IMDb-BEWERTUNG
4,6/10
1709
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuSix friends who turn the deserted the tower block they lived in as kids into a pirate radio station soon learn they are not alone, as a resident psychopath begins hunting them down.Six friends who turn the deserted the tower block they lived in as kids into a pirate radio station soon learn they are not alone, as a resident psychopath begins hunting them down.Six friends who turn the deserted the tower block they lived in as kids into a pirate radio station soon learn they are not alone, as a resident psychopath begins hunting them down.
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Comedown is a horror movie filmed in the UK about a group of teens who go into an abandoned apartment tower and end up being terrorized by a killer. The film starts out pretty slow. It takes about 30 minutes for something to finally happen, which seems to be consistent with most of the horrors I've watched in the past few weeks. As much as I love movies and television that comes from the UK, sometimes the accents are really hard to understand. This is one of those movies. Although Comedown takes a while to get going, it gets better, but not by much. It's your basic "trapped in a place while a killer as he picks off all the characters, one by one" type of films. Some of the killings are pretty good, but it still falls pretty short of originality. I did appreciate the scene where one of the girls fights back really hard, that was probably my favorite scene, although it was pretty short. I would say that Comedown is a "take it or leave it," type thriller/horror. Overall, it's just OK.
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So as it seems, already people agreed that there's nothing new here, nothing original, nothing outstanding, even more, you're going to find what you've already seen 1000 times.
Even so, movies like this could be enjoyable, yet, not this one, it's too dull, you have to wait for a loooong time for anything to happen and when it finally does...I don't know, it's dull, it's just dull. Now, a budget of £2,000,000 kinda takes you out of the indie section right? Therefore, you can't say you love it for the fact that is small, made with extra love and people might just find it in their hearts to like it! Only reason to enjoy it is if you're a fan of the director, cause he returned with one guy from his previous movies, so I guess it's safe to say you wanted to take a look further into their careers, you found this little gem, and there you have it, you're satisfied!
As a huge horror fan, I might say,I watched it with my gf, we both got bored, she even left the room, I almost prayed for the movie to end sooner, but it didn't. Therefore, it's all up to you, do as you please, watch it or don't; my opinion --> DON'T! You can do a lot better than this one!
Even so, movies like this could be enjoyable, yet, not this one, it's too dull, you have to wait for a loooong time for anything to happen and when it finally does...I don't know, it's dull, it's just dull. Now, a budget of £2,000,000 kinda takes you out of the indie section right? Therefore, you can't say you love it for the fact that is small, made with extra love and people might just find it in their hearts to like it! Only reason to enjoy it is if you're a fan of the director, cause he returned with one guy from his previous movies, so I guess it's safe to say you wanted to take a look further into their careers, you found this little gem, and there you have it, you're satisfied!
As a huge horror fan, I might say,I watched it with my gf, we both got bored, she even left the room, I almost prayed for the movie to end sooner, but it didn't. Therefore, it's all up to you, do as you please, watch it or don't; my opinion --> DON'T! You can do a lot better than this one!
I really do like this film, and yes it has a bit of an original story. The fact that we don't see background on the main characters was an excellent touch since usually every damned movie out there has that background story that isn't a;ways necessary to consider a film a success. The pigeon thing was also an excellent touch since it was a new idea that hasn't been used before.
Now, here is the downside to the film-- the overplayed slang that became famous in 2012, "Fam". Yes we know it's a abbreviation for the word "Family" and is not the first film to use the slang word of the year to relate to the audience, but in this film it is WAY overused which quickly bordered on annoying. Now, for the rest of my criticism, I am going to rag on the guy who ruined the movie in every scene he was in whether he opened his mouth or not; Jason.
Jason is the self appointed leader of the group and is extremely childish and annoying. Not to mention selfish. Lloyd, whom he considers his best friend, is trying to straighten out his life because he has a child on the way and is putting priorities above Jason. I completely commend his decisions because he doesn't want to be locked up and not able to help raise his child. He stopped doing drugs and drinking heavily and definitely was putting his beloved girlfriend as well as his aforementioned unborn child first. Jason was not having ANY of that.
Jason doesn't like being told no, whether he wants to do something or wants someone else to do something. So what does he do when Lloyd honors his deal with their drug dealer by hooking up the aerial and then deciding to take Jemma home? Jason spikes his "Best Friend's" drink with pills because he didn't want him to leave. Well, I'm sorry Jason but the world doesn't revolve around you, "Fam".
He is also abusive towards Colin which is definitely uncalled for. Jason may be the self appointed leader but he is extremely annoying and gave the film the only unenjoyable moments.
All in all, aside from Jason, this film was original and very well made. I recommend it for anyone who decided to look for something different.
Now, here is the downside to the film-- the overplayed slang that became famous in 2012, "Fam". Yes we know it's a abbreviation for the word "Family" and is not the first film to use the slang word of the year to relate to the audience, but in this film it is WAY overused which quickly bordered on annoying. Now, for the rest of my criticism, I am going to rag on the guy who ruined the movie in every scene he was in whether he opened his mouth or not; Jason.
Jason is the self appointed leader of the group and is extremely childish and annoying. Not to mention selfish. Lloyd, whom he considers his best friend, is trying to straighten out his life because he has a child on the way and is putting priorities above Jason. I completely commend his decisions because he doesn't want to be locked up and not able to help raise his child. He stopped doing drugs and drinking heavily and definitely was putting his beloved girlfriend as well as his aforementioned unborn child first. Jason was not having ANY of that.
Jason doesn't like being told no, whether he wants to do something or wants someone else to do something. So what does he do when Lloyd honors his deal with their drug dealer by hooking up the aerial and then deciding to take Jemma home? Jason spikes his "Best Friend's" drink with pills because he didn't want him to leave. Well, I'm sorry Jason but the world doesn't revolve around you, "Fam".
He is also abusive towards Colin which is definitely uncalled for. Jason may be the self appointed leader but he is extremely annoying and gave the film the only unenjoyable moments.
All in all, aside from Jason, this film was original and very well made. I recommend it for anyone who decided to look for something different.
I watch a lot of horror/slasher films and most of them I get about half way through before I turn off. Comedown had absolutely nothing new to add to the genre and the characters were pretty unlikeable, yet I found I managed to sit through the whole thing without actually turning it off.
A bunch of pretty horrible teenagers break into a condemned London tower block in order to set up a pirate radio station. However, there's the obligatory psycho happens to already be living there. And, unsurprisingly, he doesn't take too kindly to their intrusion. What follows is the typical 'hunt 'em and kill 'em' scenario.
Although the killer looks like he's already starred in I Know What You Did Last Summer, he's played by Geoff Bell, an actor who always puts in a good performance (even if he does only just squeak in this case!). The rest of the cast are basically 'killer-fodder.' You won't find yourself shedding too many tears when they start getting hacked to death. One girl is pregnant and her boyfriend is a reformed convict, so I think we're supposed to root for them. Jessica Barden, who plays a particularly 'chavvy' young lady, actually puts in a pretty good performance.
There's nothing new here and what little budget the film had seems to have been wasted on using computers to add extra blood in. Personally, I'd rather they'd have simply squirted a couple of bottles of tomato ketchup here and there, as the computer effects look a little bit too fake.
Like I say, nothing too new here, but strangely watchable and quite good fun in its genre.
A bunch of pretty horrible teenagers break into a condemned London tower block in order to set up a pirate radio station. However, there's the obligatory psycho happens to already be living there. And, unsurprisingly, he doesn't take too kindly to their intrusion. What follows is the typical 'hunt 'em and kill 'em' scenario.
Although the killer looks like he's already starred in I Know What You Did Last Summer, he's played by Geoff Bell, an actor who always puts in a good performance (even if he does only just squeak in this case!). The rest of the cast are basically 'killer-fodder.' You won't find yourself shedding too many tears when they start getting hacked to death. One girl is pregnant and her boyfriend is a reformed convict, so I think we're supposed to root for them. Jessica Barden, who plays a particularly 'chavvy' young lady, actually puts in a pretty good performance.
There's nothing new here and what little budget the film had seems to have been wasted on using computers to add extra blood in. Personally, I'd rather they'd have simply squirted a couple of bottles of tomato ketchup here and there, as the computer effects look a little bit too fake.
Like I say, nothing too new here, but strangely watchable and quite good fun in its genre.
COMEDOWN is a low rent British horror film set entirely within the confines of a deserted tower block. The gritty realism and the setting made me hope for something along the lines of TOWER BLOCK or ATTACK THE BLOCK, but unfortunately this is nothing like those two (great) movies. Instead it's a cheap slasher, almost entirely devoid of imagination.
Headlining the cast is Jacob Anderson, best known to audiences for his role as Grey Worm in GAME OF THRONES. Anderson and his buddies, including a pregnant girlfriend and an obnoxious type (Adam Deacon, playing firmly to type) hole up in a run-down building to help run a pirate radio station, but their drug-fuelled highs come crashing down when a killer starts picking them off one by one.
COMEDOWN must feature one of the least menacing bad guys ever, and when you learn of his motivations you'll laugh out loud, they're that slim. The kills, which are what most horror fans will watch this for, are relatively tame, and there just isn't much in the way of suspense built along the way. It doesn't help that the dialogue is moronic throughout and that every twist in the script is well-choreographed. Add in some quite terrible cinematography, meaning 95% of this takes place in near blackness, and you have a quite unworthy film.
Headlining the cast is Jacob Anderson, best known to audiences for his role as Grey Worm in GAME OF THRONES. Anderson and his buddies, including a pregnant girlfriend and an obnoxious type (Adam Deacon, playing firmly to type) hole up in a run-down building to help run a pirate radio station, but their drug-fuelled highs come crashing down when a killer starts picking them off one by one.
COMEDOWN must feature one of the least menacing bad guys ever, and when you learn of his motivations you'll laugh out loud, they're that slim. The kills, which are what most horror fans will watch this for, are relatively tame, and there just isn't much in the way of suspense built along the way. It doesn't help that the dialogue is moronic throughout and that every twist in the script is well-choreographed. Add in some quite terrible cinematography, meaning 95% of this takes place in near blackness, and you have a quite unworthy film.
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- SoundtracksTurn It Around
Written by Chris DeMello, Rebecca Ainsworth, and Karl Forshaw
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Details
Box Office
- Budget
- 2.000.000 $ (geschätzt)
- Weltweiter Bruttoertrag
- 39.624 $
- Laufzeit1 Stunde 30 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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