Als sich eine privilegierte und intelligente junge Frau als Heiratsvermittlerin versucht und im ländlichen England des 19. Jahrhunderts einen Partner für eine bescheidene junge Frau sucht, w... Alles lesenAls sich eine privilegierte und intelligente junge Frau als Heiratsvermittlerin versucht und im ländlichen England des 19. Jahrhunderts einen Partner für eine bescheidene junge Frau sucht, werden die Dinge werden nur noch schlimmer.Als sich eine privilegierte und intelligente junge Frau als Heiratsvermittlerin versucht und im ländlichen England des 19. Jahrhunderts einen Partner für eine bescheidene junge Frau sucht, werden die Dinge werden nur noch schlimmer.
- 1 Primetime Emmy gewonnen
- 1 Gewinn & 9 Nominierungen insgesamt
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Definitely the best Emma I've ever seen! The casting was perfect; it is a must watch that goes on the shelf with the other greats, Pride and Prejudice, Wives and Daughters etc. Emma was my favourite book out of all Jane Austens works and this film really does it credit! Michael Gambon is a great actor, he plays Emmas father so well! Jonny Lee Miller is my favourite actor to ever play Mr Knightley, he pulls it off with such ease. In the book he is described as having 'a cheerful manner that always did him good' and that is just how JLM portrayed him. Other Actors always seemed to play him to be a stern man who never smiles much etc, but he plays him just as I imagined he would be! Very impressed. Mr Elton is perfect! Handsome and thinks too much of himself. Romola Garai does play Emma very well. It took me a little while to get used to her but it didn't take me long to decide she definitely plays Emma better than anyone I've seen before. I've watched it twice and Im going to watch it again, most unusual for me I usually can only bear to watch a film once and I only watch it twice if its very good, three times means it amazing! You guys must see it, You will enjoy it if you like the book! Its a must watch!
With the enduring interest in the novels of Jane Austen, an author eons ahead of her time as far as writing stories that dealt with women's view of the world, it is not unexpected that the film makers repeat versions of these rollicking tales. This may be the fourth or so version of EMMA and for this viewer it is the most successful. A large part of the success of this version of the novel is both the screenplay by Sandy Welch and the direction by Jim O'Hanlon who elect to open the graphic gates of Highbury with a sequence that shares with the audience the background of the diaspora of the children whose parents have died and whose lives will eventually come together as adults. It works very well in setting the scene and the mood of class distinction so prevalent in England of the period.
Emma is brought fully to life by Romola Garai and this role further establishes her as one of the more important character actresses on film. The remainder of the cast is perfectly balanced, with Michael Gambon as Emma's ever needy father, Jonny Lee Miller as the perfect Mr. Knightley, Lousie Dylan as the ditsy Harriet Smith, Tamsin Grieg as the hilariously boring and mouthy Miss Bates, the striking Blake Ritson as the vicar Mr. Elton, talented Laura Pyper as Jane Fairfax, and Jodhi May as the governess turned neighbor Anne Taylor. The ensemble casting is as fine as any of the Austen transitions to the visual and the cinematography and costumes are first class.
The words may not all belong to Jane Austen (Sandy Welch has introduced some very apropos new lines), but the feel of the novel would likely please the author as much as it pleases the audience. The 4 episode BBC production comes in two CDs and the quality of production is superb. In every way, this EMMA is a joy.
Grady Harp
Emma is brought fully to life by Romola Garai and this role further establishes her as one of the more important character actresses on film. The remainder of the cast is perfectly balanced, with Michael Gambon as Emma's ever needy father, Jonny Lee Miller as the perfect Mr. Knightley, Lousie Dylan as the ditsy Harriet Smith, Tamsin Grieg as the hilariously boring and mouthy Miss Bates, the striking Blake Ritson as the vicar Mr. Elton, talented Laura Pyper as Jane Fairfax, and Jodhi May as the governess turned neighbor Anne Taylor. The ensemble casting is as fine as any of the Austen transitions to the visual and the cinematography and costumes are first class.
The words may not all belong to Jane Austen (Sandy Welch has introduced some very apropos new lines), but the feel of the novel would likely please the author as much as it pleases the audience. The 4 episode BBC production comes in two CDs and the quality of production is superb. In every way, this EMMA is a joy.
Grady Harp
Emma was really beautiful to watch. Though I will say, and I am not trying to be a killjoy here, but the book is better. In general, this mini series was very well done, not only in terms of acting but visually and musically as well. The mini series was exquisitely photographed, with camera work that never felt rushed in any way. It perfectly captured the breathtaking scenery and the gorgeous colourful costumes. I will confess whenever I watch a period drama I always look at how the drama is filmed, and as far as I am concerned Emma scored full marks on that. The music was just as perfect, very beautiful and pleasant. And the acting was fully professional. Romola Garai looked stunning as Emma and managed to stay true to her character. Johnny Lee Miller may look a bit too young, but I do think he was very handsome and charismatic enough as Knightley, and in general Miller is a very competent actor. The two leads's chemistry was convincing too. Michael Gambon is an exceptional actor, and he was superb as Mr Woodhouse. For me, any scene he was in brought some depth, darkness and poignancy that was very much needed. In fact, I don't think there was a single bad performance, maybe not the definitive interpretations, but solid enough. I do have two flaws with this mini series. It does distort the book, and I did notice some modernisations in the script, that sounded uneven and didn't quite work. My other flaw is that there were scenes that didn't quite ring true. As one reviewer said, the scene with the Knightley children screaming Uncle George was poorly done, and that is a real shame because the scene before I thought was very impressive indeed. Despite the flaws, it is a very solid adaptation of a wonderful book. 9/10 Bethany Cox
I was kind of dreading this, but it is now my favorite Emma adaptation. Much better than either the Paltrow or the Beckinsale version.
Romola Garai was as close to perfect an Emma as I could imagine. Jonny Lee Miller was an excellent Mr. Knightley. I adore Jeremy Northam but really he was almost too dishy to be a credible Knightley. With Northam around how could Emma ever think herself in love with anyone else? With Miller, Knightley became a more credible character -- that pleasant, cultivated, somewhat older man from next door that Emma had known all her life and never realized she loved because she was so used to him.
Michael Gambon was wonderful as Emma's father. He is easy to overplay to comic effect for his idiosyncrasies -- a foolish, fussy hypochondriac. With Gambon, he was more nuanced -- his fear of illness and accident was understandable (people did die of such things a lot in the 18th century, and he had lost his wife in tragic circumstances). He seemed genuinely loving of Emma, not just exploiting her as a dutiful daughter. You could understand why Emma was genuinely fond of him.
The rest of the cast was also excellent and the English countryside never looked so gorgeous.
There were some smallish glitches. I am quite sure, for example, that Frank Churchill would never have sprawled on the ground with his head on Emma's lap, as he did in the Box Hill scene. All Highbury would have been shocked.
Romola Garai was as close to perfect an Emma as I could imagine. Jonny Lee Miller was an excellent Mr. Knightley. I adore Jeremy Northam but really he was almost too dishy to be a credible Knightley. With Northam around how could Emma ever think herself in love with anyone else? With Miller, Knightley became a more credible character -- that pleasant, cultivated, somewhat older man from next door that Emma had known all her life and never realized she loved because she was so used to him.
Michael Gambon was wonderful as Emma's father. He is easy to overplay to comic effect for his idiosyncrasies -- a foolish, fussy hypochondriac. With Gambon, he was more nuanced -- his fear of illness and accident was understandable (people did die of such things a lot in the 18th century, and he had lost his wife in tragic circumstances). He seemed genuinely loving of Emma, not just exploiting her as a dutiful daughter. You could understand why Emma was genuinely fond of him.
The rest of the cast was also excellent and the English countryside never looked so gorgeous.
There were some smallish glitches. I am quite sure, for example, that Frank Churchill would never have sprawled on the ground with his head on Emma's lap, as he did in the Box Hill scene. All Highbury would have been shocked.
I was surprised to see the new Emma. It's back to the way Jane Austen wrote it. It's a slowly unfolding story about a not too pretty girl with character flaws. She has a temper, she gossips, she hurts peoples feelings, and she can't keep her promise to stop matchmaking. But she grows on you.
The plot is close to Austens novel. The only funny aspect comes from Gambon, although everybody's acting is good. I like it, when actors act with their eyes, in stead of rambling on about it. I think you'll notice more subtle hints if you know the story.
The first two episodes are not romantic. But then, you know Jane Austen pays a lot of attention to describing how to behave when you're a rich civilian in the country.
The plot is close to Austens novel. The only funny aspect comes from Gambon, although everybody's acting is good. I like it, when actors act with their eyes, in stead of rambling on about it. I think you'll notice more subtle hints if you know the story.
The first two episodes are not romantic. But then, you know Jane Austen pays a lot of attention to describing how to behave when you're a rich civilian in the country.
Wusstest du schon
- WissenswertesIn 1995, BBC had already commissioned Sandy Welch to write the script for an "Emma" mini-series. However, since Miramax and also Meridien were producing their own movies for cinema and television, respectively, the BBC canceled its own project. One decade later, the production was revived.
- VerbindungenFeatured in The 62nd Primetime Emmy Awards (2010)
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