Die Liebe eines Sohnes zu seinem Vater. Oft ist der Vater wegen seiner Arbeit nicht in der Lage, die Intensität der Liebe seines Sohnes zu begreifen.Die Liebe eines Sohnes zu seinem Vater. Oft ist der Vater wegen seiner Arbeit nicht in der Lage, die Intensität der Liebe seines Sohnes zu begreifen.Die Liebe eines Sohnes zu seinem Vater. Oft ist der Vater wegen seiner Arbeit nicht in der Lage, die Intensität der Liebe seines Sohnes zu begreifen.
- Auszeichnungen
- 37 Gewinne & 59 Nominierungen insgesamt
Prithviraj
- Asrar ul Haque
- (as Babloo Prithiveeraj)
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Ranbir Kapoor's introduction as a "superstar" in the film initially raised skepticism for me. However, as I reached the halfway point, it became evident that he truly deserved the title.
Sandeep Reddy Vanga's promise to showcase genuine violence in cinema was effectively fulfilled. In an era dominated by high-budget action films and contrived flashbacks, Vanga dared to create a world where everything is heightened to the maximum, making the violence seem normal and the behavior even more unsettling. One particularly striking scene involves Ranbir, who, after discovering a mole, compels the individual to lick his shoe as a bizarre demonstration of love. It's a level of intensity reminiscent of something Quentin Tarantino might appreciate.
Addressing the question of logic, it's acknowledged that the film, like many others, is inherently illogical. Drawing parallels with films like Vikram, KGF, and Bahubali, it's recognized that crafting a movie with absolute logical coherence is a formidable challenge.
However, the film does have its drawbacks. The character arcs of certain individuals, such as the mother, sister, and villain, felt underdeveloped. The hero's revenge arc could have benefited from more nuanced writing, and Rashmika's character, while an improvement from Vanga's previous works, still warranted additional depth.
In summary, while I wouldn't classify it as a masterpiece, the film has its merits, particularly in exploring the dynamics of father-son and husband-wife relationships alongside the intense action sequences. It's a unique cinematic experience that some may appreciate for its visceral yet somewhat polarizing elements.
Sandeep Reddy Vanga's promise to showcase genuine violence in cinema was effectively fulfilled. In an era dominated by high-budget action films and contrived flashbacks, Vanga dared to create a world where everything is heightened to the maximum, making the violence seem normal and the behavior even more unsettling. One particularly striking scene involves Ranbir, who, after discovering a mole, compels the individual to lick his shoe as a bizarre demonstration of love. It's a level of intensity reminiscent of something Quentin Tarantino might appreciate.
Addressing the question of logic, it's acknowledged that the film, like many others, is inherently illogical. Drawing parallels with films like Vikram, KGF, and Bahubali, it's recognized that crafting a movie with absolute logical coherence is a formidable challenge.
However, the film does have its drawbacks. The character arcs of certain individuals, such as the mother, sister, and villain, felt underdeveloped. The hero's revenge arc could have benefited from more nuanced writing, and Rashmika's character, while an improvement from Vanga's previous works, still warranted additional depth.
In summary, while I wouldn't classify it as a masterpiece, the film has its merits, particularly in exploring the dynamics of father-son and husband-wife relationships alongside the intense action sequences. It's a unique cinematic experience that some may appreciate for its visceral yet somewhat polarizing elements.
This is surely one of the best movies that bollywood has produced in the last 10 years in terms of entertainment. All things from storyline to music and from action scenes to quality of acting are brilliantly planned and executed. Even though the running time of the movie is almost 3.5 hours you actually don't feel its length.
RK has really nailed it this time. This performance can be surely counted as one of his very best in terms of quality of acting. As much as I want to say the same thing for Rashmika, the element of common sense is simply not allowing me. Firstly, the quality of acting displayed by her is disappointing compared to her previous performances. And further I am still not able to understand why someone like her accepted the movie after reading the script.(may be due to RK). The character she plays feels like a clown in the movie.
The adult scenes in the movie were forcefully forced into the script and felt very unnatural. The first half of the movie is the most striking and impressive aspect, but sadly it starts to lose momentum every minute in the second half. Unnecessary and untimely placement of songs further declines the experience. The movie deviates from its original plot & theme several times which can be frustrating. Another frustrating part is that several dialogues in English and punjabi language are said so fast that 90% of audience fails to digest them. Lack of twists and turns makes it boring at times. Boby deols screen time is not more than 25 minutes, and that too without a single dialouge, which is again disappointing and surprising because the trailer of the movie makes him look like one of the leads.
But all things said, we cannot deny the fact that it is something very fresh and unique, which the audience will love. One of the most aesthetically appealing & enjoyable movie from Bollywood in long time. The message it delivers between a father and son is very beautiful and climax makes up for all the faults it has.
Purely a theatre movie will not be that satisfying if witnessed on mobile or laptop.
RK has really nailed it this time. This performance can be surely counted as one of his very best in terms of quality of acting. As much as I want to say the same thing for Rashmika, the element of common sense is simply not allowing me. Firstly, the quality of acting displayed by her is disappointing compared to her previous performances. And further I am still not able to understand why someone like her accepted the movie after reading the script.(may be due to RK). The character she plays feels like a clown in the movie.
The adult scenes in the movie were forcefully forced into the script and felt very unnatural. The first half of the movie is the most striking and impressive aspect, but sadly it starts to lose momentum every minute in the second half. Unnecessary and untimely placement of songs further declines the experience. The movie deviates from its original plot & theme several times which can be frustrating. Another frustrating part is that several dialogues in English and punjabi language are said so fast that 90% of audience fails to digest them. Lack of twists and turns makes it boring at times. Boby deols screen time is not more than 25 minutes, and that too without a single dialouge, which is again disappointing and surprising because the trailer of the movie makes him look like one of the leads.
But all things said, we cannot deny the fact that it is something very fresh and unique, which the audience will love. One of the most aesthetically appealing & enjoyable movie from Bollywood in long time. The message it delivers between a father and son is very beautiful and climax makes up for all the faults it has.
Purely a theatre movie will not be that satisfying if witnessed on mobile or laptop.
If you squint, you can kind of see where Sandeep Venga's Animal is supposed to go. It's a character study about an unhinged man born into privilege but lacking in the most important qualities, obsessed with his father who never showed him the love he needed. He's drawn into a world of violence and crime, in a desperate attempt to impress him. That's an interesting concept; throw in some of the Successionesque business politics, and you could've had an incredible film. The movie certainly has the talented names - Ranbir Kapoor, Anil Kappor, Bobby Deol - to make it work.
Yet, Animal fails on basically every level. It feels like the creation of an annoying 14 year old Indian boy than a film, and can only be described as TOO MUCH. This 3 hour and 24 minutes feels like an eternity as we zip from scene to scene, moment to moment, without much time to breathe. Not to mention, the film just feels excessive and it's not entertaining. It's honestly an exhausting affair.
TOO MUCH brutality and gore. It's completely unnecessary, off putting, and difficult to watch. We're supposed to like our protagonist (more on him later), yet he's needlessly cruel and violent, like everyone at a certain point in this film. It feels really "off" tonally, and comes out of nowhere. The scene where Bobby Deol was introduced started off nicely, but then goes off the rails with the blood and gore, and it ruins it completely. Not to mention the unnecessary...sex scene. Yeah. More on THIS later too.
Ranbir Kapoor's Vijay is a psychopath, who is as mentioned before, cruel and violent, but unstable, rude, callous, condescending, misogynistic, and difficult to empathize with. We have to spend a bulk of the film with this man, and the movie is constantly asking us to sympathize and respect him, but he deserves none of it. I like films with "unlikable" protagonists, but a film has to give us a reason to connect with them from time to time. I don't want to hear anyone complain about Leo's Jordan Belfort ever again; a guy we know is terrible, but you can't help but like him. Vijay is not that.
The film is supposed to be about who is trying to kill Anil Kapoor's Papa (that's not his real name, but it might as well be, and to be fair, he's really good in this), and lead us into some corporate and maybe political intrigue. But the film wastes it with a paper thin, poorly told plot and villain's whose performers give it their all and are compelling via performance, but definitely terribly written. They're two dimensional and their motives feel rushed, and not to mention, the film can't help but be a bit Islamophobic as well. (There's subtext to these Modi era Bollywood movies).
But frankly, the worst thing about this movie is its celebration of toxic masculinity and misogyny. I'm no Bechdel Test wielding feminist, but my God, this movie really hates women. They're either doeish sex objects or lack any agency at all. There's a really dark and twisted attitude towards sex and relationships this movie portrays, glorifying domination, fear, and abuse, all whilst desperately trying to convince us the main couple have a happy and successful marriage. Vijay can't help but undermine and demean every other woman he sees, treating them as sexual objects, intimidating them, or insulting them. And what's disturbing is the movie seems to want to paint him as "the man men want to be, and the man women want to date."
There's legitimately a stretch of this film towards the end where I genuinely worried we'd see explicit violence against women, like some wife slapping or choking or worse, SA or the R word. I'm not joking. I saw this with three women. You can imagine how they felt.
Yeah, I'd maybe watch this high and laugh at with friends again, but for anyone else, PLEASE avoid this trashfire.
Yet, Animal fails on basically every level. It feels like the creation of an annoying 14 year old Indian boy than a film, and can only be described as TOO MUCH. This 3 hour and 24 minutes feels like an eternity as we zip from scene to scene, moment to moment, without much time to breathe. Not to mention, the film just feels excessive and it's not entertaining. It's honestly an exhausting affair.
TOO MUCH brutality and gore. It's completely unnecessary, off putting, and difficult to watch. We're supposed to like our protagonist (more on him later), yet he's needlessly cruel and violent, like everyone at a certain point in this film. It feels really "off" tonally, and comes out of nowhere. The scene where Bobby Deol was introduced started off nicely, but then goes off the rails with the blood and gore, and it ruins it completely. Not to mention the unnecessary...sex scene. Yeah. More on THIS later too.
Ranbir Kapoor's Vijay is a psychopath, who is as mentioned before, cruel and violent, but unstable, rude, callous, condescending, misogynistic, and difficult to empathize with. We have to spend a bulk of the film with this man, and the movie is constantly asking us to sympathize and respect him, but he deserves none of it. I like films with "unlikable" protagonists, but a film has to give us a reason to connect with them from time to time. I don't want to hear anyone complain about Leo's Jordan Belfort ever again; a guy we know is terrible, but you can't help but like him. Vijay is not that.
The film is supposed to be about who is trying to kill Anil Kapoor's Papa (that's not his real name, but it might as well be, and to be fair, he's really good in this), and lead us into some corporate and maybe political intrigue. But the film wastes it with a paper thin, poorly told plot and villain's whose performers give it their all and are compelling via performance, but definitely terribly written. They're two dimensional and their motives feel rushed, and not to mention, the film can't help but be a bit Islamophobic as well. (There's subtext to these Modi era Bollywood movies).
But frankly, the worst thing about this movie is its celebration of toxic masculinity and misogyny. I'm no Bechdel Test wielding feminist, but my God, this movie really hates women. They're either doeish sex objects or lack any agency at all. There's a really dark and twisted attitude towards sex and relationships this movie portrays, glorifying domination, fear, and abuse, all whilst desperately trying to convince us the main couple have a happy and successful marriage. Vijay can't help but undermine and demean every other woman he sees, treating them as sexual objects, intimidating them, or insulting them. And what's disturbing is the movie seems to want to paint him as "the man men want to be, and the man women want to date."
There's legitimately a stretch of this film towards the end where I genuinely worried we'd see explicit violence against women, like some wife slapping or choking or worse, SA or the R word. I'm not joking. I saw this with three women. You can imagine how they felt.
Yeah, I'd maybe watch this high and laugh at with friends again, but for anyone else, PLEASE avoid this trashfire.
"Animal" is a cinematic travesty, epitomizing the nadir of modern filmmaking. Its narrative is a convoluted mess, utterly devoid of coherence or purpose. The film's relentless indulgence in gratuitous violence and misogyny is both abhorrent and indefensible. Ranbir Kapoor's performance, though earnest, is squandered in this vile spectacle. Director Sandeep Reddy Vanga's obsession with toxic masculinity renders the film a reprehensible glorification of brutality. "Animal" is an assault on the senses, leaving viewers repulsed and questioning the very state of cinema. I can't believe I wasted 3.25 hours on this steaming pile of diapers.
A movie about a son's (RK) love for his father (AK) and to what extreme he goes to destroy and execute those who want to harm his father! The movies focus is on RK who nailed his role perfectly as the animal he becomes on the road of revenge! Anil Kapoor played his role well. Rashmika's role wasn't special could have been played by any actress the rest of the cast were good. Bobby Deol's extended cameo ( only came at the end part of the movie) was pure swagger mixed with rage should have used more time on his character. Overall first half was epic but slows down after the interval the movie could have been shorter but if u like RK and love brutal loud action scenes then go watch it! *Not one for the family (very violent and has repetitive pointless kissing scenes and partial nudity) 7.5/10 👍🏽
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- WissenswertesSandeep Reddy Vanga chose to retain the Punjabi song "Arjan Vailly" in its original language in the dubbed versions, feeling it was very original and impossible to interpret.
- PatzerVarun Malhotra, big industrialist of the country gets was killed in a meeting still his wife reet is unaware of such incident or breaking news.
- Zitate
Ranvijay Singh: When I went seeking evil, I couldn't find any evil. When I looked within, there was no one more evil than me.
- Crazy CreditsIn the post-credits scene, Asrar, Abid and Abrar's other younger brother, Aziz, a professional assassin in Istanbul, learns that Vijay was responsible for killing Asrar and Abrar. After successfully undergoing a plastic surgery to become Vijay's doppelganger Aziz, along with Abid, sets out to exact vengeance on Vijay and his family.
- Alternative VersionenThe Indian theatrical version was certified A (adults only) after some cuts were made. While the modifications suggested by the Examining Committee were waived off based on the filmmaker/applicant's justifications and submissions, a number of verbal cuts were made to the audio as well as the subtitles. The only visual cuts made were to an intimate scene, where the closeup shots were removed.
- VerbindungenReferenced in Unstoppable with NBK: Wildest Episode (2023)
- SoundtracksArjan Vailly (Hindi)
Music by Manan Bhardwaj
Lyrics by Bhupinder Babbal
Performed by Bhupinder Babbal
Additional Vocals by Sandeep Brar
Backing Vocals by Anirudh Loomba, Paras Kamboj, Charanjeet Sharma, Amandeep Singh Giran, R.D. Singh, Vicky Jass, Gagan Gags Sharma, Kunal Shandilya, Gaurav Verma
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 15.004.482 $
- Eröffnungswochenende in den USA und in Kanada
- 6.524.534 $
- 3. Dez. 2023
- Weltweiter Bruttoertrag
- 92.850.083 $
- Laufzeit3 Stunden 24 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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