Corner Office

In the perspective of Orson it's his refuge from ugliness. In times where children being left increasingly uncared for only to be grown and become a foot soldier in a crusade to quench the corporate desires it's a fertile ground to grow more Orsons. Visuals are perfect to signify the coldness and impenetrable ways of the massive structures where ants rush. A great story that mocks what's accepted as normal. Hopeless staring at a world left behind out there is what's left to do when routine entrapment seemed hopeless. Great meaningful use of audio. Excellent performances by the cast. In this corner office you will be left to choose between alternatives and that's a fun experience.

It's been a while since I watched a real movie. It was sufficient for me to know that John Hamm was starring in a dark comedy for me to watch it with no further information. I do believe its best to just watch it with minimal prior awareness. Just like some excellent movies of yesteryears, this movie will grip you and stay with you even after the end credits roll.

Anybody with a creative bent and also work experience in a corporate environment will quickly warm up to the protagonist and identify with him. Creative people want the same things as others, but others fail to accept the manner in which creative people operate.

The movie is a critique on the culture of supremacy of mediocrity. It isn't that mediocre people are without their little fallacies and foibles, but somehow their issues are ignored. The odd behavior of a creative person, regardless of his or her contribution is however chastised.

If you've had enough years of life experience in the work force, then this movie will provide some catharsis. The protagonist experiences the same fears, pride, and injustices you have experienced and so you feel less alone.

I'd whole heartedly recommend this movie to folks with some professional life experience. If you've got a bit of creativity in you, you'll like this move even more.

Although I am not a professional reviewer, I genuinely enjoyed watching the movie. It does have its flaws, such as being slow-paced and lacking variety and originality. However, what captivated me was the way it depicted real-life workplace dynamics and the relatable gestures it made towards our needs in that setting. As the movie progresses, you become invested in Orson's character and desperately want to believe in him. I must mention that my initial motivation for watching the movie was Jon Hamm, as I admire his acting style, and I was certainly not disappointed. He truly shines in this film, with his absurd humor serving as the driving force behind its entertainment value. His character consistently holds enough strength and charisma to keep you engaged throughout. Additionally, I appreciated the cinematography and editing, as they effectively conveyed the psychological aspects of the story within the confined space of the film. While there may be other similar movies out there, none have managed to capture my interest quite like this one. In my opinion, it is a highly underrated gem.

Corner Office is a well-crafted dark comedy that highlights the monotony of the modern workplace and the psychological toll it takes on its characters. Through its unique, slightly surreal narrative, the film allows viewers to consider the profound impact of a soulless, routine-driven work environment. The protagonist, who is deeply affected by such an atmosphere, gradually succumbs to a kind of psychological "unraveling," a theme that permeates the film and underscores the mental strain of working in such a lifeless space.

Using dark comedy, Corner Office tackles themes of blandness and futility, emphasizing how a monotonous corporate setting can challenge one's mental health. This humorous yet deeply insightful approach invites viewers to reflect on the purpose and meaning of professional life, highlighting a particular aspect of psychological crisis that results from prolonged exposure to such environments.

One of the film's standout elements is its set and costume design, thoughtfully chosen to mirror its thematic focus. Neutral, dull colors like gray and other muted tones aptly illustrate a space devoid of vitality. This choice of colors and setting underscores the suffocating nature of an environment that figuratively and literally drains life from its inhabitants, stifling growth and pushing the protagonist toward a state of decay. From the desks to the walls, and even the uniforms, every detail reflects a stationary, numb existence, bringing to life the very essence of the protagonist's internal struggle.

Another strong point in Corner Office is the impressive acting by the cast. Each actor portrays their roles with skill, capturing the characters' psychological complexities with nuance. They successfully convey the alienation and loneliness within each of their roles, subtly emphasizing the strain of daily life in such a restrictive setting. This effective portrayal allows the audience to empathize with the protagonist's experience of isolation and disconnection.

In sum, Corner Office is a noteworthy film that explores the psychological toll of workplace mundanity with a keen, critical eye, through the lens of dark comedy. This is an intriguing watch for those interested in psychological and satirical storytelling, skillfully portraying the toll of modern work life on mental well-being. Through its careful blend of comedy and introspection, it draws viewers into the protagonist's journey, encouraging reflection on the challenges of modern-day corporate life.

In off-centre, dark dramedy "Corner Office" (adapted by Ted Cupper from Jonas Karlsson's book 'The Room') Jon Hamm (always strong) is a new employee (under Christopher Heyerdahl alongside the likes of Danny Pudi & Allison Riley (with Sarah Gafon in support)) at a dull, grey, monolithic corporation, which tho contempory feels backwards & Seventies (in a "Wristcutters: A Love Story" stylee). Told from Hamm's perspective it's soon clear he's mentally ill, imagining for example the plush titular office (which no-one else can see) where he gathers his thoughts. Joachim Back delivers a quirkily interesting film in distinctive style... but it won't be to everyone's taste.