at 6 bumped up to an 8 for CGI; and Last Airbender at 3.
This film has all the individual elements for a great time: The opening draws you into the story; Blunt is engaging and sensual; Stamp is villainous; Damon/Blunt have fabulous chemistry including a great meet; initial mystery, sophisticated humor, snappy repartee, wonderful score, and superb scenery. The supporting characters are well cast and acted. However, the thin plot doesn't sustain the whole movie, and it takes too long for the minimal plot to unfold, even though there are myriad chase scenes to divert you at first.
The movie was seemingly created for chase scenes, with a poorly contrived reason for the "boy meets girl, boy loses girl but continues to search for her storyline", tossed in to justify all the chasing. In attempting to make everything mysterious, the audience is kept as ignorant as the characters to the point where it became "THATS the reason he's been chasing after her? How DISAPPOINTING!" when the cause for separation is unveiled. The secret meetings which presumably either advance or reveal the mystery were annoying instead. Finally, in the last portion of the movie, the opening doors and running become so repetitive, you can feel like the Blunt character, who has her hands over her head and is screaming. The ending is abrupt, contrived and disappointing, a veritable deus ex machina version.
Conversely, my companion who loves everything sci-fi or sci-fantasy, and reads Phillip K Dick (including the short story on which this was based) rated the movie "excellent" as opposed to my "ok". Even though the movie diverges from the short story, he suffered no confusion or disappointment with the story line, big reveals, or ending. He also thought the cast, romance, and humor were great.
We both agree--do see the movie on the big screen as it certainly enhances the suspense and startling moments (political crowd scene, adjustment scene, car crashes, action scenes and finale) and shows off the great NYC locations. He says go ahead and pay full price,the movie is worth it
Wusstest du schon
- WissenswertesAccording to Emily Blunt, filming at the Statue of Liberty was frequently interrupted by onlookers yelling out "Matt Damon!" in imitation of the puppet from Team America (2004).
- PatzerWhen David is on the bus with Elise she drops his blackberry in the cup of coffee. He receives a call from Charlie on his flip phone. After the scene cuts to Charlie talking on the phone and back to David, David is talking on his Blackberry instead of the flip phone. This is one continuous conversation that should have been done on one phone.
- Zitate
[last lines]
Harry Mitchell: Most people live life on the path we set for them, too afraid to explore any other. But once in a while people like you come along who knock down all the obstacles we put in your way. People who realize freewill is a gift that you'll never know how to use until you fight for it. I think that's the chairman's real plan. That maybe one day, we won't write the plan, you will.
- Crazy CreditsSpecial Thanks: The Chairman
Top-Auswahl
- How long is The Adjustment Bureau?Powered by Alexa
- If Norris and Elise ran away to a deserted island or a place that has no buildings, how could the "agents" interfere with them?
- Is "The Adjustment Bureau" based on a book?
- What powers do the bureau members have?
Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Los agentes del destino
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 50.200.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 62.495.645 $
- Eröffnungswochenende in den USA und in Kanada
- 21.157.730 $
- 6. März 2011
- Weltweiter Bruttoertrag
- 127.869.379 $
- Laufzeit1 Stunde 46 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1