Simon

Simon och ekarna – Simon & the Oaks – CATCH IT (A-) Swedish movie about two families, their friendship and common destiny in Sweden's Gothenburg in the 1940s and 1950s during World War II. The movie is told from young Simon Larsson perspective, who learns that he's an adopted child who has a Jewish father from Germany. The story in the backdrop of World War II in Sweden is really simple but what makes this interesting is the heart hitting performance by all the actors. It's just so uplifting to see how a poor father found the son he always wanted in the rich father's son and the rich father found the son he ever wanted at this poor family. Even though I loved the movie, I have to admit that the movie is much more fascinated when the kids were young. When they grow up, the relationship becomes more complicated and some of the things I didn't like e.g Simon disrespecting his mother. Though Simon was shown self centered from childhood but his leaving his mother behind led to her heart break and ultimate consequences. The performances by young Simon Jonatan S. Wächter and young Isak Karl Martin Eriksson are tremendous. Bill Skarsgård as adult Simon is great, and how he turned in to the obnoxious ungrateful person is interesting. Helen Sjöholm as Simon's mother and Isak's caretaker is such superb. I loved her portrayal. Stefan Gödicke as father of a poor family and Jan Josef Liefers Karl Linnertorp as father of the rich family are good. Overall, with stunning performance and cinematography the movie is a treat to watch.

The nazi inspired another story. This one did not need nazi all that much and could have happened in another time in the past. I liked the story that was not all sweet but contained a lot of real life elements.

A movie with great ideals and intentions, spanning themes like tolerance and equality.

However, for all its intentions, it's weakly executed. It moves slowly and doesn't really retain your attention. It's as if the director thought the idealism and themes would be enough to carry the movie, without working on the story.

One of the many virtues of this outstanding film is the complexity of its characters. No one is purely good or bad. Good people make horrendous mistakes. Nature versus nurture has a huge role to play in individual and family lives. Another major virtue is the acting: I did not experience a single false note in any of the performances. Kudos also to the writer and director for the way World War II and the Holocaust are embedded in the story: realistically but without clichés. I found extremely interesting Simon's relationship with the oak tree and would have liked just a bit more of it throughout the movie, rather than most of it at the beginning, where it is hugely intriguing but ineffable. My only (very minor) complaint is the music, which I found at some critical points to be overbearing; I prefer it when the acting carries the day without the audience having to be signaled as to the importance of a certain action or moment. I was totally riveted through the entire film—for me, it doesn't get much better than that.

Two boys meet at school in Gothenburg 1939. They become friends. One is a Jew and one is supposed not to be. One is upper middle class and one comes from a working class background.

Quite much is foreseeable here, but the greatest problem is the acting. Not that it's disastrous or even bad during the circumstances, but there are plenty of anachronisms here. From the laboring father, who is something out of the 60s, more than 1939. To the boys, who have a way of staring into the camera, which is common-piece in every Swedish movie, which tries to portrait harsh times. Especially if it's the 40s. "Something is going on inside that boy". The problem is that we know exactly what, when he has those eyes.

That is disturbing and takes quality out of this film.