IMDb-BEWERTUNG
5,3/10
4951
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA teenager wanders into Carmel, California, where he is soon introduced to the art-forgery community.A teenager wanders into Carmel, California, where he is soon introduced to the art-forgery community.A teenager wanders into Carmel, California, where he is soon introduced to the art-forgery community.
- Regie
- Drehbuch
- Hauptbesetzung
Alex Poletti
- Young Boy
- (as Alexander Poletti)
Empfohlene Bewertungen
Terrible B style movie. Premise is predictable and stupid. The 15 year old actor is antagonistic, inconsistent, and irritating. They did not give much thought to the introduction of Josh's character or the way he was introduced into the art world....in real life he probably would have been shot at the first house he broke into....if not that one, the second. Is this really more believable than if he was discovered working at McDonald's and living in a homeless shelter? At least that would have given his character some redeemable value. Yes....we need to be shown that he is young and naive (WAAAAY too naive for a kid who's been living on the street!). It would have been a much better movie if they modeled the kid more after "Catch me if you Can", rather than making him an *sshole/wimp.
3Nozz
I can understand scrapping the uninformative title CARMEL, and even the extended version CARMEL-BY-THE-SEA, but the title THE FORGER fooled me. I expected a focus on the intricate labors of some fascinating criminals. I figured that if the movie is good enough to enlist Lauren Bacall and Alfred Molina, it's got to be good. In fact, though, not so much. The dialogue occasionally goes wooden with exposition or preachiness, Molina's accent isn't completely consistent, in places the characters' behavior isn't easily believable, and although a couple of interesting tricks of the trade are displayed, art forgery is made to look pretty easy, with first-time forgers capable of deceiving the experts. However, I'm criticizing the movie for not being what it wasn't shot to be. From the opening music, camera-work, and text font, you can easily tell that this is a movie meant to play on women's emotions. It's about an adorable homeless boy, an adorable well-groomed girl, an adorable old lady, and a series of misunderstandings that threaten to keep them apart, and as Spielberg has shown elsewhere, if plot offers a good dramatic structure it doesn't need to hang together logically.
I suppose, well, no, I know, that most of the reviews before mine are right about the many holes in the script, the flimsy dialog, the wrong casting for the main character (a twenty year old actor to represent a fifteen year old character) and several other flaws.
But I enjoyed the movie from beginning to end.
I just watched it as if it was a Walt Disney production, knowing that I couldn't expect more than what was offered and so, I wasn't as disappointed as the other reviewers that were waiting to see an Eric Rohmer's "My Night at Maud's".
Well, sorry, There was only ONE Eric Rohmer, and he wasn't here. So, back to THIS movie: If you lower your expectations it isn't a bad movie to spend a couple of hours watching some very good actors practicing their trade in a gorgeous environment (Carmel) with some nice eye candy (Hayden Panettiere and Scott Eastwood) a very dignified Lauren Bacall and a born actor, Alfred Molina.
In contrast to all the other critics, what really bothered me as the weakest point of the script was the unpolished way to represent the forgery of an old painting (too long to go into specifics) but just one enormous flaw: Molina was an expert forger and surely he should have known that no matter how much you clean an old canvas to erase the original painting, traces of that painting will be seen when looking through the new layer of paint with special equipment.
Forget about all those weak points within the script and enjoy this movie as a very good piece of light entertainment.
But I enjoyed the movie from beginning to end.
I just watched it as if it was a Walt Disney production, knowing that I couldn't expect more than what was offered and so, I wasn't as disappointed as the other reviewers that were waiting to see an Eric Rohmer's "My Night at Maud's".
Well, sorry, There was only ONE Eric Rohmer, and he wasn't here. So, back to THIS movie: If you lower your expectations it isn't a bad movie to spend a couple of hours watching some very good actors practicing their trade in a gorgeous environment (Carmel) with some nice eye candy (Hayden Panettiere and Scott Eastwood) a very dignified Lauren Bacall and a born actor, Alfred Molina.
In contrast to all the other critics, what really bothered me as the weakest point of the script was the unpolished way to represent the forgery of an old painting (too long to go into specifics) but just one enormous flaw: Molina was an expert forger and surely he should have known that no matter how much you clean an old canvas to erase the original painting, traces of that painting will be seen when looking through the new layer of paint with special equipment.
Forget about all those weak points within the script and enjoy this movie as a very good piece of light entertainment.
At first sigh, a film for see only for actors. or for location. in fact, this is not the only motif. but the story. sure, simple, nice, full of flaws. but working. in nice manner. a film about choices. and, maybe, about art. about refuges. and about the way to define yourself and the others. not special. just beautiful. and that is enough for see it. for the not bad reflection of feelings, first.
I new nothing about this movie when I picked it up at a local Red Box. Judging by the cover, I expected a feel good romantic drama with all the excitement that young love and forgery schemes contain. I will say that I somewhat enjoyed this movie, but overall it was a disappointment. It was a B movie that I could easily imagine appearing on the Hallmark channel. It was predictable, cliché, and the characters were unrealistic. Also, for a movie staring as many talented people as it was, the acting came across as a bit lazy. It was not one of the better movies I've seen, but it certainly wasn't the worst. I give it 4 out of 10 stars.
Wusstest du schon
- WissenswertesThis was Lauren Bacall's final film before her death on August 12, 2014 at the age of 89.
- PatzerWhen Everly Campbell and Bernie are in the basement talking about Joshua doing the forged painting a crew member wearing a headset is reflected in the glass cabinet behind the two men.
- SoundtracksMoanin'
Written by Bobby Timmons
Performed by Art Blakey And The Jazz Messengers
Courtesy of Second Floor Music
Used with Permission
Courtesy of Blue Note Records
Under license from EMI Film & Television Music
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- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
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- Auch bekannt als
- Farben der Liebe - Carmel-by-the-Sea
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- Laufzeit1 Stunde 34 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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