Karthik Calling Karthik

a marvelous job sir vijay..wat a a film screenplay and direction... the film end depict that director has really did research to bring a awesome end......wat a master piece. though by all Indian website reviews it was not regarded a good film so i prepared myself that this film was a flop so would not be good but as movie reach to its hour the film itself changed my mind and gave birth to feeling within myself that i am not watching a bollywood film but a film of Hollywood....farhan akhter and vijay(director,screenplay writer) really deserve some recognition for his work... otherwise Bollywood would be unfair to him. really bollywood hasnot yet prepared for a standard film which is free from all that unrealistic things such as songs and love triangle..

most of Indian film critics gave it rating 2 0ut of 5 but i will rate it 4.5 .

Saw this in a theatre when it released in 2010. Was discussing with my friends how most of the Bollywood psychological drama/thrillers r basically not at all original. This name came up n when I told my friends about this film being heavily borrowed from Adam Green's Spiral, I thought about writing a review of it. Inspite of it being borrowed, this film is a good one time watch n it is heavily saved by Farhan Akhtar. There's something weird about the lead character in Karthik calling Karthik played awesomely by Farhan. It's easy to feel sorry for him. Farhan gave a memorable performance in the role of a deeply disturbed and secretive individual. Much better than Moore from Spiral. Fellas who havent seen Spiral will definitely enjoy the twist. This film is more of a psychological drama.

As the strange name "Karthik calling Karthik" forces you to think about movie, ditto with the well maintained suspense. It forces you or better says engages you for 2.5 hrs that most other bollywood movies never accomplished even for few mins. It's nice to see lot of bollywood movies coming up with tight script and engaging direction. Even most traditional film director/actor is coming with as bold movie as "My name is Khan"!! . As bollywood is always blessed with powerful actors, but it's only since last few years we are seeing above par script and well crafted direction, and on top of that versatility of subject selection is like icing on cake. Let's hope this trend will continue.

As movie is suspense thriller, it's not worth to discuss story. At glance it look more like beauty and geek kind of material, but turns into more meaningful storyline that keeps you engaging till end. As for Deepika, she is still learning and did as expected to do but Farhan Akhatar is improving with every film. At first he started acting for fun, but now he seems more sincere about the same.

Nothing negative about this movie but, I still miss Farhan Akhatar as director. For me "Dil Chahta Hai" and "Lakshya" are much worthy then any of his film as actor. Hope he will not let his inside director vanish completely.

All in all KCK is one more movie from bollywood this year that is worth watching. 7.5/10

A kind of movie that keeps you glued to the seats, and keeps u wondering for what would happen next.

Nice movie, excellent direction and portrayal of angle's. Definitely have to appreciate the director and team for a good movie far from typical bollywood crap item songs, crap scenes, etc.

If u really enjoy movies that would thrill you, it is indeed a must watch. It is a movie that you have to watch frame by frame.i guess people who didn't like it skipped scenes hopping to see some action and fights. I guess.

Hats off team

The telephone has left its indelible mark as a horror film element, thanks to many Japanese films and Hollywood remakes which dwell on mankind's fear of pervasive technology, and it is easy to mistake this Bollywood film, written and directed by débutant Vijay Lalwani as one of the run of the mill horror films which the protagonist get antagonized by strange phone calls made to him in the middle of the night. Thankfully though it steered clear of that formula, although it did become quite the stretch in its home run revelation, to achieve what's relatively short for an Indian film that clocks in just slightly over two hours.

Farhan Akktar impresses and carries the film on his shoulders from start to end. Famous for being a prolific producer and director himself, he has no lack of acting chops and takes on the role as the mysterious Karthik Narayan, a meek man who is agonized by his childhood secret of having been involved in his brother's death. Carrying that kind of guilt while growing up does severe deficiencies as a child, and he becomes very much reserved, often failing to let his talent shine, and being trampled over in his office. He is infatuated with his beautiful colleague Shonali Murkhejee (Deepika Padukone) to the point of being a crazed stalker, accumulating thousands of emails he just had not the guts to send out, and it is this point about being obsessed that is truly scary in the film, especially when these emails were used to aid in the wooing process. Run, girl!

The only other film I watched Farhan star in, is the ensemble piece Luck By Chance, which gave a contemporary look at the Bollywood film industry. Here he cuts his Karthik in two different styles, the first of course which is the shy and gentle meticulous genius with a penchant for solving Rubik cube puzzle. The second develops when Karthik receives anonymous calls on his landline, from a chap to claim to be Karthik himself, dispensing advice on taking personal ownership and standing up for oneself. It's a confidence booster that Karthik's own psychiatrist (Shefali Shetty) seem unable to dispense, and with the prep talk every dawn at 5am, Karthik becomes the confident man as he struts around the office, succeeding in every aspect thanks to those calls, and eventually wooing the girl of his dreams.

The first half focused on the romance for the most parts after Karthik's professional life gets sorted, and here the usual musical montages form the backdrop of the courtship between Karthik and the outgoing Shonali. Deepika Padukone's career so far as been an interesting one, bursting onto the scene with Om Shanti Om and Chadni Chowk to China, both films where she would play two characters each. Thereafter the roles offered somehow didn't challenge the actress, from Bachna Ae Haseeno and Love Aaj Kal capitalizing on her good looks to become yet another romantic heroine. Karthik Calling Karthik again doesn't allow her to break new ground, other than being the clotheshorse in the film..

For a first timer, Vijay Lalwani doesn't become like Karthik in being the bundle of nerves, but pulls this film through with a story that discusses about how technology develops itself despite detrimental effects to health, and mental issues of guilt and intricate complexities of the mind. Through the narrative he challenges the usual norms that one would stereotype this film under, although for a teasing moment decided to let it go a little to offer what a horror film would do with ease. The cards get kept close to his chest with a satisfying revelation at the end of course, but somehow the second half, in which Karthik would be set to challenge the caller after a series of downfalls because of the breaking of promises (and if pushing it, the inevitable trusting of a woman!), seem to be dragging things out for a tad too long, and convenient to boot as well.

No cheap gimmicks were used, and by steering clear of the expected, Karthik versus Karthik manages ring through (pardon the bad pun) as an above average thriller.