Photocopier

Sur lost her scholarship, because her indecent photos went online. She launched an investigation to clear her name.

This is a good addition to the Indonesian movies scene. Nevertheless some things are getting old, yet with the inclusion of fresh infusion.

Not oblivious of the obvious holes in the plots with splashes of unrealistic conditions; The idea of Photocopier is kind of forced, but it is a well executed one.

It has more potential to be developed even further to be a greater one as mini series. Even more ironic is the alleged controversy around one of the Photocopier's writer. This could be the cost of that of greatness.

The plot was unique and well-conceived, but the execution wasn't. It was obvious right from the beginning that this not going to be a run-of-the-mill movie & it wasn't. The young actress beautifully played the main character of Sur. She definitely knows how to put in a power performance, but even she was under-used.

Wasn't too high on the suspense factor as well. Rama, going to take a picture at 2am when it's raining, was a dead giveaway, and his father offering Sun to pay for her entire scholarship, killed the suspense was left by then. Having figured out the culprit so early, takes the intrigue factor away.

A good movie to watch once if you are not critic minded & get satisfied with going-with-the-flow.

Any indonesian features in my life, but if this is the mean of their film production, i might start searching for more...

its a film about cheating and exploitation of the young and innocent, some will call it pedophelia, but the root of the story is a girl having a blackout due to alcohol comsume, next day her world is upside down, and she looses all her grants and everyones respect due too social and religious immorale.but this femme aint fatale, she take the burden and starts digging though legal and illegal methods to find out why and how...

the cast delivers very convincingly, the language and cultural barriere makes my evaluatiuon versus the moral code somehow limited,ive worked with 2 indonesians at the nursing home that i work, but having seen western productions over the same topic, i can tell theyve made a good product, as a man i can just say that the actresses casted for this movie is just smashing beautiful, and they could easily enter international fame with good language training.

Filmographically its high standard, some times the cam is too close to lock out surroundings, but the filming techniques are well managed. Also the presentation and use of social media as main source for the action of the movie are brilliant, hollywood prods pepper us with visual sms that comes and goes so fast, here theyve managed to tell the whole story from it, and thus that at a far lower budget...do also sense the abscence of music in large parts of this movie, usually a helping hand for a plot, but appears strong as a method in this flick

so i give my acclamation to the makers, and thanks for an unusual digital investigation.blackouts or not, the grumpy old man had loads of them when young adult and wish i could and would love to rewind and puzzle them together as they did in this flick, but its all over for me noiw and just nightmares of the past, but ill make a note behind my ear for my next lifetime.

A recommend for the acts, filming and story comes from the grumpy old man.

The movie tells a story, tells us something that is not just impactful but important. Now having said, it does take its time. So pacing wise, even if you agree with people loving this, you are allowed to disagree with the execution of the movie and how it deals or handles certain aspects.

Having said all that, the last impression is quite the strong one. We see what our main character goes through, what she has to endure and what is being said. If you have a moral compass that has the "right" settings, you will be left quite angry at times ... a lot of times that is. On the other hand, maybe that ending will change that .. not sure if it is enough, but it is quite the image it creates - no pun intended.

Debut filmmaker Wregas Bhanuteja comes up with a powerful tech-thriller that shines in almost every department. I'm blown away by how he interweaves multiple elements within the plot, embeds them within Indonesia's socio-economic layers, telling a universally relatable tale. The characterization of the lead(s) is also worth a mention. At its core, Photocopier is a mystery - one that seeks to unearth events that happened during a night of drunken partying hosted by a theater group's playwright. The protagonist Sur (a magnificent Shenina Cinnamon) is the one who gets the short end of the stick. Some drunk selfies posted on her social media results in a loss of a scholarship, but her worries go far beyond that. As she digs deeper into what went down, she realizes that there's more to it than she initially thought.

While this mystery is solidly put together with a good number of twists and turns, Photocopier also revolves around the theme of abuse - especially of privacy, alongside physical and mental health. The film manages to inventively touch upon several aspects of human life even when it's busy keeping us on edge. These include friendship, breach of trust, betrayal, conservatism, fetishes, aesthetics, performing arts, and even an epidemic. The camera constantly follows the protagonist as she hustles her way through the streets of Jakarta in search of answers. The climactic finale is the icing on the cake, proving to be the most wildly effective cinematic ending for this particular story. And it also reinstates the significance of the film's title while at it!