Animal

As a fan of gore and dark noir went with loads of expectations- first half was off to a near flawless flight but then the tailspin which began post-interval took down the whole movie.

Excellent BGM, magnificient cinematography and out of the world acting by Ranbir (what a brilliant actor he is!) fell short to save the movie ridden with lack of depth and emotion in the storyline. The loosely written plotlines and characters severely dilapitated Ranbir's character as well because the other characters were so underdeveloped. Lack of motive in even the central character resulted in a lack of conviction in the whole story to such a level that after taking in so much of grandly choreographed violence, one is left scratching head wondering everything happened for what exactly! Emotion got translated i nto only one sided shouting and the viewer is left alone to experience an exhausting and frantic TV debate show where only the TV anchor gets to shout.

Severe formula plotpoints and scenes , some of which are inspired from Godfather,OldBoy(2003), The man from Nowhere (2010) Rajneeti and even Kabir Singh were put together in such a way that one is left doubting whether the director wanted to copy from his own previous success just because it worked earlier. But it didn't result in anything like Kabir Singh because everything was so incoherent. The brilliant opening of the movie, by the director's own obcession of using pointless violence (or might be a desperate attempt to cover up the flaws in storyline) got reduced into one and only point- who can shout the loudest! Or thats what a predatory animal is supposed to do- a non-human who shouldn't be part of humane society but gets occassionally breaded by our society. It emanates an excruciatingly agonizing world around it; unable to love, empathize, dialogue & sense of integrity but is just filled with suffocating anger & treachery.

"Animal," directed by Sandeep Reddy Vanga, offers a captivating experience with impressive background music, memorable songs, and technical finesse. However, the film stumbles in terms of story strength and screenplay execution, featuring temporal shifts that lack coherence and fail to enhance the narrative.

While the first half engages with its fast pace, the second half unnecessarily prolongs the story, leaving the film feeling overly lengthy and lacking character development, especially with Ranbir Kapoor's character. His abrupt temporal shifts lack clear reasoning, contributing to a disjointed narrative.

Despite a touching emotional scene between Anil Kapoor and Ranbir Kapoor towards the end, it arrives too late, leaving the audience fatigued and eager for closure. The credit scenes, though appealing, add to the film's unnecessary length.

Ranbir Kapoor's character, portrayed as a hero, raises concerns due to his criminal actions, lack of respect for others, blatant misogyny, and attitude problems. The film's attempt to celebrate such a character is problematic, as it glorifies a man-child who in reality needs therapy.

Actress Rashmika Mandanna's performance is very poor, making her unfit for the role. She was struggling to deliver convincing dialogue and lacked depth in her portrayal.

It's disheartening to witness Bollywood failing with films like "Animal." The industry has the potential for impactful cinema but seems to fall for subpar narratives. They should strive for better storytelling and more nuanced character portrayals and should avoid the pitfalls of glorifying problematic characters for the sake of entertainment.

This absolute disaster of a movie easily clinches a spot in the bottom 5 films I've ever subjected myself to. It's a train wreck of a narrative, drowning any semblance of storytelling in a sea of mindless violence and gratuitous sexuality that serves no purpose other than to shock. The complete lack of coherence or meaning makes it an exercise in frustration, leaving me more confused than ever about why this abomination was made. The actors, shamelessly taking on roles that should have come with a warning label, only add to the misery. Watching this film was akin to reliving the regrettable experience of enduring "Rockstar" by Ranbir Kapoor, a true testament to the depths of cinematic disappointment. Do yourself a favor and spare yourself from this excruciating journey into the abyss of terrible filmmaking.

Even 3 is pushing it. This was so bad I'm beginning to doubt i watched a different movie than what everyone else is describing. What a downgrade from kabir singh. They wasted so much time on random stuff, more than 3 hours and here i am asking myself every second when will the "story" kick in but it feels like they forgot to do that or add depth to the characters; and I'm not a person who looks for a "purpose" in every movie that is really not my point when i say there wasn't anything going on i really mean there was nothing. Nothing feels natural, the quirkiness, the edginess, none of it was really delivered.

"Animal" is a cinematic travesty, epitomizing the nadir of modern filmmaking. Its narrative is a convoluted mess, utterly devoid of coherence or purpose. The film's relentless indulgence in gratuitous violence and misogyny is both abhorrent and indefensible. Ranbir Kapoor's performance, though earnest, is squandered in this vile spectacle. Director Sandeep Reddy Vanga's obsession with toxic masculinity renders the film a reprehensible glorification of brutality. "Animal" is an assault on the senses, leaving viewers repulsed and questioning the very state of cinema. I can't believe I wasted 3.25 hours on this steaming pile of diapers.