Die Liebe eines Sohnes zu seinem Vater. Oft ist der Vater wegen seiner Arbeit nicht in der Lage, die Intensität der Liebe seines Sohnes zu begreifen.Die Liebe eines Sohnes zu seinem Vater. Oft ist der Vater wegen seiner Arbeit nicht in der Lage, die Intensität der Liebe seines Sohnes zu begreifen.Die Liebe eines Sohnes zu seinem Vater. Oft ist der Vater wegen seiner Arbeit nicht in der Lage, die Intensität der Liebe seines Sohnes zu begreifen.
- Auszeichnungen
- 38 Gewinne & 59 Nominierungen insgesamt
Prithviraj
- Asrar ul Haque
- (as Babloo Prithiveeraj)
Empfohlene Bewertungen
Ranbir Kapoor's introduction as a "superstar" in the film initially raised skepticism for me. However, as I reached the halfway point, it became evident that he truly deserved the title.
Sandeep Reddy Vanga's promise to showcase genuine violence in cinema was effectively fulfilled. In an era dominated by high-budget action films and contrived flashbacks, Vanga dared to create a world where everything is heightened to the maximum, making the violence seem normal and the behavior even more unsettling. One particularly striking scene involves Ranbir, who, after discovering a mole, compels the individual to lick his shoe as a bizarre demonstration of love. It's a level of intensity reminiscent of something Quentin Tarantino might appreciate.
Addressing the question of logic, it's acknowledged that the film, like many others, is inherently illogical. Drawing parallels with films like Vikram, KGF, and Bahubali, it's recognized that crafting a movie with absolute logical coherence is a formidable challenge.
However, the film does have its drawbacks. The character arcs of certain individuals, such as the mother, sister, and villain, felt underdeveloped. The hero's revenge arc could have benefited from more nuanced writing, and Rashmika's character, while an improvement from Vanga's previous works, still warranted additional depth.
In summary, while I wouldn't classify it as a masterpiece, the film has its merits, particularly in exploring the dynamics of father-son and husband-wife relationships alongside the intense action sequences. It's a unique cinematic experience that some may appreciate for its visceral yet somewhat polarizing elements.
Sandeep Reddy Vanga's promise to showcase genuine violence in cinema was effectively fulfilled. In an era dominated by high-budget action films and contrived flashbacks, Vanga dared to create a world where everything is heightened to the maximum, making the violence seem normal and the behavior even more unsettling. One particularly striking scene involves Ranbir, who, after discovering a mole, compels the individual to lick his shoe as a bizarre demonstration of love. It's a level of intensity reminiscent of something Quentin Tarantino might appreciate.
Addressing the question of logic, it's acknowledged that the film, like many others, is inherently illogical. Drawing parallels with films like Vikram, KGF, and Bahubali, it's recognized that crafting a movie with absolute logical coherence is a formidable challenge.
However, the film does have its drawbacks. The character arcs of certain individuals, such as the mother, sister, and villain, felt underdeveloped. The hero's revenge arc could have benefited from more nuanced writing, and Rashmika's character, while an improvement from Vanga's previous works, still warranted additional depth.
In summary, while I wouldn't classify it as a masterpiece, the film has its merits, particularly in exploring the dynamics of father-son and husband-wife relationships alongside the intense action sequences. It's a unique cinematic experience that some may appreciate for its visceral yet somewhat polarizing elements.
This absolute disaster of a movie easily clinches a spot in the bottom 5 films I've ever subjected myself to. It's a train wreck of a narrative, drowning any semblance of storytelling in a sea of mindless violence and gratuitous sexuality that serves no purpose other than to shock. The complete lack of coherence or meaning makes it an exercise in frustration, leaving me more confused than ever about why this abomination was made. The actors, shamelessly taking on roles that should have come with a warning label, only add to the misery. Watching this film was akin to reliving the regrettable experience of enduring "Rockstar" by Ranbir Kapoor, a true testament to the depths of cinematic disappointment. Do yourself a favor and spare yourself from this excruciating journey into the abyss of terrible filmmaking.
A movie about a son's (RK) love for his father (AK) and to what extreme he goes to destroy and execute those who want to harm his father! The movies focus is on RK who nailed his role perfectly as the animal he becomes on the road of revenge! Anil Kapoor played his role well. Rashmika's role wasn't special could have been played by any actress the rest of the cast were good. Bobby Deol's extended cameo ( only came at the end part of the movie) was pure swagger mixed with rage should have used more time on his character. Overall first half was epic but slows down after the interval the movie could have been shorter but if u like RK and love brutal loud action scenes then go watch it! *Not one for the family (very violent and has repetitive pointless kissing scenes and partial nudity) 7.5/10 👍🏽
"Animal," directed by Sandeep Reddy Vanga, offers a captivating experience with impressive background music, memorable songs, and technical finesse. However, the film stumbles in terms of story strength and screenplay execution, featuring temporal shifts that lack coherence and fail to enhance the narrative.
While the first half engages with its fast pace, the second half unnecessarily prolongs the story, leaving the film feeling overly lengthy and lacking character development, especially with Ranbir Kapoor's character. His abrupt temporal shifts lack clear reasoning, contributing to a disjointed narrative.
Despite a touching emotional scene between Anil Kapoor and Ranbir Kapoor towards the end, it arrives too late, leaving the audience fatigued and eager for closure. The credit scenes, though appealing, add to the film's unnecessary length.
Ranbir Kapoor's character, portrayed as a hero, raises concerns due to his criminal actions, lack of respect for others, blatant misogyny, and attitude problems. The film's attempt to celebrate such a character is problematic, as it glorifies a man-child who in reality needs therapy.
Actress Rashmika Mandanna's performance is very poor, making her unfit for the role. She was struggling to deliver convincing dialogue and lacked depth in her portrayal.
It's disheartening to witness Bollywood failing with films like "Animal." The industry has the potential for impactful cinema but seems to fall for subpar narratives. They should strive for better storytelling and more nuanced character portrayals and should avoid the pitfalls of glorifying problematic characters for the sake of entertainment.
While the first half engages with its fast pace, the second half unnecessarily prolongs the story, leaving the film feeling overly lengthy and lacking character development, especially with Ranbir Kapoor's character. His abrupt temporal shifts lack clear reasoning, contributing to a disjointed narrative.
Despite a touching emotional scene between Anil Kapoor and Ranbir Kapoor towards the end, it arrives too late, leaving the audience fatigued and eager for closure. The credit scenes, though appealing, add to the film's unnecessary length.
Ranbir Kapoor's character, portrayed as a hero, raises concerns due to his criminal actions, lack of respect for others, blatant misogyny, and attitude problems. The film's attempt to celebrate such a character is problematic, as it glorifies a man-child who in reality needs therapy.
Actress Rashmika Mandanna's performance is very poor, making her unfit for the role. She was struggling to deliver convincing dialogue and lacked depth in her portrayal.
It's disheartening to witness Bollywood failing with films like "Animal." The industry has the potential for impactful cinema but seems to fall for subpar narratives. They should strive for better storytelling and more nuanced character portrayals and should avoid the pitfalls of glorifying problematic characters for the sake of entertainment.
Even 3 is pushing it. This was so bad I'm beginning to doubt i watched a different movie than what everyone else is describing. What a downgrade from kabir singh. They wasted so much time on random stuff, more than 3 hours and here i am asking myself every second when will the "story" kick in but it feels like they forgot to do that or add depth to the characters; and I'm not a person who looks for a "purpose" in every movie that is really not my point when i say there wasn't anything going on i really mean there was nothing. Nothing feels natural, the quirkiness, the edginess, none of it was really delivered.
Wusstest du schon
- WissenswertesSandeep Reddy Vanga chose to retain the Punjabi song "Arjan Vailly" in its original language in the dubbed versions, feeling it was very original and impossible to interpret.
- Zitate
Ranvijay Singh: When I went seeking evil, I couldn't find any evil. When I looked within, there was no one more evil than me.
- Crazy CreditsIn the post-credits scene, Asrar, Abid and Abrar's other younger brother, Aziz, a professional assassin in Istanbul, learns that Vijay was responsible for killing Asrar and Abrar. After successfully undergoing a plastic surgery to become Vijay's doppelganger Aziz, along with Abid, sets out to exact vengeance on Vijay and his family.
- Alternative VersionenThe Indian theatrical version was certified A (adults only) after some cuts were made. While the modifications suggested by the Examining Committee were waived off based on the filmmaker/applicant's justifications and submissions, a number of verbal cuts were made to the audio as well as the subtitles. The only visual cuts made were to an intimate scene, where the closeup shots were removed.
- VerbindungenReferenced in Unstoppable with NBK: Wildest Episode (2023)
- SoundtracksArjan Vailly (Hindi)
Music by Manan Bhardwaj
Lyrics by Bhupinder Babbal
Performed by Bhupinder Babbal
Additional Vocals by Sandeep Brar
Backing Vocals by Anirudh Loomba, Paras Kamboj, Charanjeet Sharma, Amandeep Singh Giran, R.D. Singh, Vicky Jass, Gagan Gags Sharma, Kunal Shandilya, Gaurav Verma
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 15.004.482 $
- Eröffnungswochenende in den USA und in Kanada
- 6.524.534 $
- 3. Dez. 2023
- Weltweiter Bruttoertrag
- 92.850.083 $
- Laufzeit3 Stunden 24 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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