Candy

I watched this last year and thought it was good but after watching love and death which did a great job of really showing the human side and had a lot more emotion this doesn't seem like a good representation. In this version Candy seemed cold and calculating, in love and death you could see how the murder could be more impulsive and emotional, maybe it's to do with the writing and maybe it's to do with the actresses playing Candy, Elizabeth Olsen seemed much more well rounded and showed a human side that I think is more relatable and Jessica Beal's Candy seemed cold and narcissistic. It's pretty weird they did two versions of this story so close together, both are good but love and death was the winner for me.

I thoroughly enjoyed the limited series. If you need long action sequences a la Marvel, you might get bored. But the story is compelling and even engrossing nonetheless. The late 70s and early 80s setting was masterful. Clothes, cars, decor, fads (eg jogging). My high rating of an 8, however, is largely due to the acting and cinematography. There are several iconic scenes that I watched more than once. The two male leads were great. Co-star Lynskey (Betty Gore) was even better. Then there was Biel. Wow. What a performance. I never considered her to be a bad actor before, I just never considered her. At all. No more. Can't wait to see what she does next. Lastly kudos to the producers for making this a 5 part series. A movie wouldn't do it justice. But more episodes and definitely more seasons would've been overkill. Just right.

Two episodes in and Jessica's performance is reason enough for me to watch the rest of this show.

Not every show has to be the next breaking bad. The 80s atmosphere is done well and acting is great all around. Over-all very entertaining considering the story. Not a waste of time at all, if it is to your taste.

There is an epidemic of streaming crime docudramas, they are inexpensive to make - a prewritten relatable narrative, a preexisting cadre of voyeurs and prebaked external tension. Often these preordained advantages breed laziness and produce sloppy television.

This, though, is a strong setup, introducing the key characters and quietly building Hitchcockian suspense towards the revelation of this heinous murder. The cast is strong and Jessica Biel is fabulous, leading the line as the eponymous character. Candy is superficially a suburban supermom, but also a passive-aggressive charred-martyr who courts adulation.

After one outing, Candy is entertaining and enjoyable, raising anticipation for the second instalment. The consecutive-day episode-delivery compromise is good, minimising the wait without the daunting one-day dump.

First time I've really enjoyed Jessica Biel! I've certainly never thought of her as a bad actress but I felt like this role allowed her to really show her skill and I'd love to see more!