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Die Aussprache

Originaltitel: Women Talking
  • 2022
  • 12
  • 1 Std. 44 Min.
IMDb-BEWERTUNG
6,9/10
46.381
IHRE BEWERTUNG
BELIEBTHEIT
3.697
831
Frances McDormand, Judith Ivey, Sheila McCarthy, Rooney Mara, Claire Foy, and Jessie Buckley in Die Aussprache (2022)
Do nothing. Stay and fight. Or leave. In 2010, the women of an isolated religious community grapple with reconciling a brutal reality with their faith.
trailer wiedergeben2:26
29 Videos
98 Fotos
Psychologisches DramaZeitraum: DramaDrama

‎Eine Gruppe von Frauen in einer isolierten religiösen Mennonitenkolonie in Bolivien, die darum kämpfen, ihren Glauben mit einer Reihe von sexuellen Übergriffen seitens der Männer der Koloni... Alles lesen‎Eine Gruppe von Frauen in einer isolierten religiösen Mennonitenkolonie in Bolivien, die darum kämpfen, ihren Glauben mit einer Reihe von sexuellen Übergriffen seitens der Männer der Kolonie in Einklang zu bringen.‎‎Eine Gruppe von Frauen in einer isolierten religiösen Mennonitenkolonie in Bolivien, die darum kämpfen, ihren Glauben mit einer Reihe von sexuellen Übergriffen seitens der Männer der Kolonie in Einklang zu bringen.‎

  • Regie
    • Sarah Polley
  • Drehbuch
    • Sarah Polley
    • Miriam Toews
  • Hauptbesetzung
    • Rooney Mara
    • Claire Foy
    • Jessie Buckley
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,9/10
    46.381
    IHRE BEWERTUNG
    BELIEBTHEIT
    3.697
    831
    • Regie
      • Sarah Polley
    • Drehbuch
      • Sarah Polley
      • Miriam Toews
    • Hauptbesetzung
      • Rooney Mara
      • Claire Foy
      • Jessie Buckley
    • 223Benutzerrezensionen
    • 231Kritische Rezensionen
    • 77Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • 1 Oscar gewonnen
      • 65 Gewinne & 164 Nominierungen insgesamt

    Videos29

    Trailer #2
    Trailer 2:26
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    Trailer 1:42
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    Trailer 1:42
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    Official Trailer
    Trailer 1:42
    Official Trailer
    Women Talking
    Trailer 2:31
    Women Talking
    Women Talking
    Trailer 1:48
    Women Talking
    Official Trailer 2
    Trailer 2:32
    Official Trailer 2

    Fotos98

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    Topbesetzung24

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    Rooney Mara
    Rooney Mara
    • Ona
    Claire Foy
    Claire Foy
    • Salome
    Jessie Buckley
    Jessie Buckley
    • Mariche
    Frances McDormand
    Frances McDormand
    • Scarface Janz
    Judith Ivey
    Judith Ivey
    • Agata
    Emily Mitchell
    Emily Mitchell
    • Miep
    Kate Hallett
    Kate Hallett
    • Autje
    Liv McNeil
    Liv McNeil
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    Sheila McCarthy
    Sheila McCarthy
    • Greta
    Michelle McLeod
    Michelle McLeod
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    Kira Guloien
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    Shayla Brown
    Shayla Brown
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    Vivien Endicott-Douglas
    Vivien Endicott-Douglas
    • Clara
    Ben Whishaw
    Ben Whishaw
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    August Winter
    August Winter
    • Melvin
    Lochlan Miller
    Lochlan Miller
    • Julius
    Nathaniel McParland
    Nathaniel McParland
    • Aaron
    Will Bowes
    Will Bowes
    • Census Driver
    • Regie
      • Sarah Polley
    • Drehbuch
      • Sarah Polley
      • Miriam Toews
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen223

    6,946.3K
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    Empfohlene Bewertungen

    CinemaClown

    A Plea, A Protest & A Parable All At Once

    Powered by strong performances across the board, Women Talking follows the women of an isolated & ultraconservative community who take it upon themselves to decide the course of their future in the wake of a shattering revelation which compels them to reconcile their faith with their violent reality. Bracingly crafted & effectively told, it serves as a plea, a protest & a parable all at once.

    Written & directed by Sarah Polley, the story borrows its premise from a real-life event and the film is an imagined response to it - a reaction through fiction. The disturbing truth surfaces in gut-punching ways as the women argue & discuss their next move while snippets of their past adds more weight to their collective pain, rage, fear & trauma. It does get repetitive but it also gets the point across with clarity.

    The colour grading is an interesting choice, for it illustrates the bleakness of their existence in a colony ripe with unchecked male aggression but more could've been achieved with the camera. Still, what it lacks in cinematic qualities, it makes up in dramatic heft & strong emotional wallop, thanks to impressive work from the entire cast, ranging from Claire Foy's fierce rendition to Ben Whishaw's tender act, all enriching the narrative.

    Overall, Women Talking is a timely, topical & thought-provoking drama that brims with hate, hurt & heartbreak in its illustration of the horrifying reality of female experience but there is also hope for a better future despite the agonising brutality of their past & present. Though there was more up for grabs which it fumbles with its very own creative choices, the commitment from the cast & searing intensity of their inputs makes it an essential viewing.
    7sabor43

    Suspend disbelief.....

    This movie needs to be seen in the view of what domestic abuse victims suffer through in their decision process to stay, fight, or leave. Taken in that sense, the conflicts that each woman and the group experience make sense. If you expect a dramatic story within the construct (that of an ultra-conservative fundamentalist community, where the women are kept illiterate and totally subjugated to the men), well then it won't work. These women were much too intelligent to be illiterate, and the men would have been much more a factor in the outcome.

    The movie is really about the heartbreaking choices abused women are faced with. Stripped out of the setting and set up, it does work. Suspend disbelief and you will be moved.
    8katiefanatic-791-306918

    Benefits from its dilemma.

    There's two movies about sexual assault this year-this and the Harvey Weinstein based 'she said'. I found 'she Said' To be like watching 'spotlight' all over again. It didn't add anything new to the conversation. This does because of its nuances. It's easy to make a 'sexual assault bad' movie but this movie grapples within a religious faith based community where things aren't so black and white. I loved how all the characters represented all points of view-doing something about it, say nothing, etc. I love all the main cast-Claire foy, Jessie Buckley, Rooney Mara. Really great film done subtly on an important subject.
    6beatrice_gangi

    When Frances McDormand left, so did my soul

    In 2010, the women of a Mennonite community must come together to make a decision following the discovery of a terrible secret of the men in their community. There are three options: do nothing, stay and fight, or leave. Great. The incipit is undoubtedly as interesting as it is a thriving ground for opening an important dialogue on concepts such as faith, misogyny, and feminism.

    While it is an important film, and an important issue, I found the script to be profoundly insincere and artificial, in dialogue that is more like a skein of feminist slogans piled one after another. The way the characters express themselves, interact, and behave is mechanical and relegated to the stereotype of women they represent. To the most controversial character, McDormand's, I was sorry that, even in her being at fault, no space was left.

    On a technical level there is nothing particularly significant; the coloring is interesting, if not particularly aesthetic. The performances of course were good, as the cast is mostly made up of great actresses.

    Women Talking is commendable in its intended message, but otherwise it seems a wasted opportunity of cast as much as of reference material.
    6levybob

    Why 'Women Talking' Did Not Work For Me

    Sarah Polley's 'Women Talking' did not work for me. This story of a group of women - all of whom belong to a U. S. religious sect in the 1960's - who are physically and emotionally abused by their menfolk / husbands, seems more like a dispassionate, politically correct lecture, than a dialogue between real people. Real people in pain. And it should not have had that effect. Particularly in these times when the news is filled with detailed descriptions of what real men do to real women.

    Rooney Mara, Claire Foy, and. Jesse Buckley play three young women who had been drugged and sexually accosted, and who are now part of a 'commission' asked to decide what the community's women's next steps should be. Should they remain in the community and say / do nothing, remain and fight back, or pack up and leave? In making their decision, each of the three young women describes their lives and their reasons for voting as they do. Rooney Mara's character seems the most undecided, willing to see all sides of the argument and taking different positions over the course of the film. Claire Foy is angry and outspoken but I found it difficult to ascribe a preferred next-step to her. Jesse Buckley is the angriest and, at first, the most unwilling to leave her abusive husband, and it is that - her failure to realize how abused she is - that made me care less about her than I should.

    Two senior women participate in the commission and one, played by Judith Ivey - made the strongest impression on me. She has the wisdom that comes with age and the ability to put it into words. Ben Whishaw as the one man invited to the commission brings a startling honesty to the proceedings; he more than anyone knows the evil men can do.

    But for me, the film's 'failure' involves the three young women. There is a cold and distanced quality to their recitals. It is as though they are relating a film they saw, a book they read, rather than expressing the anger, the anxiety, the fear they all know very well.

    I should have been moved. I should have been angered. I should have been relieved. But I was not.

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    Handlung

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    • Wissenswertes
      Explaining the color grading of the film, director Sarah Polley said the filmmakers played with saturation levels to create a feeling of "a world that had faded in the past." This is why the film appears to be almost black and white, but not quite.
    • Patzer
      Nettie identifies as a man name "Melvin". The Mennonite do not allow members to identify as anything other than their biological sex and gender. In real life, Nettie would have been excommunicated. There are over one hundred different Anabaptist (Amish, Brethren, Hutterite, Mennonite) church groups, counting more than 6,000 congregations, all holding to slightly different traditions and their own interpretations of the Bible. The movie never identified the Anabaptist group of the colony.
    • Zitate

      Autje: [narrating] We didn't talk about our bodies. So when something like this happened there was no language for it. And without language for it, there was a gaping silence. And in that gaping silence was the real horror.

    • Verbindungen
      Featured in The Graham Norton Show: Claire Foy/Sarah Michelle Gellar/M. Night Shyamalan/Rob Beckett/Sam Smith (2023)
    • Soundtracks
      Daydream Believer
      Written by John Stewart

      Performed by The Monkees

      Courtesy of Rhino Entertainment Company

      By arrangement with Warner Music Group Film & TV Licensing

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    FAQ

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    Details

    Ändern
    • Erscheinungsdatum
      • 9. Februar 2023 (Deutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Offizieller Standort
      • Official site
    • Sprache
      • Englisch
    • Auch bekannt als
      • Ellas hablan
    • Drehorte
      • Enercare Centre, 100 Princes' Boulevard, Toronto, Ontario, Kanada(Barn interior scenes)
    • Produktionsfirmen
      • Orion Pictures
      • Hear/Say Productions
      • Plan B Entertainment
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Bruttoertrag in den USA und Kanada
      • 5.456.531 $
    • Eröffnungswochenende in den USA und in Kanada
      • 40.530 $
      • 25. Dez. 2022
    • Weltweiter Bruttoertrag
      • 9.276.103 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      1 Stunde 44 Minuten
    • Farbe
      • Color
    • Seitenverhältnis
      • 2.76 : 1

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