Der Fluch ist eine Komödie mit Drehbuch, in der es darum geht, wie ein angeblicher Fluch die Beziehung eines frisch verheirateten Paares stört, während sie versuchen, ein Kind zu bekommen.Der Fluch ist eine Komödie mit Drehbuch, in der es darum geht, wie ein angeblicher Fluch die Beziehung eines frisch verheirateten Paares stört, während sie versuchen, ein Kind zu bekommen.Der Fluch ist eine Komödie mit Drehbuch, in der es darum geht, wie ein angeblicher Fluch die Beziehung eines frisch verheirateten Paares stört, während sie versuchen, ein Kind zu bekommen.
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I love Nathan Fielder, he's hilarious, and Emma Stone is a jewel in Hollywood so this is a very confusing show. It's well acted and in some ways it is humorous but I actually ended up feeling sorry for them when they surely were meant to be the butt of the joke. It reminds me of the British Office in that regard as David is not a nice person but he sort of endeers himself....but this just ends up seeming quite mean spirited and sad. Maybe I wanted more laugh out loud moments or calamitous situations but it is what it is. It is certainly unique and interesting, maybe it's just ahead of its time.
The 3 stars are purely for Emma Stone, who is doing her best with the material she's given. Otherwise, I'd have to rate this one star.
I'm not familiar with any of the other actors in this show, but I feel like with all the hype this has gotten, there must be superfans of their previous work who will love anything that these people put out.
But for me, cringey scenes do not automatically add up to comedy. And that's pretty much all I saw in the first episode. No humor whatsoever, just awkward situation after awkward situation -- as if we were being told, "Oh look, these otherwise nice people are being put into embarrassing, mortifying, and uncomfortable predicaments, pushed to their limits -- isn't that hilarious?" Well, no. No it isn't.
One episode was more than enough.
I'm not familiar with any of the other actors in this show, but I feel like with all the hype this has gotten, there must be superfans of their previous work who will love anything that these people put out.
But for me, cringey scenes do not automatically add up to comedy. And that's pretty much all I saw in the first episode. No humor whatsoever, just awkward situation after awkward situation -- as if we were being told, "Oh look, these otherwise nice people are being put into embarrassing, mortifying, and uncomfortable predicaments, pushed to their limits -- isn't that hilarious?" Well, no. No it isn't.
One episode was more than enough.
---just don't apply when it's dark satire is about just those desciptors. A slow burn of cringe by the awkward, yet brilliant acting and anti-chemistry are what gives this series it's ignition point. If a young Kubrick made a neo dark satire series, it might just feel like this. Never mind the might, it would feel JUST like this.
It's definitely not for everyone and being a big fan of Fielder's work coupled with the Safdie's, this was catnip for the weirdo humor in me. It's takes patience and full understanding the delivery and pitch back humor is stylistic satirical genius.
The pretention and over the top 3 layer storyline is reminiscent of the very prentiously delicious (though found it a bit of a self indulgent slog in the third act) Ruben Östlund's "Triangle of Sadness"
This is brilliant to those that like this sort of offkilter independent filmmaking, and the flipside being people that go apeshit for a more "obvious" approach to humor might find this unwatchable.
And thats okay...its all subjective, and I'll take this all day.
It's definitely not for everyone and being a big fan of Fielder's work coupled with the Safdie's, this was catnip for the weirdo humor in me. It's takes patience and full understanding the delivery and pitch back humor is stylistic satirical genius.
The pretention and over the top 3 layer storyline is reminiscent of the very prentiously delicious (though found it a bit of a self indulgent slog in the third act) Ruben Östlund's "Triangle of Sadness"
This is brilliant to those that like this sort of offkilter independent filmmaking, and the flipside being people that go apeshit for a more "obvious" approach to humor might find this unwatchable.
And thats okay...its all subjective, and I'll take this all day.
Nathan Fielder is a generational talent. He looks to have hit another cultural home run with the Curse. He has come up with a plan thanks to his really good business knowledge, which allows him to film himself being intimate with Emma Stone, I have a feeling we will see multiple versions of this.
I for one am here for it, if you are a Nathan for you fan or a Rehearsal fan, or a fan of his old spots from that Canadian news show, you absolutely owe it to yourself to check out anything he has done you haven't seen.
I look forward very greedily for upcoming episodes, if all 10 would have dropped I have no doubt I'd still be watching.
I for one am here for it, if you are a Nathan for you fan or a Rehearsal fan, or a fan of his old spots from that Canadian news show, you absolutely owe it to yourself to check out anything he has done you haven't seen.
I look forward very greedily for upcoming episodes, if all 10 would have dropped I have no doubt I'd still be watching.
This is absolutely NOT a normal TV show, but if you love A24 and Safdie Brothers stuff (and who doesn't?), you're in for a treat. 'Curse' thrusts you into the uneasy world of Whitney and Asher Siegel, a newlywed couple attempting to pioneer eco-conscious housing in the quaint community of Española, New Mexico. The narrative takes a bizarre turn when the eccentrically flawed reality TV producer, Dougie, sniffs out an opportunity in their story. Brace yourself for discomfort; 'Curse excels in cringe-inducing moments, crafting a dark comedy that deliberately pushes boundaries.
The show boldly ventures into social satire, navigating a maze of ethical and moral gray zones that leave you squirming. It's a total gender bender, blending drama and thriller elements into an intensely uncomfortable yet captivating experience. Emma Stone and Benny Safdie deliver outstanding performances, adding depth to the characters entangled in this gripping narrative. "Curse has set a high bar for dark comedies, and so far, it's great. I can't wait to see where it goes-eagerly anticipating the twists and turns ahead in this daring exploration of relationships, ethics, and the unexpected consequences of eco-conscious dreams.
The show boldly ventures into social satire, navigating a maze of ethical and moral gray zones that leave you squirming. It's a total gender bender, blending drama and thriller elements into an intensely uncomfortable yet captivating experience. Emma Stone and Benny Safdie deliver outstanding performances, adding depth to the characters entangled in this gripping narrative. "Curse has set a high bar for dark comedies, and so far, it's great. I can't wait to see where it goes-eagerly anticipating the twists and turns ahead in this daring exploration of relationships, ethics, and the unexpected consequences of eco-conscious dreams.
Wusstest du schon
- WissenswertesIn the episode of Nathan For You titled "Toy Company; Movie Theatre" Nathan mentions how it is a shame that the "guy who plays the Somalian pirate" in the film Captain Phillips (2013) hasn't had much of a career since that appearance. Barkhad Abdi, the said actor, then appears in The Curse nine years later. In fact, Abdi has worked steadily in television and movies since Captain Phillips, appearing in such films as Eye in the Sky, The Brothers Grimsby, and A Girl from Mogadishu, and such shows as Hawaii Five-O, Castle Rock, Blade Runner: Black Lotus, and Little America.
- VerbindungenFeatured in Half in the Bag: 2023 Catch-up (Part 2) (2023)
- SoundtracksAmerican Bolero
Written and composed by José Miguel Ortegon (Sr Ortegon)
Produced and performed by José Miguel Ortegon (Sr Ortegon)
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