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We Want Sex

Originaltitel: Made in Dagenham
  • 2010
  • 6
  • 1 Std. 53 Min.
IMDb-BEWERTUNG
7,1/10
16.425
IHRE BEWERTUNG
Bob Hoskins, Miranda Richardson, Geraldine James, Rosamund Pike, Sally Hawkins, Jaime Winstone, and Andrea Riseborough in We Want Sex (2010)
Made in Dagenham
trailer wiedergeben2:20
9 Videos
82 Fotos
Arbeitsplatz-DramaPolitisches DramaDramaGeschichteKomödie

Die Verfilmung eines Streiks im Jahr 1968 im Ford-Werk in Dagenham, das weibliche Arbeiter aus Protest gegen sexuelle Diskriminierung verließen.Die Verfilmung eines Streiks im Jahr 1968 im Ford-Werk in Dagenham, das weibliche Arbeiter aus Protest gegen sexuelle Diskriminierung verließen.Die Verfilmung eines Streiks im Jahr 1968 im Ford-Werk in Dagenham, das weibliche Arbeiter aus Protest gegen sexuelle Diskriminierung verließen.

  • Regie
    • Nigel Cole
  • Drehbuch
    • William Ivory
  • Hauptbesetzung
    • Sally Hawkins
    • Bob Hoskins
    • Andrea Riseborough
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,1/10
    16.425
    IHRE BEWERTUNG
    • Regie
      • Nigel Cole
    • Drehbuch
      • William Ivory
    • Hauptbesetzung
      • Sally Hawkins
      • Bob Hoskins
      • Andrea Riseborough
    • 92Benutzerrezensionen
    • 129Kritische Rezensionen
    • 65Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Nominiert für 4 BAFTA Awards
      • 3 Gewinne & 17 Nominierungen insgesamt

    Videos9

    Made in Dagenham
    Trailer 2:20
    Made in Dagenham
    Made in Dagenham
    Trailer 2:11
    Made in Dagenham
    Made in Dagenham
    Trailer 2:11
    Made in Dagenham
    Made In Dagenham: Clip 1
    Clip 2:09
    Made In Dagenham: Clip 1
    Made In Dagenham: Clip 7
    Clip 1:03
    Made In Dagenham: Clip 7
    Made In Dagenham: Clip 2
    Clip 1:35
    Made In Dagenham: Clip 2
    Made In Dagenham: Clip 4
    Clip 1:40
    Made In Dagenham: Clip 4

    Fotos82

    Poster ansehen
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    + 76
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    Topbesetzung99+

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    Sally Hawkins
    Sally Hawkins
    • Rita O'Grady
    Bob Hoskins
    Bob Hoskins
    • Albert Passingham
    Andrea Riseborough
    Andrea Riseborough
    • Brenda
    Jaime Winstone
    Jaime Winstone
    • Sandra
    Lorraine Stanley
    Lorraine Stanley
    • Monica
    Nicola Duffett
    Nicola Duffett
    • Eileen
    Geraldine James
    Geraldine James
    • Connie
    Matthew Aubrey
    • Brian
    • (as Matt Aubrey)
    Daniel Mays
    Daniel Mays
    • Eddie O'Grady
    Roger Lloyd Pack
    Roger Lloyd Pack
    • George
    • (as Roger Lloyd-Pack)
    Phil Cornwell
    Phil Cornwell
    • Dave
    Karen Seacombe
    Karen Seacombe
    • Marge
    Thomas Arnold
    Thomas Arnold
    • Martin
    Sian Scott
    • Sharon O'Grady
    Robbie Kay
    Robbie Kay
    • Graham O'Grady
    Andrew Lincoln
    Andrew Lincoln
    • Mr. Clarke
    Rosamund Pike
    Rosamund Pike
    • Lisa Hopkins
    Joseph Mawle
    Joseph Mawle
    • Gordon
    • Regie
      • Nigel Cole
    • Drehbuch
      • William Ivory
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen92

    7,116.4K
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    Empfohlene Bewertungen

    7ferguson-6

    What's Good for the Goose ...

    Greetings again from the darkness. The first thing that strikes you about this movie is that it looks and feels like ancient history. In fact, it is based on the real life happenings in 1968 - only about 40 years ago. Sally Hawkins (so wonderful in Happy-Go-Lucky) portrays Rita O'Grady, the Ford sewing machinist who reluctantly takes on the leadership role in the battle for equal pay for women.

    Director Nigel Cole tells this story minus the heavy-handedness of the times. In fact, it's a very entertaining tale of right vs wrong - because "that's how we have always done it". He uses actual archival footage of Ford plants, cars and workers, as well as general footage of England circa 1968. These cuts give the film a feel for the times and prevent any over-analysis of wardrobe and sets in the movie. Mr. Cole clearly has an understanding of women based on this film and his previous work in "Calendar Girls".

    The cross-fire between the unions, Ford, the workers and the government really bang home the notion of just how ridiculous this entire argument was (and is). Rita O'Grady was so effective because she cut through the muck and made it what it really is ... a simple case of right vs. wrong. Rights vs. privilege. This was never more apparent than in her meeting with Secretary of State Barbara Castle (Miranda Richardson). Madam Secretary is attempting to negotiate a settlement that will keep Ford happy, but quickly realizes ... with help from O'Grady ... that there is really only one correct course of action.

    Supporting work is excellent from Bob Hoskins, Ms. Richardson, Daniel Mayes (as O'Grady's husband), Rupert Graves and Rosamund Pike (husband and wife on different teams) and the rest of the cast of women, as well as the Ford executives and Union leaders. The film mostly rests on the shoulders of Sally Hawkins, who breezes through with a natural energy that just makes you want to pull for her. She was terrific in Happy-Go-Lucky, and even better here.

    The film stops short of detailing the massive battle that escalated the following year between Secretary Castle and the Labor Unions. Most attribute these fights to the downfall of the Labour Party in 1970. However, Ms. Castle's contributions are very clear in these all important topics and led directly to England's Equal Pay laws of 1970, which in turn paved the way for most other countries to follow.

    This is a very uplifting film and shows the bravery and determination required of those who change the course of history. Whenever you hear talk regarding the lack of strong female movie roles, this film is exhibit number one that fact can be even stronger than fiction!
    10carol-855-617449

    Superbly written and performed, a true tale for our tough times

    Made in Dagenham has brilliantly broken the mould. It combines the clear, explicit and nuanced politics of the best of Ken Loach with the heart-grabbing attractions of any mainstream popular film you care to name. The brilliant scene where Sally Hawkin's modest and unpractised union rep spells out why the job she does is skilled is a metaphor for the whole movie. Politics isn't hard to understand – it's our lives, stupid! I cannot think of a previous British film with a mainstream aesthetic that has had the guts before to put the ordinary workers' point of view so wholeheartedly at its centre. But this is no simplistic idealised narrative. Going on strike, as the women find, makes you very unpopular, not least with the very people you'd thought would support you – the Union leadership and your fellow (male) workers. Nothing is a cinch, nothing too easily won and Sally Hawkins brilliantly portrays the thorny predicament of the figurehead of the struggle beginning to doubt her own single-mindedness and how much it's costing not just her family but the entire town (and possibly the UK's) working community. Made in Dagenham shows a true story in a truthful, thoroughly engaging way. There is not one bum note in any of the performances – from Kenneth Cranham's sleazily compromised Union official, to Rosamund Pike's surprisingly moving posh wife, to Jamie Winstone's wannabe model – everybody has a committed credibility without ever being worthy or cloying and Sally Hawkins (with a startling look of the young Rita Tushingham) plays a richly layered blinder in the central role. Huge hats off to the writer Billy Ivory who has written a bright, funny, completely unpatronising and clever script. And a big, big thank you to producers Stephen Woolley and Elizabeth Karlsen for the guts to get right inside the truth of this big, big story that started in a little place.
    7eatfirst

    Gritty and funny social history lesson

    Social drama and comedy can be a tough balancing act. In telling the story of how a small group of women working in a factory in the late 1960s began a minor industrial dispute that rapidly escalated into a spearhead movement for gender equality in employment, Made in Dagenham plays it mostly for drama and keeps the laughs low-key and naturalistic. A closer kin to say, Billy Elliot, than to The Full Monty.

    Sally Hawkins, best known so far for her breakout role in Happy Go Lucky, becomes the accidental spokesperson in this dispute, and delivers a beautifully nuanced performance of a woman who is angry and frustrated at the injustices of her situation, but has never felt able to voice them until now. In her quiet, sometimes faltering delivery we can sense the well of deep-seated conviction that has been struggling to find its voice. However, it is in the relationships of the women that the film finds its most compelling moments. Few movies these days even attempt, and very rarely succeed, in painting such an honest and heartfelt picture of female relationships and interaction.

    By comparison to the core group, some of the surrounding roles (Bob Hoskins magnificently excepted) are rather more coarsely sketched. A pair of dopey civil servants in particular seem to be intended (although certainly not succeeding) as comedy sidekicks and feel rather out of place.

    However the story is told in such an understated manner, easy on the grandstanding, and rather working its way under the skin with warmth and honesty; that after being little more than mildly entertained for much of the running time, I was genuinely caught off guard by how I was suddenly seething with anger at the unfairness of their plight, or elated with each little success. In a tale with huge nationwide consequences, it's the personal victories that count the most.
    9barbara-364

    Excellent film... best I've seen for some time

    I really enjoyed this film. Why are such top-notch films so few and far between? A great period piece... a great illustration of social history. It is well written apart from a couple of modern expressions in the dialogue. It is brilliantly acted, the settings, costumes and clothes are excellent. It took my attention at all times and I was sorry when it came to an end. The women really gave the impression of being genuinely good mates. I hope the working conditions for them in Ford's were not quite so cramped as the film portrayed! I worked in a clothing factory in Witham, Essex in 1968 and there was room to walk round all the sewing machines and we kept it immaculately clean. It's a pity equal pay still isn't quite there, in spite of legislation. That old trick of changing the job-title to keep the pay-rate down perpetuates! I have just read the other reviews. I notice Richard Schiff mentioned a lot... not sure who he is or what he played in the film, but I also note the more negative reviews are written by men, which illustrates the point of the film has well and truly got home. Something I found to be most refreshing in this film is the characters, which I would describe as normal... It was not about people who are constantly saying "f**k and are late for posh weddings. Nor was it about people who work for or know a prime minister and meet up when they go to the local comprehensive school nativity play. As for "hot pants" appearing... these girls were machinists... they would have made their own clothes... we all did. My sister made a very short pair of bright yellow shorts in 1963. We've got the Super 8 film of her wearing them to prove it!
    7colin_coyne

    Girl Power – union style

    From the director NIGEL COLE (Calendar Girls, Saving Grace), MADE IN DAGENHAM tells the tale of the 187 women that worked at the Ford Motor companies Dagenham factory - and their struggle to earn equal rights and pay with the 55,000 male workers at the factory.

    Set in 1968, the economy was used to frequent union uprisings and strikes – but this was the first time that it was the women upholsterers who sewed car seat covers that took the initiative … after being "down-graded" to a non-skilled status – the women rose as one to walk out, in an action that brought them into direct conflict with the management, their own unions and their own husbands … eventually brought the Ford motor company to it's knees

    Many laughed at the women's actions … until their strength of feeling … and reality set in … forcing the unions and the management to take increasingly desperate measures to get the women back to work … as factory production ground to a halt.

    Rita O'Grady (played admirably by SALLY HAWKINS), a shy, pleasant worker working in sweat shop conditions, found her voice when asked to stand up for the women's views, and gradually became more and more empowered as the rest of the women stood behind her in a crusade that became synonymous with equal rights

    The story climax's nicely in an emotional showdown, as the situation finally comes to a head and the chief participants (Ford, the Government, the Women, the unions and the men workers) all realise that things have gone too far … and none of them can back down.

    As well as Sally Hawkins, there are some strong performances by other members of the cast – specifically, Bob Hoskins as Albert, Miranda Richardson as an exuberant Barbra Castle, the lovely Rosamund Pike as Lisa, Geraldine James as Connie, Kenneth Cranham as Monty (Unions) and Richard Schiff as Robert Tooley (Ford).

    The music, costumes and the locations set up the tone of the times nicely, and the direction is solid throughout. The camera work is able, and is interspersed with footage from the actual era giving it more gravitas.

    In a phrase, it's … "Girl Power – union style"

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    • Wissenswertes
      Three of the original Dagenham seamstresses invited Sally Hawkins for tea, prior to the filming, as they wished to inform her properly about mindset behind the strike, that she was set to portray in the film. Hawkins' grandmother also worked as a seamstress, although not at the Dagenham factory.
    • Patzer
      The Union chiefs announce their loyalty to the Communist Party yet communists were banned from holding office in the TGWU at that time.
    • Zitate

      Eddie O'Grady: Christ, I like a drink, but I ain't out on the beer every night or screwin' other women, or... 'Ere, I've never once raised me hand to you. Ever. Or the kids.

      Rita O'Grady: Christ.

      Eddie O'Grady: What? Why are you looking like that?

      Rita O'Grady: Right. You're a saint now, is that what you're tellin' me, Eddie? You're a bleedin' saint? 'Cause you give us an even break?

      Eddie O'Grady: What are you saying?

      Rita O'Grady: That is as it should be. Jesus, Eddie! What do you think this strike's all been about, eh? Oh yeah. Actually you're right. You don't go on the drink, do ya? You don't gamble, you join in with the kids, you don't knock us about. Oh, lucky me. For Christ's sake, Eddie, that's as it should be! You try and understand that. Rights, not privileges. It's that easy. It really bloody is.

    • Crazy Credits
      Captions in the closing credits: "Two years later in May 1970 the Equal Pay Act became law. Similar legislation quickly followed in most industrial countries across the world. Ford Motor Company Limited went on to effect changes in its employment practices and is now used as an example of a good practice employer."
    • Verbindungen
      Featured in Breakfast: Folge vom 20. September 2010 (2010)
    • Soundtracks
      Israelites
      Written by Desmond Dekker (as Dekker)

      Performed by Desmond Dekker and The Aces

      Published by Universal / Island Music Ltd and Sparta Florida Music Group Ltd

      Courtesy of Sanctuary Records Group Ltd

      Under license from Universal Music Operations Ltd

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    Details

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    • Erscheinungsdatum
      • 13. Januar 2011 (Deutschland)
    • Herkunftsland
      • Vereinigtes Königreich
    • Offizieller Standort
      • Official site
    • Sprache
      • Englisch
    • Auch bekannt als
      • Made in Dagenham
    • Drehorte
      • Hoover Factory - disused, Pentrebach, Merthyr Tydfil, Merthyr, Wales, Vereinigtes Königreich(Ford Works - Dagenham)
    • Produktionsfirmen
      • Audley Films
      • BBC Film
      • BMS Finance
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

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    • Budget
      • 7.200.000 $ (geschätzt)
    • Bruttoertrag in den USA und Kanada
      • 1.095.369 $
    • Eröffnungswochenende in den USA und in Kanada
      • 37.563 $
      • 21. Nov. 2010
    • Weltweiter Bruttoertrag
      • 12.629.471 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      1 Stunde 53 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Digital
    • Seitenverhältnis
      • 2.35 : 1

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    Bob Hoskins, Miranda Richardson, Geraldine James, Rosamund Pike, Sally Hawkins, Jaime Winstone, and Andrea Riseborough in We Want Sex (2010)
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    By what name was We Want Sex (2010) officially released in India in English?
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